Murder 3 Page #4

Synopsis: A hot-shot fashion and wildlife photographer Vikram gets into a relationship with Nisha. She moves in with him in his palatial house outside of the city. The old world house, made decades ago is as beautiful as it is scary. It holds many secrets which Nisha is soon to unearth; of the life of the man who made it and of Vikram, who is dealing with the mysterious disappearance of his former girlfriend Roshni.
Genre: Thriller
Director(s): Vishesh Bhatt
Production: Fox International
 
IMDB:
4.9
NOT RATED
Year:
2013
124 min
Website
346 Views


Nisha!

Hello?

Who is it?

Nisha, don't go.

Please don't go.

Nisha, please!

Here.

Here?

Yes...

this is where I heard the sounds.

Muffled...

choked...

Vikram, I am in here.

Please help me.

Vikram, please!

- And if female, 'Go away, banshee'.

If you ever trouble my Nisha

again, I will kill you.

I mean, make you alive again!

Okay?

The banshee is next to you.

Help me...

Vikram...

Yes?

I feel those eyes

are staring at me.

Put it away.

Please.

It's done.

I hope I can take a

good look at you now.

What is there left to look at?

What's the matter, Vikram?

Who called?

The cops found the body

of a girl and...

they think it might be Roshni.

What?

I have been called to

identify the body.

See you.

Stop dreaming.

I'm alive...

and I'm not going

to die any time soon.

Stan.

You're not the idiot...

I thought you were.

Stop.

Yes.

No, no...

Wait.

Stan.

Stop.

Is someone there?

Yes.

Vikram...

is that you?

You know I don't like

these pranks.

Who is it?

Grandpa?

Grandma?

Dad?

Grandpa? Grandma?

Roshni?

Yes.

Roshni, is it you?

Are you dead?

You wish.

I am alive.

Keep asking questions.

The more you ask,

the more you will know.

Think.

So you're alive?

Very good, Nisha.

Are you trapped?

Trapped and how!

Very badly.

Has Vikram locked

you up?

No...

my bad fate has locked me up here.

Can you see me?

Yes.

Are you behind this mirror?

Now you're talking!

Very good, Nisha.

The mirror in the

bedroom is a door?

Yes.

Amazing, Nisha.

Yes.

Think where the key

hole could be.

Come on...

Yes...

The key hole is right there.

Behind...

Yes...

Yes...

Nisha...

Nisha, what's going on?

Nisha!

Nisha!

What are you doing?

Open the door!

Nisha, come on.

I am sorry.

You conniving witch!

Witch...

With whom were you talking?

Nobody.

What happened...

the body?

That wasn't Roshni.

Are you alright?

Nisha...

only you matter to me now.

Roshni is no longer

a pan of my life...

not even as a memory.

Roshni doesn't exist for me.

I love you.

Don't leave me in here...

Don't leave me in here...

What's wrong?

You're drinking on duty.

Is something troubling you?

No...

nothing could trouble me.

Of course not.

Especially since you found yourself

a rich and famous boyfriend.

But I do hope that...

his ex-girlfriend doesn't show up.

If she comes back...

your love story

will get complicated.

Your game is up, Vikram.

Inspector Kamble

has been transferred.

Unfortunately for you,

fortunately for me.

Now your case...

I mean...

Roshni Verma's case is under

my command.

I'm the investigating officer.

Oh good.

What's the progress?

Have you got any leads?

I'm sure we will.

A criminal can never

out-smart the law.

All the best.

Vikram...

think before you

take any step.

What do you mean?

The fact is I'm not

worried about Roshni.

It's Nisha I'm worried about.

If anything happens to her...

If you hum her...

I will not investigate.

I will kill you.

I will kill you.

Got it?

I'm not in the mood

to reply to that.

Hi...

Where's my stuff?

Vikram, I moved

everything in here.

Why?

There are no plumbing problems

in this bathroom.

And the view from this

room is much better.

Don't you like it?

In the future, I'd like you to tell

me before you take such decisions.

I wanted to surprise you.

I don't like surprises.

If you are here to see Vikram,

he's not home.

He's at the studio.

A rich lover has gifted his

new girlfriend an old key.

Or is it the key to a treasure?

It's none of your business.

You may leave.

People don't behave in this manner,

not even with strangers at their door.

The funny thing about time is...

that it always keeps changing.

Listen...

- You listen to me.

I hope you like my gift.

Thanks for the insult.

Roshni...

Roshni...

Sir, some has given

packet for you.

Where is Nisha?

Where is Nisha?

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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