Northern Pursuit Page #6

Synopsis: Canadian Mountie Steve Wagner captures a German Luftwaffe officer on a spy mission, who later escapes from the prison camp. To catch the spy ring, the Mounties employ a ruse so that the spies, believing Steve to be sympathetic, enlist him in their plans.
Director(s): Raoul Walsh
Production: Warner Bros.
 
IMDB:
6.6
APPROVED
Year:
1943
93 min
43 Views


You've seen the country

we've come through.

Five days and we haven't seen a living soul.

They'll be lucky if they even make it.

Get the dogs started.

I'm tired of your tricks.

I want no more delay.

Get those dogs started.

Not me.

- Start them yourself.

- You are in no position to talk like that.

I know that position I'm in.

Unless the women go back...

...this is as far as I go.

Then there's only one thing for me to do.

You're gonna do it anyway.

But if you do it now,

your trip's finished, so are you.

I give you my word. I will release you

when I reach my destination.

Your word?

Let them take that sled,

the supplies in it.

- And if I let them go?

- Then I'll take you the rest of the way.

- How can I be sure of that?

- You can't.

That's a chance you've gotta take.

All right.

He's gonna let you and Rose go back.

No, we're not going back.

We're gonna stick it out with you.

No, darling,

you're gonna do what I tell you.

Rose.

Mush.

That's our destination.

Mush.

Whoa.

You have wanted to know so

badly what I was going to do, didn't you?

Well, I think I can satisfy

your curiosity now.

Those crates out here

contain airplane parts...

...for a bomber.

They were shipped here invoiced

as mining equipment long before the war.

You should know, Wagner,

how determined we Nazis are.

We've know for a long time what we've

wanted and we've prepared to take it.

- Say, have you ever flown a bomber?

- No.

That's too bad.

You have missed a great thrill.

You come in high.

You circle around once, twice.

You drop the bombs.

- You see them hit the target.

- What target?

I will tell you.

One of the most vital waterways

connecting the United States and Canada.

A main artery of all war supplies

going to England.

Eight bombs placed with scientific

precision will destroy the canal...

...and the locks

and block shipping for months.

I will drop those bombs with precision.

Wagner, we are drinking to

the successful completion of our mission.

Join us.

You will help us anyhow.

Whoa.

Wagner.

Heinzmann. Heinzmann.

Heinzmann.

Heinzmann.

Heinzmann. Heinzmann.

Moeller. Moeller, Moeller.

Preisser.

All right, Keller, turn around.

We're going back.

Just a minute.

Wait a minute,

I haven't started speaking my piece yet.

On this joyous day,

I'm the proudest man in Canada...

...because I have one of the finest men

that ever walked for a son-in-law.

Single-handed he captured 40 Germans.

Fifty, Pop.

Fifty Huns took him up in a bomber,

10,000 feet.

Fifty thousand feet.

Fifty thousand feet.

- And they tied him to a propeller.

- Two propellers.

To both propellers.

Pop, you're a bigger liar than I am.

- Well, honey, he's older than you are.

- Right.

But he conquered them all.

And now it does my heart good

to offer you all...

...the traditional hospitality

of the McBains.

So drink, eat and be merry.

And he'll pay for everything.

And I'll pay for everything.

What am I saying?

Steve, am I the only girl

you ever really loved?

But of course you are, darling.

What am I saying?

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Frank Gruber

Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was an author of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows, and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Gruber said that as a 9-year-old newsboy, he read his first book, "Luke Walton, the Chicago Newsboy" by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition at age nine or 10, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as forty stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips. February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents. Answering an ad in the Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had lots of money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write. In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934. There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week). In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous. Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750). January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946. Gruber—who stated that only seven types of Westerns existed—wrote more than 300 stories for over 40 pulp magazines, as well as more than sixty novels, which had sold more than ninety million copies in 24 countries, sixty five screenplays, and a hundred television scripts. Twenty five of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo, The Texan and Shotgun Slade. His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called "The Kansan", starting Richard Dix. The book has been reprinted many times with total sales of over one million copies. He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox. more…

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Submitted on August 05, 2018

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