Murder Most Foul Page #6

Synopsis: Although the evidence appears to be overwhelming in the strangulation murder of a blackmailer, Miss Marple's sole 'not guilty' vote hangs the jury 11-1. She becomes convinced that the real murderer is a member of a local theatrical troupe, so she joins them in order to gather information. The clues lead back many years to a single disastrously unsuccessful 1951 performance of a dreadful play written by the group's hammy director, H. Driffold Cosgood. Although at that time, several of the current cast members were only children, more murders follow before Miss Marple ultimately exposes the killer.
 
IMDB:
7.2
UNRATED
Year:
1964
90 min
426 Views


All you care about

is your play and your stupid old self

and no, I won't play the housekeeper!

All right, Miss Marple.

Cyanide gas, but how?

- I think I can explain that.

- No doubt.

I take it from your tone that

you did not have second thoughts

about seeing

the Chief Constable yesterday.

- If you can explain, please do so.

- Very well.

Now!

So what? My wife has one.

Presumably

she doesn't cook candle wax.

No, she doesn't.

There is a little

at the bottom of that saucepan.

This is what happened.

The murderer set the dials

so that the gas

came on at 12:
55 precisely

under this saucepan that

contained a small wax cup of acid

and a pellet of sodium cyanide.

The wax melted,

the acid flowed over the pellet.

Result:
a sudden release

of cyanide gas. Lethal.

I see.

At one o'clock precisely,

the gas turned itself off...

..now!

Leaving nothing

but an innocent saucepan on the hob.

Yes. That means whoever we're looking

for must have specialist knowledge.

Oh, no.

Exactly the same murder method

is employed in our play on Monday -

Out Of The Stewpot.

Any one of the company

could have done it.

The way things are now I am tempted

to arrest the whole lot of them.

- Really?

- Yes, really.

What you've found out, what we've

found out... look at what we've got.

Cosgood.

He told you he'd only

just written Remember September

and yet we know

it was produced in 1951.

Victim one,

Mrs McGinty was in it.

This fellow Summers,

we know he took Mrs McGinty out

when the company was in Milchester,

the week she was murdered.

His wife, Maureen, knew

about this and she didn't like it.

Then there's this spooky girl, Eva.

She was having a romance with victim

number two, George Rowton,

and he tossed her aside like a...

- Worn-out glove, sir?

- Yes.

Then there's young Arthur -

that note was typed on his typewriter

and as a result, victim number three.

There is a point here.

In 1951, the younger members of the

company would have been children.

Yes, by George.

If that performance

of Remember September in 1951

started this whole thing,

then none of those youngsters -

Eva, Bill, Sheila, Arthur -

could have anything to do with it.

Anyone could have gone into Arthur's

room and used the typewriter.

- He's here.

- What?

- He's here, sir.

- Oh, yes.

- Would you wait here a moment?

- Wait?

Please. Sergeant.

I wonder why the iron was hot?

- What are you doing here?

- Well, I...

You asked me to drop in

the cast list when I passed.

You know, Remember September.

You were passing

at 2:
30 in the morning? Come now.

Yes.

As a matter of fact, the Inspector

was kind enough to send a car.

He thought I might succeed where

he had failed to persuade you...

- To desert my post?

- This is a dangerous place.

- These are dangerous people.

- Only one of them.

- The time has come for plain speak.

- Please, Jim, I'm thinking.

It's here that the answer lies.

Driffold Cosgood, Ralph Summers,

Margaret McGinty, Rose Kane.

Rose.

Rose.

Mr Stringer, we have here

in addition to Margaret McGinty,

an actress called Rose Kane.

I don't understand.

Don't you see? "A rose

by any other name would smell".

- The blackmail note.

- Oh!

Mr Stringer,

tomorrow I must do some digging.

- Digging?

- Yes, into the past.

You mean this Rose Kane?

Yes.

You seem

to remember her well, Mr Tumbrill.

- What is your interest in her?

- I simply want to trace her.

I've been outside

the profession for many years now

and so the only way l...

If you're an old friend of hers,

I'm afraid you're in for a shock.

- Oh?

- Poor Rosie was hanged.

- What?

- Yes.

A terrible business,

terrible business.

Will you?

Not so soon after breakfast,

thank you. You were saying?

Oh, yes, terrible.

I shall never forget it.

She opened in this play

somewhere in the sticks.

It was a unique flopperoo,

it didn't even run the night.

Anyhow on the same night, believe it

or not, she poisoned her husband.

- Did she indeed?

- Yes, she did.

She sent her kid out to buy

half a pound of garlic sausage

and then doctored it

with weedkiller.

There was a child?

Must have been

- Boy or girl?

- Never saw the kid myself.

Can't even remember its name.

Some friend took it in for a bit

then popped it into an orphanage.

That friend, was her name McGinty?

Yes, that's right.

Maggie McGinty, blonde, flighty.

Why ever did Rose do it?

- Usual thing - another man.

- Who was he?

He never came forward

and she never named him.

Then it could be

the lover or the child.

Eh?

I wonder if I might have

this photograph as a keepsake?

Oh, by all means. Yes, by all means.

One of mine

that got away, you might say.

I won't take up

any more of your time.

Allow me.

- Evelyn!

- I beg your pardon?

Rose's kid.

Evelyn, that was the name.

Evelyn.

Nothing like champagne

for a champagne occasion.

Uncommonly civil of you, dear lady.

- What about a toast?

- Of course, of course.

To success, to us, all of us

and particularly to our hostess, long

life, dear lady.

Oh, Mr Cosgood, such lovely flowers.

- Who's that?

- What?

She was an actress

called Rose Kane.

Why do you ask?

I don't know,

but somehow she means death.

It's something to do with George.

Five minutes, boys and girls.

The party's over.

All you have to do

is speak your lines clearly,

try not to trip over and we'll

run longer than The Mousetrap.

See you on stage, dear lady.

Don't forget,

it's Rona La Plante who's dead.

Well, Driffold, tonight's the night.

- It most certainly is. Got the gun?

- Yes.

What does

she want to see us about, sir?

I don't know.

Come in.

Well, Miss Marple?

Good evening, Inspector.

There's something you should know

before you go in to see the play.

Oh, what?

I think our murderer

will try to kill me again tonight.

Again?

The first attempt failed.

Poor Dorothy perished instead.

What are you talking about?

The iron was hot, you see.

I burnt my hand.

No, I don't see.

When I went into

Dorothy's room earlier that night

there was washing on the line.

I think she did her ironing later and

forgot to switch off.

Then in the middle of the night

she remembered

and went to the kitchen to do so.

She walked into a trap meant for you?

That note was left outside my door

deliberately to lure me down.

We are going to stay right here

and not let Miss Marple

out of our sight.

You mustn't do that.

We must put no obstacle in the way.

- You can't be serious?

- Never more so.

You see, our murderer

set a trap for me.

I have just returned the compliment.

- Miss Marple, I've brought the...

- Let me have it, Mr Stringer.

- Thank you.

- What's that?

Life insurance, Inspector.

Life insurance.

Beginners on stage, please. Beginners

on stage.

Will you please excuse me, gentlemen?

We've been through that before.

You know that I have committed myself

to this way of life

and I won't give it up.

You're living here, a son of mine!

I live where I choose.

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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Submitted on August 05, 2018

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