Never Leave Alive Page #4
- Year:
- 2017
- 89 min
- 16 Views
You're really not gonna tell me?
(ominous music)
Down!
(suspenseful music)
(yelping)
(grunting)
(rain pattering)
(birds chirping)
- [Anna] Hey, I found a creek.
- Come on.
Really?
- What?
You didn't find
the rabbit already?
- Maybe if weren't
stomping around the forest,
they would have.
- I am not
stomping around the forest.
- The rabbit heart you stomping,
and ran away.
- Oh my God, the great Rick
Rainsford can't hunt a rabbit.
A little rabbit.
- Could we not fight
for like two minutes?
Could you give me two minutes
without making any noise?
- [Anna] Two minutes?
- Please.
- I can't wait to see this.
Go.
(dramatic music)
What the?
- Yeah.
Still got it, Rick.
Not so bad of a hunter
after all.
- That was not funny.
- You know
what's really strange?
I just don't agree with you.
I found some more dry wood.
Let me help.
- No, thanks.
I've got this.
- You know,
I actually have something...
- I said I got this.
Okay?
- Not everything
has to be a fight.
- I had it, you know.
- Oh, I know.
How is it?
- Mmm.
Rather have a hamburger.
- Agreed.
- So, do you always eat
what you hunt?
- It depends.
I donate it sometimes.
- Really?
You donate?
- Yeah.
Good PR, you know.
- Wow, staged altruism.
Why am I not at all surprised?
- It isn't like that.
One time
there was a stylist on set
combing the fur
of a buck I just shot.
- No way.
- [Anna] Seriously.
- That is ridiculous.
- Maybe I did let it all
get away from me.
- That's the problem with fame.
Famous people don't have
anyone in their life
to just be honest
with them, you know.
- No.
Thomas is always honest with me.
- Really?
- Yeah.
- Does he tell you that you
come off like a pompous jerk?
- Everyday.
We're like brothers.
(howling)
Okay, spill it.
- Spill what?
- The fire.
Did you learn that
in girl scouts?
- Really?
Girl scouts?
- What's wrong with girl scouts?
I would kill for a box
- No.
I did not have any time
for girl scouts.
No merit badges or Thin Mints.
No boyfriends.
Or proms.
Or anything for that matter.
I can thank my Mom for that.
She's a journalist.
Andrea Richards.
- Yeah, I've heard of her.
I didn't know
she had a daughter.
- Yeah, no, she doesn't really.
- What do you mean?
to be an actual Mom, you know.
I was just kind of always there,
while she drug me around
on her stupid assignments.
She didn't care at all.
I knew more
about cameras and lenses
than I did Barbies or,
I don't know, tea parties.
- You seem like the kind of kid
that would have been more
into playing with G.I. Joes
than Barbie, anyway.
- Maybe.
- Definitely.
(laughing)
- You haven't lived until
you are on the Andes,
on your birthday,
held up in a cave
with an injured guide.
My birthday present that year,
learned how to build a fire.
- That sucks.
- I'm sorry, this is weird.
I just tried so hard to get
out of her shadow, you know,
and changed my last name.
Tried to change
my profession, but,
then I realized I'm just,
I don't know, this is the only
thing I'm actually good at,
so...
- So, you went
with Anna Christie.
Anna Christie.
Why Christie?
- I don't know.
- You could of picked
any name in the world.
I would have picked
something more interesting.
- Thanks.
- Anna Kinkade.
- That literally makes no sense.
- The master of light.
- Yes, but he was a
painter, not a photographer.
- It still,
it kind of makes sense.
- [Anna] No, it doesn't.
- The master of light,
of photography.
- [Anna]
You're so proud of yourself.
- I was proud of myself
until you said it didn't
make any sense.
(laughs)
I'm tryin'.
- Yes, you are.
This was supposed to be
my big break, you know.
Photographing you.
- Yikes.
- Photography is supposed
to be about
capturing that rare,
honest and truthful moment
in someone, you know.
I take this assignment that's
No offense.
- None taken.
- My mom would be
so proud of me.
- Well, I'm gonna do
whatever it takes
to get you off this island.
Deal?
- Deal.
(ominous music)
We should try to get some sleep.
(radio static)
- [Man On Radio] News on
The Wilderness Explorer
and The Neptune Star.
The wreckage has been found,
an Anchorage based
fishing company
reports that one
the missing ships' hauls
in their nets.
While most
of the ships' passengers
and bodies have been
identified in the wreckage,
there are still a few people
and a single life raft
unaccounted for,
leading rescue crews
to speculate
that there may in fact still
be survivors out there.
Among those not identified
at the scene
are professional hunter,
Rick Rainsford...
(radio static)
(ominous music)
(grunting)
(coughing)
(grunting)
(yelling)
(grunting)
(blows landing)
- Get up.
- Hey.
Comrade.
(grunting)
(laughing)
Get out of here.
(grunting)
(groaning)
- Rick, are you okay?
- I woulda had 'im.
- Come on.
Let's go.
- No.
He's gonna die.
- I doubt it.
Come on.
Ivan's not doing well.
You better hurry.
(radio static)
(fly buzzing)
(ominous music)
(speaks Russian)
(suspenseful music)
Zaroff.
(speaking Russian)
- [Zaroff] Let's go.
Come on, idiot.
Get.
- Damn it, Rick, you could
- You don't attack a man
from behind.
It's not sportsman like.
- Now is the time
to get off this island.
- So, we just leave Sammy?
(button clicking)
He's gonna busy tending to Ivan.
- Rick.
Rick, I've stepped on something.
- It's a landmine.
I didn't think about landmines.
- Don't move.
- 'Kay, canceling all plans
to move now.
- I've never seen
a mine like this.
It's not standard issue.
- Oh, great,
now you finally admit
that you don't know everything.
- [Rick] Sh*t, it might
be sound activated.
- What are you doing?
- Thinking.
- Can you please go think
far away over there?
If it explodes it
shouldn't kill both of us.
- No, Rick, go.
- You're gonna be okay.
- Rick, go, get out of here.
- I'm not leaving you.
- I'm sorry, okay.
I am so sorry,
but you have to go.
Go.
Get away from me.
Go!
Go.
- Tell me a story.
- What?
- Seriously, tell me a story.
- What, what kind of story?
- Anything.
- Okay, I'm standing
on a landmine here.
- That's not the point.
- What is the point then?
- Shut up and tell me a story.
- I can't shut up and tell
you a story at the same time.
- Okay.
Okay.
I wasn't always like this,
you know.
I've been hunting for a while,
I've been hunting forever.
- Rick, what are you doing?
- I'm telling you a story.
- Okay, make it a good one.
- My Dad taught me how to hunt.
It was just him and me.
It's how we bonded.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Never Leave Alive" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/never_leave_alive_14694>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In