Murder She Said Page #3

Synopsis: Old miss Marple is on a train ride when she witnesses a murder in a passing train. She reports it to the police but they won't believe her: since no body can be found there can't have been any murder, right? As always, she begins her own investigation. The murder was committed while passing Ackenthorpe Hall and miss Marple gets herself a job there, mixing cleaning and cooking with searching the house for clues.
Genre: Comedy, Crime, Drama
Director(s): George Pollock
Production: WARNER BROTHERS PICTURES
 
IMDB:
7.4
Rotten Tomatoes:
83%
UNRATED
Year:
1961
87 min
658 Views


How old were you?

Mind your business.

Anyhow, it was a miserable weekend.

I hope it'll be a long time before

I have to put up with them again.

Not a nice way

to talk about one's family.

Not a nice family. You know what

that overgrown beatnik Cedric did?

He told Emma in front of me

she should get away and get married.

Trying to make her

as selfish as he is.

I don't know. If Emma did marry,

it wouldn't be such a bad thing.

Father, I thought I'd tell you,

I'm just going into town.

I'm leaving. Can I give you a lift?

Why do you want to go to town?

Can't she go for you?

It's tradesmen. A few bills to pay.

Oh, money, that's a different thing.

You can't trust anybody

these days. Off you go.

- May I be of service?

- Thank you.

Of course you can, save the price

of a taxi. I pay you enough as it is.

It will be on your bill.

Are you ready?

- Only my coat.

- Good.

Friday then, Mr Ackenthorpe.

Good day, Miss Marple.

Good day, Doctor.

If you don't

shut those windows, you'll be fired!

In that case, I shall require

four weeks wages in lieu of notice.

- Get out of my sight, woman!

- With pleasure!

Your weight isn't evenly distributed.

I'll have you know that I won

the Ladies Open Handicap in 1921.

- Really?

- You must have many things to do.

Not at all, I'm most interested.

We've never had a golf-playing maid.

This is the age of the common woman.

- You hooked.

- I'm aware of it.

- You know something?

- What?

I believe

you pulled those shots on purpose.

Alexander,

if you wish to be helpfuI at all,

will you kindly look for the hook

while I look for the slice.

- Found yours yet?

- Yes, have you?

- Disappeared without a trace.

- Fortunately I have some more.

At the present rate,

you're going to need them.

Perhaps you could

demonstrate the next one.

Certainly.

Let's see how close

you can get to those outbuildings.

Yes, I think that's possible.

Fair.

You know perfectly well

it was superb for a boy of my age.

A chip and a putt

and I'd have holed out in three.

Does you grandfather

keep horses, Alexander?

He did. Now he just keeps relics

of a more spacious age.

Nostalgia, you know - a failing

of the old, I suppose. Like to look?

Well, I think

I'm old enough, don't you?

An old-fashioned pony chaise.

It was used for going to the village.

And the Victoria

for going to church?

Yes, on Sundays

in the summer I believe.

The brougham is

for the winter perhaps?

Yes, I expect so.

It's haunted here. Grandfather found

a man hanging from this rafter.

- Oh!

- He'd been dead for a week.

- All purple, you know.

- Alexander!

- What was that?

- I wonder.

- All right, I'll look.

- All yours.

Dear, dear.

We are nervous, aren't we?

- Pity.

- What did you expect to find?

- Bodies.

- What?

Live ones, of course.

Used to be quite a spot

for courting couples

till Grandfather got

Hillman to put a stop to it.

Quite extraordinary

the goings-on here.

- Apparently, this girl...

- That's enough.

There may be

some other poor bird trapped.

Look. Somebody else must have been

in here. This isn't Aunt Emma's.

It's mine. I must have dropped it.

Thank you so much.

It was bequeathed to me.

Are you on the run from the police?

Too much television. You must learn

to rationalize your imagination.

What's behind there?

More relics from the past?

Yes. The fruits

of Grandfather's Egyptian phase.

Indeed.

How interesting.

- No one's allowed in there.

- Let go!

What are you up to?

- The boy was showing me round.

- What boy?

- Alexander!

- You're lying.

Alexander, come out of there at once.

I thought discretion

the better part of valour.

He's not above

clipping a person's ear.

Your grandfather don't like snoopers.

Don't think I won't tell him neither.

Despite the double negatives,

I'm sure you will. Come, Jane.

Good for you, young man.

What?

No! No!

Now listen, Mr Stringer,

I want you

to inform the police anonymously.

Don't mention me yet,

I wish to be

in at the kill so to speak.

Miss Marple, really!

All right, but it makes my blood

run cold to think of you there alone.

I was wondering perhaps

they have a vacancy for a gardener?

They've got one.

Very well, I'll do as you say.

The compact! If the murderer

should know that you have it...

I'll be carefuI, dear Mr Stringer.

Now, phone the Inspector right away.

- Well?

- I've never seen her before.

No, she's not from these parts.

Whoever she is,

I want her out of here at once.

If you hadn't left the barn unlocked,

we wouldn't have

these people poking their noses in.

- Are you all right, Father?

- Of course I'm all right.

I have seen a corpse before.

I'll be one myself soon.

Perhaps you'd better go back

to the house. I'll follow you up.

Whoever it was

tried to get her in here first.

It must have taken

the strength of a maniac to shift it.

- Inspector?

- Yes, Doctor?

I don't know if this is helpfuI.

- Go on.

- Well, the woman...

No one recognised her and her

clothes struck me as being foreign.

Perhaps French.

Yes, that's very interesting.

Thank you, Doctor.

Well, it was just a thought.

It may be a usefuI one. Thank you.

That explains why I didn't recognise

her. I know every face around here.

I'm sure you do.

I have to assume there's a connection

between her and the family.

I think

I'll get the whole bunch down here.

They hate the sight of each other.

So I believe. Anyway, routine first.

Have they got any other servants?

Yes, they have, Inspector.

Good Lord! You!

Yes.

Dotty old me.

In there please.

It's only a cigarette packet -

of doubtfuI significance, I'd say.

I'll bear your views in mind.

Any idea

what you expect your fellows to find?

- Clues.

- Well, naturally.

Do you seriously

think they'll find anything?

Well, somebody dragged the body

from there over to there.

Something could have been dropped

in the process, don't you agree?

- Yes. Yes, I do.

- Did you find anything?

No, Inspector. Not a thing.

- The family is here by the way.

- Thank you.

I'll get around to them later.

They'll enjoy that, I'm sure.

Good hunting.

Some idiot strangles his girlfriend,

which she probably deserved

and what do they do -

swarm all over the place and

mess about in our private affairs.

I said to Inspector Haddock

or whatever his name is...

Craddock, sir. Shall I pour?

Of course.

Anyway,

I said to this fellow, Haddock,

that no member of my family

had ever seen the woman before.

- What makes you so sure of that?

- Cedric, this is absurd.

She wasn't from around here

and she was found in our stable.

One of us could have known her.

- Maybe she was your girlfriend.

- What?

Yes, yes,

I suppose Cedric has a point there.

- He never has a point.

- I mean from the police's viewpoint.

You're not too concerned

with the family reputation.

You're not a member of it,

are you, strictly speaking?

Who telephoned the police?

Oh, I know who did that!

Oh, who?

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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Submitted on August 05, 2018

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