My Neighbor Totoro

Synopsis: Two young girls, Satsuki and her younger sister Mei, move into a house in the country with their father to be closer to their hospitalized mother. Satsuki and Mei discover that the nearby forest is inhabited by magical creatures called Totoros (pronounced toe-toe-ro). They soon befriend these Totoros, and have several magical adventures.
Director(s): Hayao Miyazaki
Production: Tokuma Shoten
  5 wins & 2 nominations.
 
IMDB:
8.2
Metacritic:
86
Rotten Tomatoes:
94%
G
Year:
1988
86 min
4,749 Views


00:
00:28,930 -- 00:00:29,650

Totoro

2

00:
00:29,810 -- 00:00:37,490

arukou arukou watashi wa genki

Let's walk, let's walk, I'm fine

3

00:
00:37,660 -- 00:00:45,500

aruku no daisuki dondon yukou

I like to walk so let's go on

4

00:
00:45,660 -- 00:00:53,829

sakamichi tonneru kusappara

Hills, tunnels, grass

5

00:
00:53,830 -- 00:01:01,779

ippon bashi ni dekoboko jari michi

Bridges, and bumpy gravel roads

6

00:
01:01,780 -- 00:01:09,850

kumo no su kugutte kudari michi

Crawling under spider webs and downhill

7

00:
01:17,850 -- 00:01:25,580

arukou arukou watashi wa genki

Let's walk, let's walk, I'm fine

8

00:
01:25,800 -- 00:01:33,669

aruku no daisuki dondon yukou

I like to walk so let's go on

9

00:
01:33,670 -- 00:01:41,719

kitsune mo tanuki mo dete oide

Come out, foxes and raccoons

10

00:
01:41,720 -- 00:01:49,689

tanken shiyou hayashi no oku made

Let's explore deep into the woods

11

00:
01:49,690 -- 00:01:57,849

tomodachi takusan ureshii na

Happiness with many friends

12

00:
01:57,850 -- 00:02:08,240

tomodachi takusan ureshii na

Happiness with many friends

13

00:
02:31,000 -- 00:02:33,230

Father, caramel.

14

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02:33,340 -- 00:02:36,261

Thanks. Aren't you tired?

15

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02:36,262 -- 00:02:38,280

We're almost there.

16

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02:49,310 -- 00:02:51,080

Mei, hide!

17

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02:56,220 -- 00:02:58,530

It wasn't a policeman.

18

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03:30,724 -- 00:03:33,960

Hello. Are your parents around?

19

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03:35,810 -- 00:03:37,400

Thanks.

20

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03:38,933 -- 00:03:40,633

I'm Kusakabe!

21

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03:40,634 -- 00:03:43,430

We've just arrived!

22

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03:43,772 -- 00:03:46,039

A pleasure to meet you!

23

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03:46,040 -- 00:03:49,250

Welcome!

24

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03:53,053 -- 00:03:54,830

Thank you.

25

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04:16,400 -- 00:04:19,209

Here we are!

26

00:
04:19,210 -- 00:04:21,030

Wait!

27

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04:23,220 -- 00:04:24,829

Mei, there's a bridge!

28

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04:24,830 -- 00:04:26,570

A bridge?

29

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04:31,120 -- 00:04:34,000

A fish? There again!

30

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04:34,280 -- 00:04:36,580

So, you like it here?

31

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04:38,530 -- 00:04:41,209

Father, it's beautiful!

32

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04:41,210 -- 00:04:43,220

Look, a tunnel of trees!

33

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04:45,070 -- 00:04:47,800

Ah! Is that our house?

34

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04:51,290 -- 00:04:53,410

Come on!

35

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05:07,033 -- 00:05:07,938

It's a wreck!

36

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05:07,939 -- 00:05:09,759

Wreck!

37

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05:09,760 -- 00:05:11,256

Looks like a haunted house!

38

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05:11,257 -- 00:05:13,120

Haunted?

39

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And it's all rotten!

40

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05:32,730 -- 00:05:34,503

It's gonna fall down!

41

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Fall down!

42

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05:46,140 -- 00:05:49,230

Look, Mei!

43

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05:50,265 -- 00:05:51,780

See?

44

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06:00,761 -- 00:06:03,020

It's huge.

45

00:
06:08,140 -- 00:06:11,140

Father, a huge tree!

46

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06:11,250 -- 00:06:13,720

It's a camphor tree.

47

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06:15,200 -- 00:06:18,060

Camphor tree...

48

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06:26,420 -- 00:06:27,920

Oops!

49

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06:30,180 -- 00:06:31,470

An acorn!

50

00:
06:33,810 -- 00:06:35,717

Show me.

51

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06:35,718 -- 00:06:38,000

Another one!

52

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06:43,420 -- 00:06:45,510

It's mine.

53

00:
06:50,870 -- 00:06:54,160

Out of the way, I can't open the screens.

54

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06:54,165 -- 00:06:55,329

Acorns!

55

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06:55,330 -- 00:06:57,861

There's acorns in the house.

56

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06:57,862 -- 00:07:00,310

They dropped from up there!

57

00:
07:03,876 -- 00:07:07,259

Maybe there are squirrels in here.

58

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07:07,260 -- 00:07:09,214

Squirrels?!

59

00:
07:09,369 -- 00:07:12,740

Or rats, they like acorns too.

60

00:
07:12,900 -- 00:07:14,930

I'd rather have squirrels!

61

00:
07:15,038 -- 00:07:17,440

Where shall I put this?

62

00:
07:17,441 -- 00:07:19,800

Here, I'll get the door for you.

63

00:
07:19,801 -- 00:07:21,818

Satsuki, would you open the back door?

64

00:
07:21,819 -- 00:07:22,695

Yes!

65

00:
07:22,696 -- 00:07:24,440

You should be able to find it.

66

00:
07:26,701 -- 00:07:28,360

Come on!

67

00:
07:29,395 -- 00:07:31,440

Wait for me!

68

00:
07:32,531 -- 00:07:34,550

Hurry!

69

00:
08:12,037 -- 00:08:13,630

I'm going in.

70

00:
08:25,590 -- 00:08:27,270

The bath...

71

00:
08:32,850 -- 00:08:34,610

There's nothing here.

72

00:
08:36,373 -- 00:08:37,842

That's the bathroom.

73

00:
08:37,843 -- 00:08:39,732

Father, there's something in here.

74

00:
08:39,733 -- 00:08:40,596

A squirrel?

75

00:
08:40,597 -- 00:08:41,667

Dunno.

76

00:
08:41,668 -- 00:08:45,558

A bunch of black things but not roaches or mice.

77

00:
08:45,559 -- 00:08:47,380

Really?

78

00:
08:58,692 -- 00:08:59,990

Can you see 'em?

79

00:
09:01,570 -- 00:09:01,169

Note:
Makkuro Kurosuke - pitch-black blackie

80

00:
09:01,170 -- 00:09:03,593

It must be Makkuro Kurosuke.

81

00:
09:03,594 -- 00:09:06,178

Makkuro Kurosuke?

Like in my picture book?

82

00:
09:06,179 -- 00:09:10,150

That's right. Ghosts don't come out on days like this.

83

00:
09:15,101 -- 00:09:17,737

When you walk into a dark room from outside,

84

00:
09:17,738 -- 00:09:20,856

your eyes dim and so Makkuro Kurosuke come out.

85

00:
09:20,857 -- 00:09:22,620

Oh, I see.

86

00:
09:22,679 -- 00:09:25,960

Makkuro Kurosuke, come on out!

87

00:
09:25,961 -- 00:09:30,340

Or we'll poke your eyeballs out!

88

00:
09:34,897 -- 00:09:36,132

Let's get to work!

89

00:
09:36,133 -- 00:09:40,050

See if you can find

how to get upstairs.

90

00:
09:40,975 -- 00:09:44,207

Get up there and open all the windows.

91

00:
09:44,208 -- 00:09:45,399

Sure!

92

00:
09:45,400 -- 00:09:47,310

I'm coming, too!

93

00:
09:55,530 -- 00:09:57,380

Toilet!

94

00:
09:59,200 -- 00:10:00,530

Not here!

95

00:
10:03,160 -- 00:10:05,827

Not here!

96

00:
10:08,670 -- 00:10:11,240

Not here!

97

00:
10:14,672 -- 00:10:16,120

Not here!

98

00:
10:17,930 -- 00:10:19,090

Nothing here!

99

00:
10:19,640 -- 00:10:21,210

Nothing!

100

00:
10:30,940 -- 00:10:33,330

Mei, it's here!

101

00:
10:39,740 -- 00:10:41,360

It's pitch black!

102

00:
10:41,450 -- 00:10:43,340

Makkuro Kurosuke!

103

00:
10:51,420 -- 00:10:52,910

Another acorn.

104

00:
10:59,050 -- 00:11:03,020

Makkuro Kurosuke, come out!

105

00:
11:42,220 -- 00:11:45,960

Are you there, Makkuro Kurosuke?

106

00:
12:11,540 -- 00:12:15,669

Father, there's definitely something here!

107

00:
12:15,670 -- 00:12:17,310

That's exciting!

108

00:
12:17,420 -- 00:12:21,920

I've always wanted to live in a haunted house.

109

00:
12:24,680 -- 00:12:25,860

I'm coming!

110

00:
13:11,350 -- 00:13:13,930

I got it. Sis!

111

00:
13:27,291 -- 00:13:28,400

Mei.

112

00:
13:38,893 -- 00:13:41,089

You're full of energy!

113

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13:41,090 -- 00:13:46,259

This is Granny. She's come to look after the house.

114

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13:46,260 -- 00:13:49,429

I'm Satsuki and this is my sister, Mei.

Nice to meet you.

115

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13:49,430 -- 00:13:52,480

Nice to meet you both.

116

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13:52,560 -- 00:13:59,100

I'd have cleaned up

if I'd known you'd be this quick.

117

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13:59,690 -- 00:14:01,640

Rate this script:3.8 / 5 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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