Next Page #8
Something about his revelation unsettles her.
LIZ:
Why are you telling me this? These
personal details.
CRIS:
I don’t know. You asked and...I
guess I felt like you’d understand.
Tears well up in her eyes.
lIZ
I do.
Cris looks at her with sympathy.
lIZ
I can’t either. Have kids.
Cris comforts her. She looks up into his eyes expectantly.
Fighting the pull, he looks away for a moment to see where
this is going - then glances back at her, almost dizzy.
CRIS:
That was incredible.
LiZ
What was?
CRIS:
This.
He kisses her with a quiet intensity that quickly ignites.
Their lovemaking unfolds as it would be experienced by Cris.
Effect before cause. The pleasure, then the gesture that
elicits it.
Cris explores her body until she sighs, then snapsback and
goes directly to the sweet spot. He strings together a
perfect melody of shudders and moans, without striking any
Moments are superimposed, diaphonous, played against each
other in counterpoint.
49.
Visual harmonics, elastically out-of-sync. Rising to a
crescendo. Until all the futures resolve into a single now.
DISSOLVE TO:
AFTERWARDS - nIGHT
Floating in bed. Her head on his chest. His eyes open, sadly
content, like he wishes he could stop time here forever. Like
he’s afraid it will all disappear if he takes his eyes off
her.
LIZ:
That was...I’ve never...
Cris forces himself to look away into the distance.
int. WISDOM’S OFFICE / federal facility - night
Wisdom, exhausted, quietly confers with a cadre of ANALYSTS
AND OPERATIVES. Their voices are confident, but their body
language betrays their pessimism.
expert 1
We sent the payload to Livermore,
and by measuring the cesium
degradation, they’ve identified the
reactor in Smerlensk that it came
from.
expert 2
Washington has our birds tracking
for that radiation signature in key
cities.
Ferris slips in and takes an empty chair.
wisdom
What do we know about the
explosive?
Expert 3
Our lab downstairs is still
studying the C-4 sample. It’s
Czech, but we haven’t nailed down
the batch.
Wisdom rubs his forehead, distraught.
WISDOM:
So basically we’ve got nothing.
No one disagrees.
50.
WISDOM:
You’re failing your country,
people. You’re not trying hard
enough.
(looks around the table)
Do you understand what I’m saying?
Do you understand what I expect
from you?
The staff exchange uncertain glances.
WisDOM
TWIST ARMS! CRACK HEADS! BREAK THE
F***IN’ LAW! BUT DON’T LET THIS
HAPPEN!
He has blown them wide-eyed.
WISDOM:
(suddenly calm)
Are there any questions?
INT. WISDOM’S apartment - NIGHT
Ferris and Wisdom are in night gear, getting ready for bed.
She sees that he’s disheartened.
FERRIS:
You know you’re very sexy when
you’re ruthless.
WISDOM:
We’re groping in the dark.
FERRIS:
My guy’s got a flashlight. We just
need to bring him in.
Wisdom doesn’t have the energy to fight her any more.
WISDOM:
I’ll see if Baines can spare some
manpower.
She’s gracious in victory.
FERRIs
You’re all the manpower I need.
51.
Int. Liz’s house - bedroom - morning
Head on pillow, Liz buds from sleep. Reaches out. Cris is
gone. Her eyes open, fearful.
INT. LIZ’S KITCHEN - MORNING
She rushes in, looking for Cris. - He’s not there.
She hears CLANKING from the laundry room.
On the floor, Cris sits next to the heater, which lies in
pieces. He tries to adjust the remaining apparatus.
LIZ:
What the hell are you doing?
CRIS:
You said it was broken.
LIZ:
Well, you’re not leaving till it’s
fixed, I’ll tell you that.
He smiles archly.
crIS
I’m afraid that could take a while.
Now she understands his strategy.
LIZ:
As long as it’s done right.
Int. HOMELAND SECURITY - workshop - day
Ferris enters the area where weapons are stored and where
mechanics build whatever the department needs. She interrupts
Baines as he gives instructions to some MP's. These are his
guys who get priority over the civilian Protective Service
Police.
FeRRIS
Did Wisdom talk to you?
BaiNES
(grudging)
What do you need?
FERRIS:
This one first.
52.
She hands him a sketch. He studies it, perplexed.
BAINES:
What is it?
FERRIS:
A trap for somebody who can see the
future.
BAINES:
If you say so.
FERRIS:
And then these.
She hands him more sketches.
Int. Liz’s fifth grade class - day
Liz stands before a map of the Native American tribes of the
Lake Tahoe region.
LIZ:
And what was the main staple of
their diet?
SMARTIE PANTS busts a button to get called on. Instead, Liz
points to a SHY GIRL.
shy girl
Trout.
LIZ:
From the lake?
SHY GIRL:
No. From the rivers.
LIZ:
Right. And the Washo were so
jealous of their fishing grounds
that when other Native Americans
came to trade for dried fish, they
were only permitted to remain one
night.
Liz notices that her students are distracted and giggling.
She turns to see Cris standing in the doorway, holding a box.
Embarrassed, she blushes.
LIz
I’ll be right back.
53.
Liz pulls Cris into the hall, out of sight of the kids.
LIZ:
What are you doing here?
CrIS
(beaming)
I brought ice cream sandwiches for
everybody.
LIZ:
Ice cream sandwiches? Do you have
any idea how much fat they have in
them? Don’t you see how overweight
half of them are?
CRIS:
(crestfallen)
I - I didn’t think of it. - I
thought you’d be happy to see me.
LIZ:
Well next time exercise a little
forethought, okay?
He’s speechless.
CRIS:
Do you want me to leave these
somewhere?
LIZ:
No.
CRIS:
All right then. I’ll just go.
Seeing his doleful expression, Liz can’t help smiling. She
glances up and down the hall, then kisses him lasciviously on
the lips.
LIZ:
Put a few in the freezer. I love
ice cream sandwiches.
With a mischievous grin, she ducks back into class, leaving
Cris reeling, but exhilarated.
54.
int. CHINESE RESTAURANT - NIGHT
Liz and Cris stuff their mouths with lo mein. She sets down
her chopsticks, picks up a red pencil and industriously
resumes marking up a stack of papers.
LIZ:
You have been such a bad influence.
I’m gonna be up all night grading
papers.
Cris watches, bored.
CRIS:
I’ve got a better idea. Run away
with me to the South Pacific.
LIZ:
Funny. We’ve only known each other
a week.
CRIS:
But we’re going to be happy
together for the rest of our lives.
Really, I peeked.
She picks up the chopsticks and takes another bite.
LIZ:
I think you’re serious.
CRIS:
Deadly.
She muses, tempted.
CRIS:
Let’s go pack your bags. We’ll
leave tonight.
LIZ:
And what’ll we do for money?
CRIS:
Don’t worry. That’s always been
easy for me.
She gets lost in the fantasy. He can almost taste the
fulfilmment of his dreams.
LIZ:
This is ridiculous.
55.
CRIS:
Why?
LIZ:
Well, first of all, it’s the middle
of the school year.
CRIS:
They’ll replace you.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Next" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/next_661>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In