No Light and No Land Anywhere Page #4

Synopsis: Grieving her mother's death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way. A stranger in the City of Angels, Lexi's reckless searching leads to cautious discoveries in an atmospheric and introspective quest.
Genre: Drama
Director(s): Amber Sealey
Production: Factory 25
Year:
2016
75 min
Website
17 Views


He's driving me home.

[distant traffic whirs]

[somber tone]

[hammer pounding]

[hammer pounding]

[hammer pounding]

[hammer pounding]

[breathing deeply]

[metallic clank]

[metal drags]

[metallic clanking]

[man grunts]

[metallic clanking]

[clanking continues]

Hey.

How you doing?

Oh, yeah.

Yeah.

Good to see you.

Thanks for coming.

Um, that's all right.

You all right?

- I'm all right.

- You have a good trip?

Um, it was

all right.

[saw buzzes]

You work here?

This is your place?

Yeah, we're knocking

this place down.

Just moving the steel.

Folks coming to get it in a bit.

[hammer pounding]

- So...

- Well, it was a surprise

to hear your call,

that's for sure.

Got anything you want

to say to me?

Nice to see you.

You look like your mother.

Nice to see you.

Yeah, people say

that I look like my mother.

- How is she?

- Um, she's dead.

I'm sorry.

These things happen.

Yeah.

Talk to me.

What's up?

I don't know.

Um...

How long

have you got?

How long have I got

for what?

To talk.

Well, I got to get

this sh*t moved.

I have a bloke coming

for this steel

in about half

an hour, so...

Half an hour?

You know, I had

no idea you were coming.

Well, you did.

I called you.

Yeah, but I've

got to work.

What do you want? Just tell me

what you want from me.

I wanted to meet you.

I wanted to meet you.

- Well, now you've met me.

- No, I haven't.

I thought maybe

you might start something.

All right, so what do you do

for a living?

Let's start there.

Um, I work in theatre.

- Doing what?

- I work in theatre design.

What do you do

for a living?

- What does it look like?

- Yeah, right.

I'm a brain surgeon.

I'm doing a bit

of construction on the side.

Well, I don't know,

do I?

Well, it's pretty

apparent, I think.

Well, it is now,

but I didn't know.

Okay, okay.

Just show up in my life, and

I'm, what, gonna drop it all?

I didn't just

show up in your life.

- Yeah, you did.

- You had a child.

That was

a long time ago.

Look, I've come

a long way.

I wanted to see you.

And I just thought

that maybe

you might be able

to explain to me

why you haven't

been in touch

throughout

my whole life.

I left.

What can I tell you?

[sighs]

You could have

asked about me.

You could have left me

your phone number.

You could have

at least found a way

to leave me a way

to get in touch with you

without having

to f***ing go around

all your f***ing

second family.

I just wanted

to talk to you.

Well, now

you're talking to me.

Or should I say yelling?

I'm not yelling.

I'm just trying

to have a conversation.

Yeah.

Anything else?

Do you like yourself?

That's not a question

you should ask me.

- I'm interested.

- Yeah, I'm fine.

Nothing wrong

with me.

Probably not in your eyes,

but I'm fine.

Well, it's... I got this bloke

coming like I said.

So I got to get this stuff

out of here.

Sure.

All right.

Anyway, I'm glad

you came by.

- Really?

- Yeah.

- I'm not so sure.

- Anyway...

Give us a call.

All right?

Yeah.

See ya.

[somber music]

[lights clattering]

[overlapping chatter]

[horns honking]

[harmonica playing]

[somber music continues]

[overlapping chatter]

And what are you out

in Hollywood doing?

Like, what movie?

I'm just

having a walk.

[speaking indistinctly]

That we may roam

wherever we may want to

and be ourselves.

Maybe.

For single-mindedness

is all powerful indeed.

Yeah, for sure.

For sure.

Yeah.

You know there's carbon 14

in everything?

When the computer

tries to read it,

Everything has

too many neutrons in it.

It makes you sick.

I got this song I wrote

called "This Is How

You Make Me Feel."

It goes like this.

[rhythmically]

This is how you make me feel.

When life gets tough,

we keep it real.

Love is enough.

The coast is clear.

I need your trust.

My heart's so real.

This is how you

Make me feel

Oh, where's your lights?

Five, six, seven,

and there's a break.

Goes now.

Whoa, there we go.

One, two...

[insects chirping]

[knock at door]

Do you want

to come in?

Sorry, I can't really...

um, offer you much.

But I've got some water

if you want or...

You... Okay.

Ethel died

two days ago.

I'm so sorry.

[somber music]

I walk slowly towards him,

and we're speechless.

He pulls me into a hug,

and I feel it.

This is my father.

I see his face in mine.

And we get in his car,

and I know that I'm safe.

Everything bad

just floats out the window.

Do you think

we look at all alike?

I think here we do.

Yeah, it's a big square.

[both laugh]

[breathes sleepily]

[inhales deeply]

[dramatic music]

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Amber Sealey

Amber Sealey is a British and American director, writer, producer, and actor. Sealey is known for her feature films A Plus D, How to Cheat, and No Light and No Land Anywhere. How to Cheat premiered at the Los Angeles Film Festival where it won the Best Performance Award. How to Cheat also won Best Narrative Film and Best Acting at the BendFilm Festival. No Light and No Land Anywhere, Sealey’s third feature, is Executive Produced by Miranda July and premiered at the Los Angeles Film Festival where it won a Special Jury Award. It also won the IndieVision Breakthrough Feature Film Award at the Twin Cities Film Festival.Sealey is known as an actor in the feature films The Good Night with Gwyneth Paltrow, Martin Freeman, and Penelope Cruz, and Big Nothing with Simon Pegg and David Schwimmer. She acted in the television show Attachments, directed by Susanna White, and Coming Up: Bed Bugs, directed by Academy Award winner Andrea Arnold.Sealey is the voice of many audio books, including How I Live Now, Penny From Heaven, Hunting Unicorns, and the acclaimed The Princess Diaries Series. more…

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Submitted on August 05, 2018

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