Murder She Said Page #6

Synopsis: Old miss Marple is on a train ride when she witnesses a murder in a passing train. She reports it to the police but they won't believe her: since no body can be found there can't have been any murder, right? As always, she begins her own investigation. The murder was committed while passing Ackenthorpe Hall and miss Marple gets herself a job there, mixing cleaning and cooking with searching the house for clues.
Genre: Comedy, Crime, Drama
Director(s): George Pollock
Production: WARNER BROTHERS PICTURES
 
IMDB:
7.4
Rotten Tomatoes:
83%
UNRATED
Year:
1961
87 min
667 Views


What are you doing?

- Making up the bed.

- You made it up this morning.

Yes but the pillowslips

need changing.

They look all right to me.

But not to me.

Oh, what am I doing?

I do wish that woman would hurry up.

They know I don't like the dark.

Are you afraid

some man will get you?

It's funny how things

come together.

My sister's eldest had measles

and then her Ernie broke his arm

and her husband came out all over

with boils, all in the same week.

You wouldn't believe it, would you?

It will be the same thing here.

First that nasty murder,

then Mr Albert poisoned.

Who's going to be next?

Things always go in threes.

Here you are.

Sorry to keep you, but the doctor was

with Mr Ackenthorpe.

Hmm! Long wait for very little.

The younger generation.

Well, I don't know!

What's the matter?

It's Mr Harold.

Did he use it or did somebody else

pull the trigger?

It adds up if it was suicide.

Harold killed the other two,

got cold feet

and took the easy way out.

They all knew he liked shooting

before dinner at the Hall.

He was shot from a two-inch range.

All right.

Someone he knows casually

asks him for the gun and...

It could still be suicide.

That's what the murderer

wants us to think.

We can't risk any more killings.

Come on.

- Where to, sir?

- The Hall.

I'll find the compact even if I have

to turn the place upside down.

Excuse me, sir,

there's a Miss Marple to see you.

- Come in. Good afternoon.

- You were going somewhere?

- Yes.

- I'll come to the point at once.

BeautifuI little piece, isn't it?

- Who had it?

- Alexander.

I should have realised.

That boy's incorrigible.

Playing it at midnight like that.

Typical.

- So we're back where we began?

- No, Inspector.

I think I know who our murderer is.

The difficulty is getting him

to show his hand.

- Sit down, Miss Marple.

- Thank you.

Hold that expression.

Oh, pity, you spoilt it.

What's the matter?

Things not working out for you?

You make everything you say

sound like an insinuation.

He works at it.

Do stop fussing, Quimper.

If I wish to come down,

I shall do so.

I think this chair, Hillman.

- Father, don't you...

- Don't start!

Sorry, Emma,

but once his mind is made up...

I'm not going to stay up there

all alone.

Might get murdered in my bed.

At least there's safety in numbers.

- I quite agree with you.

- That makes a nice change.

I want a drink.

No, not you... Quimper.

Then I must leave.

Don't smother me with it,

put it over my knees!

This is all very cosy.

How about a rubber of bridge?

Just a thought!

What have you got there, boy?

A charming little thing.

French, second empire.

Valuable, I'd say.

Where did you get it?

It belongs to Miss Marple.

- You had better give it back.

- I only borrowed it.

I'll drop it in on my way to bed.

- Come in, Doctor.

- You were expecting me?

- Didn't Alexander tell you?

- Tell me what?

ForgetfuI boy.

I have a sore throat

and asked him to ask you

to look at it before you left.

I see.

I haven't had one of these throats

in years.

Well you've been lucky, Miss Marple.

Any headaches?

No, just the sore throat.

Well, we'll have a look.

This is attractive.

- Yes, isn't it?

- Where did you get it?

- I found it.

- Oh, where?

- In the stables here.

- Really?

Open wide, please.

- Say, "Ahh".

- Ahh.

No inflammation.

Don't you think that was dishonest,

keeping the compact?

Under the circumstances, Doctor, no.

- Is there any swelling?

- I don't think so.

I've seen you like that once before,

your hands at a woman's throat.

It was on a train

and you were strangling her.

- That's quite an allegation.

- I have a few more.

Oh?

You want the compact because

you had given it to that woman

and it might be traced back to you.

- I think she was your wife.

- Do you?

You killed her after you had written

that letter to Emma.

- You signed it Martine Ackenthorpe.

- Why should I do that?

The murder - so that you would then

be free to marry Emma.

The letter - so that people would

think the dead woman was Martine

and look among the family

for the killer...

...never at you.

How did you arrive

at this fascinating hypothesis?

It was I who found her body.

Martine was, or is, for all I know,

a Normandy peasant.

The dead woman

had never worked on a farm.

I saw her hands.

- Go on.

- Certainly.

You proceeded to augment

your prospects...

...by eliminating Albert and Harold.

How, conceivably?

You contrived to introduce arsenic

into my curry,

which I find unforgivable,

knowing that you would be asked

to deal with the after-effects.

Easy then to give Albert

his final dose in the medicine.

And Harold?

You shot him

and made it look like suicide.

Ingenious, I must admit.

More than that.

Now you are here to secure

your wife's compact...

...a fair case.

Yes, a pity you won't be able

to present it.

One more murder, Doctor,

might be one too many.

This won't look like murder,

Miss Marple.

The death certificate signed by me

will register heart failure.

- All right?

- Yes, thank you.

You're under arrest. I warn you...

That everything was recorded

and will be used in evidence.

You were right about everything.

You're a very brave woman,

Miss Marple. Good night.

Oh!

About time too!

I was coming up to see you

before leaving.

No need to leave.

I have my own home.

- Sell it!

- Why on earth should I?

Well...

taking one thing and another...

...I mean, you're a fair cook

and... er... you seem to have

your wits about you and...

Well, I've decided to marry you.

- Well?

- Well, I'm honoured, of course.

Yes, but come to the point.

- I'm afraid that cannot be.

- Why?

Well if I ever do embark on such

a venture, there is someone else.

Nonsense! I don't believe it.

Who would have you?

Apparently you for one,

Mr Ackenthorpe.

Goodbye.

The woman is completely unbalanced!

- Oh, Miss Marple, I am so glad...

- How good of you to come.

- Let me help.

- Thank you.

Rate this script:0.0 / 0 votes

David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

All David Pursall scripts | David Pursall Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Murder She Said" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/murder_she_said_14253>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Murder She Said

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the director of "Avatar"?
    A Peter Jackson
    B Quentin Tarantino
    C Steven Spielberg
    D James Cameron