Murder She Said Page #5

Synopsis: Old miss Marple is on a train ride when she witnesses a murder in a passing train. She reports it to the police but they won't believe her: since no body can be found there can't have been any murder, right? As always, she begins her own investigation. The murder was committed while passing Ackenthorpe Hall and miss Marple gets herself a job there, mixing cleaning and cooking with searching the house for clues.
Genre: Comedy, Crime, Drama
Director(s): George Pollock
Production: WARNER BROTHERS PICTURES
 
IMDB:
7.4
Rotten Tomatoes:
83%
UNRATED
Year:
1961
87 min
667 Views


Goodbye.

- Do you know what that was about?

- Yes.

- I do.

- Why didn't you tell me?

I'm in love with Emma, Inspector.

I want to marry her.

I told her

she should tell you about this.

You didn't insist?

No, it was important to me, to us,

that she made up her own mind.

I understand, Doctor.

Thank you. Is that all?

Is the dead woman Martine?

- Who else could it be?

- Was she killed by a family member?

I'd rather not answer that.

All right.

- Thank you.

- Thank you.

Well, sir?

- I'm worried, Bacon.

- About the doctor?

No, no, not him.

I'm worried about Miss Marple.

- Looking for something, Miss Marple?

- No!

Are you... are you all right?

Yes, perfectly, thank you.

What is it you want?

I thought I'd take up the old boy's

night cap and save you the trouble.

That's kind of you. It is ready.

A storm, I expect.

The electricity supply is rather

shaky, like the rest of the place.

- You're a bit shaky too, aren't you?

- No, not at all.

- Thank you.

- Thank you.

Oh, my goodness! What are you doing?

- Looking for light.

- You ought to be asleep.

I happen to be reading.

Oh.

May I ask what you're doing?

Trying to provide light.

Oh, I see.

You won't find it there, you know.

- Indeed?

- It's a power failure.

Often happens. May I borrow this?

- Alexander, come back!

- Good night, Jane.

Who's that? Who is it?

Oh, Mr Cedric.

It's a power failure. Often happens.

- I'll have to find some candles.

- Just a minute.

My sister says you started

work here only a few days ago.

You don't look like a domestic.

I have to earn my living

like anybody else.

The day after you arrived,

the body was discovered.

- You found it.

- What makes you think that?

It fits and so neatly.

You telephoned the police.

I am not the person

who telephoned the police.

- You're not?

- No.

Who are you? What are you doing here?

I have already told you.

I'm going to watch you

very closely, Miss Marple... Jane.

Oh, Hillman.

I want to have a word with you.

Get out!

Oh... help!

What is it?

Albert. See to Albert...

Alexander, call the doctor. Quickly!

There was nothing I could do for him.

How are the others?

Emma, Cedric, Harold and Eastley have

had only minor effects.

The old man will be all right.

He's a tough old bird.

They will recover by morning.

- No doubt about the cause?

- No.

- They were all poisoned.

- Well... thank you, Doctor.

Quimper! Quimper!

Harold - I might have expected him

to bellow the hardest.

This is the last chicken stock.

- Finished?

- Just about.

See that stuff gets to the lab.

That's it for tonight.

Well?

Mushroom soup, curried duck and rice

and apple pie.

Thank you.

- Mushroom soup out of a can?

- Certainly not.

Half a pound of mushrooms,

chicken stock, milk, flour,

lemon juice, a touch of herbs...

Hmm. Mushrooms?

I had some of the soup myself -

superb!

Oh, I'm sure! The pie?

I'm afraid I never can resist

my own pie, Inspector.

Anybody else's, of course.

- The curry?

- Exactly.

Good, of course,

but rice you see... fattening...

and as I was having the pie...

Where did the duck come from?

Oh, those... Mr Harold shot them.

He seems to be rather fond

of killing things.

Alexander doesn't seem

to have had any curry either?

No. I thought it would appeal to him.

Curious child.

Well, did anyone enter the kitchen

while the cooking was going on?

Not while I was there.

I do have other duties, you know.

Anyone could have come in.

Six people are poisoned...

only one dies.

I'm thinking about that too,

Inspector.

Message from the Chief Constable.

- He's waiting for your report.

- All right.

- In person, sir.

- Get the car, I'll be a minute.

Very good.

I think the two killings

are connected, don't you?

Yes, I do.

We've got to find out

who has that compact.

I've only been able to search

one room.

- Oh, whose?

- Unfortunately, Albert's.

Oh!

- Miss Marple, I have to go.

- Oh, yes, I know.

A policeman's work is never done.

Nor a woman's.

I was going to say,

please be carefuI.

If you think of anything,

do take me into your confidence.

The lab boys turned it up

as arsenic in the curry.

Not a lot, just enough for

stomach aches. Not enough to kill.

- So Albert had an extra dose?

- Why poison the others at all?

If the poisoner is a member of

the family, he had to be ill as well.

Well, say it isn't, sir.

I mean that gardener of theirs -

Hillman.

Locals say he's in for a nice bequest

when old Ackenthorpe goes.

- It is a possibility.

- You're forgetting the dead woman.

This poisoning means

she was Martine Ackenthorpe.

Have the French police

come up with something then?

Only that there's no record

of a marriage.

The village where Ackenthorpe

was stationed was blown to bits.

- All files were destroyed.

- Well?

Don't you see,

it's the pattern of the killings.

Only a family member

would want her dead too.

Yes, kill off all your relations in

easy stages except the old man.

When he dies naturally,

inherit the fortune and the property.

Albert must have got his second dose

after dinner, possibly in a drink.

Don't drink that.

- Why not?

- Because it's lunch time.

Oh! What is it?

Beef broth and baked custard.

- Beef broth? I ordered beefsteak.

- The doctor said beef broth.

To blazes with him!

I give the orders.

I'm sick of slops. Take it away!

Certainly.

Hillman, another bottle.

Surely you know

that if the woman was Martine,

by giving the letter to the police

the finger points at one of us.

Not only for her death,

but Albert's too.

- Exactly. One of us.

- I expected that from you!

Oh, come now,

you're thinking exactly as I am.

If you didn't do it...

you're thinking it was me.

Stop it! Stop it!

Or even you, dear Emma.

I think we've had enough

of this nonsense.

I bet the police don't think so.

Say what you like,

but please leave Emma out of it.

Well, it could be argued

that Emma kept that letter to herself

to use it to her own advantage.

You'd better explain that.

Well, the moment Martine's body

was discovered

everyone in this family was under

suspicion, including you, Emma.

The moment you produced the letter,

everyone was under suspicion...

excluding you.

- I hadn't thought of it like that.

- You must be round the bend.

The woman was strangled. Do you think

your sister capable of that?

Oh, but Emma's an attractive woman,

don't you think so?

Well?

A pretty lady doesn't need to do

her own dirty work.

Emma, let's leave them to it.

Now, now, Eastley. Emma has her eye

on the doctor, you know.

It won't be so easy for you to marry

into the family again.

Oh, that hit home, didn't it?

Yes and I'm about ready

to break your blasted neck.

Very possibly,

but tell me something first.

Did you meet Emma secretly the night

before the body was found?

- Well, I...

- Hillman saw you.

We did meet that night, yes.

- He asked me to mediate with Father.

- Oh, what for?

I wanted to borrow money.

Oh, my goodness!

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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Submitted on August 05, 2018

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