Murder Most Foul Page #7

Synopsis: Although the evidence appears to be overwhelming in the strangulation murder of a blackmailer, Miss Marple's sole 'not guilty' vote hangs the jury 11-1. She becomes convinced that the real murderer is a member of a local theatrical troupe, so she joins them in order to gather information. The clues lead back many years to a single disastrously unsuccessful 1951 performance of a dreadful play written by the group's hammy director, H. Driffold Cosgood. Although at that time, several of the current cast members were only children, more murders follow before Miss Marple ultimately exposes the killer.
 
IMDB:
7.2
UNRATED
Year:
1964
90 min
441 Views


Come in, Eva.

Now, don't scream.

Don't speak. I'm taking you somewhere

where we won't be interrupted.

If you do anything, I'll kill you.

Now, open that door!

A couple of years in jail, what's

that? It might be the making of you.

You may think

the police are fools, Stanley,

perhaps some of them are

but not all, son, not all.

If anyone tries to come through here,

I want to know who it is

and what he wants.

Very good, sir.

Hey, what's all this about?

Miss Marple, I've covered every...

Sergeant!

- Sheila, have you seen Ralph?

- No.

- Where is she?

- In the dressing room.

She isn't, you idiot.

We've got to find her.

Look, Dad, can't we cut this short?

I'm expecting a visitor in...

..in a few moments.

One of your worthless friends

no doubt.

It's the girl I'm going to marry,

if you must know.

Look at me!

Look at me!

What's the matter?

I want you to know

why you're going to die.

I want to know that too.

You killed him.

I don't know why, but you killed him.

By him, you mean

George Rowton, don't you?

Yes.

You were in love with him.

Yes, I loved him and you killed him.

No, you're mistaken, my dear.

He was killed

by someone called Evelyn Kane.

I don't believe you.

I know it was you. I've felt

it was you from the beginning.

You can't do it!

You're no more

capable of murder than I am.

You were quite right,

she couldn't have done it.

A pity, I thought

she might have saved me the trouble.

- Aren't you supposed to be on stage?

- I am, Miss Marple.

Hundreds of people will swear I am,

hiding behind the curtain.

It's very simple really.

Remember when Cosgood

dropped through the trap?

I've done the same.

In exactly three minutes

I shall be back on stage on cue,

but you, I'm sorry to say,

will not be answering yours.

You're Evelyn Kane, aren't you?

Rose Kane's son.

Oh, yes.

Evelyn, what a name.

I soon changed that.

The McGinty woman

found that out, didn't she?

When you were playing in Milchester,

she recognised you,

and as you were marrying an heiress,

she saw an opportunity for blackmail.

She threatened to tell

Sheila's father unless I paid her...

..so I kept her quiet.

- Where could I find the money?

- George Rowton.

She wanted 100, so I forged

George's name on a cheque.

I couldn't let him

find that out, could I?

So they both had to die.

Poor old Dorothy...

..that was meant for you, of course.

I had meant to wring your neck,

but Eva's been very obliging.

Her fingerprints are on that

and I'm on stage.

Wait!

I borrowed this from Mr Summers.

You can't fool me

with a prop gun filled with blanks.

Oh, no, not blanks. A friend of mine

procured me some insurance.

I'll risk it.

I should warn you,

I won the Ladies Small Arms

Championships at Bisley in 1924.

Bully for you.

Oh, dear!

I thought I heard something.

Come out of there!

Bill, you stupid...

Inspector.

Oh, dear.

Oh, dear.

With a bit of rest and some luck,

the doctor says I should be

out of here in a few days.

Splendid. I'm thankful the blow

caused no permanent damage.

- Now if you'll excuse me.

- Thank you very much, Miss Marple.

There is one thing

I thought you might like to know,

as a result

of my work on this case,

I'm to be promoted

to Chief Inspector.

Oh, I'm so glad. Congratulations.

Yes, well, thank you, Miss Marple.

Not at all, Inspector,

Chief Inspector.

Au revoir.

Forgive me

if I fail to rise, dear lady.

I quite understand, Mr Cosgood.

I've brought you some magazines

to help while away the time.

Ah, yes, time, time.

I've been lying here contemplating

a bleak future unless...

Unless?

I wondered if you'd given any thought

to my play, Remember September?

It has been rather on my mind.

Dear lady,

I have a small confession to make.

I left the script in your room.

Really?

I hoped it might make

an impression on you.

- It did.

- Good.

With one or two

minor alterations in the second act,

I have here a very valuable property.

I'm so happy for you, Mr Cosgood.

There is, however, one little snag.

Oh?

Yes, it's sordid of course,

when dealing with the arts,

but a play, whatever

its merits, requires a backer.

Mr Cosgood,

whatever I may or may not be,

I am definitely no angel!

Goodbye and good luck.

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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Submitted on August 05, 2018

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