Next Page #9
LIZ:
And I’m in charge of science fair.
CRIS:
They can pick up the slack.
His unbridled enthusiasm brings out her inner adult.
LIZ:
It disturbs me, Cris, that you
think it’s okay just to duck your
responsibilities.
He’s taken aback by her sudden shift.
CRIS:
I - I don’t think it’s okay. I’m
not that kind of person. But I
have this feeling, this very strong
feeling, that it has to be now. We
have to leave soon, or it’s not
gonna work out.
LIZ:
I don’t believe that. If it’s meant
to be between two people, somehow
it’ll happen.
CRIS:
Yes, but sometimes you have to make
it happen. You have to seize the
opportunity before it’s too late.
He tries to keep his desperation from showing, but she sees
right through him.
LIZ:
What are you afraid of, Cris? Why
are you running away from yourself?
(MORE)
56.
LIZ (cont'd)
Whatever it is you’re looking for,
I don’t think you’re going to find
it on some island, cut off from the
rest of the world.
He adores her more than ever, and fears losing her even more.
CRIS:
Your students are very lucky.
She puts her hand on his.
LIZ:
Now I’ve got to grade papers.
Ext. Church - day
Liz and Cris file by the PASTOR after the service and mill
about on the lawn with the other congregants. Kids release
pent up energy in the adjacent park.
Randy approaches Cris.
Randy
A religious fella, are you? Ready
to turn the other jaw?
Cris offers his profile for hitting.
CRIS:
But then you have to sign the
divorce papers.
LiZ
Randy, don’t you dare.
She drags Cris towards a YOUNG COUPLE WITH KIDS.
Liz
Paul, Janice. Have you met Cris?
RANDY:
approaches RICK, a young LOCAL POLICEMAN who’s not the
sharpest knife in the drawer.
Randy
There’s something weird about that
jerk. Have you checked him out?
Policeman RICK
I’m not dragging the Law into your
romantic squabbles, Randy.
57.
Randy
C’mon, Rick, help me out here.
Ext. church - day
Paul and Janice are chatting with Cris and Liz.
Paul
Cris, are you free on Tuesday?
Cause I’d like you to be my guest
at the Rotary luncheon.
Janice
Cris grows distracted. Out the corner of his eye, he sees a
SPORTS CAR gunning it down the street, passing a SUNDAY
DRIVER to beat a red light. At that moment, a kid misses a
catch and a BASEBALL rolls into a street, where a twenty-ish
WOMAN JOGGER runs over to get it, just as the sports car
passes the Sunday driver, sees the jogger, and skids, forcing
A BUS to swerve and plow into a GROUP OF PEOPLE standing at
the corner.
SNAPBACK TO:
Paul
Cris, are you free on Tuesday?
Cause I’d like you to be my guest
at the Rotary luncheon.
Janice
Cris is spaced out.
LIZ:
Cris.
Ignoring them, Cris turns toward the street where he saw the
accident take place. He sees kids, but they’re jumping rope.
Wrong group. He scans around and finds the kids who are
playing softball. Someone misses a catch. The ball rolls
toward the street. The sports car is now coming fast. The
woman jogger sees the errant ball and runs to fetch it.
CrIS
Miss! Lady! Don’t!
58.
She’s wearing earbuds and can’t hear him. He’s too far away
to grab her. He’s closer to the approaching sports car. Cris
picks up a rock, prepares to throw, hesitates a beat,
squints....
He throws. Misses. Snapback. Throws. Misses. Snapback. Again.
Again. Scores a hit. Snapback. Opens his eyes and hurls the
stone.
Liz and the bystanders watch, appalled, as the rock SHATTERS
the driver side window of the sportscar, which instead of
skidding, screeches to a halt. The bus drives by without
incident, injuring no one.
The Driver of the sportscar bursts from his car and furiously
charges Cris.
CrIS
I’m sorry. I’m sorry. I’ll pay for
the damages.
The Driver curses Cris and tries to grab and hit him. But
Cris deftly deflects the blows so that they seem harmless.
CRIS:
I said I’ll pay.
Realizing he can’t land a punch, the Driver changes tack.
DRIVER:
You’re damn right you’ll pay! I
wanna talk to the cops.
CRIS:
No need for that. I’ll give you
cash. Okay? Will you take cash?
He pulls out his wallet.
CriS
Two thousand? That should cover it.
DRIVER:
Make it three.
CRIS:
Okay, three.
He digs in his pocket and pulls out the stack of hundreds.
59.
Who have seen the whole incident.
POLICEMAN riCK
I’ll run him through the computer.
ext. Park - a minute later
Away from the crowd. Liz, concerned and alienated, walks a
step to the side of Cris.
criS
People shouldn’t drive that fast
around kids. They shouldn’t get
away with it.
LIZ:
CRIS:
What do you want me to do? Wait for
people to die?
Liz is torn.
LIZ:
Cris...I think you should move on.
Today.
Cris looks at her, almost bereft, and makes a tough decision.
CRIS:
Look, there’s something I’ve been
wanting to tell you.
LIZ:
It doesn’t matter.
CRIS:
It does.
She’s afraid to hear it. He’s afraid to say it.
Cavanaugh is milling around after services when his cell
phone chirps. He answers, peeved.
60.
CaVANAUGH
Cavanaugh...No, you were right to
call...Ring Ferris and have her
meet me there.
He closes his cell phone. Turns to his WIFE.
CaVANAUGH
They’ve located him near Tahoe.
CaVANAUGH’s wife
If you let him get away again, you
may not have a job.
CAVANAUGH:
I know.
Cavanaugh takes his leave.
EXT. PARK - DAY
Liz reacts to Cris’ confession with disbelief.
LIZ:
What are you saying, you’re some
sort of prophet?
CRIS:
It’s not religious. I just happen
to see my life before it happens.
LIZ:
Cris, it’s sweet that you feel
responsible for people. But I think
you need help.
She looks down.
LiZ
And I’m...I’m not the one to help
you, right now. I’ve got too much
going on in my own life.
Cris can’t let her go. He takes a quarter from his pocket and
hands it to Liz.
CRIS:
Flip it.
LIZ:
Why?
61.
CRIS:
Just do it.
She takes the quarter and flips it. Cris calls it in the air.
CRIS:
Heads.
She looks. It’s heads.
CRIS:
Flip it again.
(calls it in the air)
Tails.
Tails it is, but so what. She flips again.
CRIS:
Tails.
(she looks;flips again)
Heads.
(she looks, flips again)
Tails.
She looks. Amazed. Disturbed.
CRIS:
Now you believe me?
She stares at him like he’s the devil.
LIZ:
Yeah. And I don’t want to have
anything to do with you.
She walks away.
CRIS:
Liz.
(follows)
Don’t you see? I can get us all the
money we need.
She turns abruptly.
LIZ:
Don’t follow me. Don’t talk to me.
Get out of my life!
She walks on, leaving Cris bereft.
SNAPBACK TO:
62.
WALKING IN THE PARK - fiVE MINUTES AGO
Cris
What do you want me to do? Wait for
people to die?
LIZ:
Cris...I think you should move on.
Today.
Cris squints, then chooses his words carefully.
CRIS:
Why? Because I care so much about
kids that sometimes I overreact?
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"Next" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/next_661>.
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