On the Riviera Page #4

Synopsis: Jack Martin (Danny Kaye), an American entertainer working cabarets on the French Riviera, does an impersonation of philandering industrialist Henri Duran (Kaye, again) so convincingly that even Duran's beautiful wife (Gene Tierney) is fooled by it. When Duran's business interests compel him to be in London when he should be hosting a large soiree at his home, Martin is persuaded to impersonate Duran at the party. But matters threaten to get out of hand when Martin (as Duran) is confronted by several of the philanderer's women, and by Duran's ruthless business rival, M. Periton (Jean Murat).
Genre: Comedy, Musical
Director(s): Walter Lang
Production: 20th Century Fox Film Corporation
  Nominated for 2 Oscars. Another 1 win & 1 nomination.
 
IMDB:
6.5
APPROVED
Year:
1951
89 min
91 Views


It's my pleasure.

Please, Lili, if you refuse,

it means the end.

- Oh!

- Oh, Lili, you are young and beautiful.

- But Louis and I, we are old-

- And broken.

- Shh.

- Good evening, my dear.

- Good evening, Henri.

I, uh, trust the arrangements for tonight

have been managed...

without too much difficulty for you.

So far everything seems

to be proceeding nicely.

Good, good.

The champagne is properly iced

and the birds are properly cooked?

I basted them myself.

Hmm. I am looking forward

to a wonderful party this evening.

What entertainment

have you planned for our guests, Lili?

- Entertainment?

- Yes.

I did have a dreadful disappointment.

I meant to tell you about it earlier.

Really? What is it, my dear?

Well, I tried to get that, um-

that performer that they have at the Cote d'Azur.

- What's his name again?

- Oh, Jack- [ French Accent ]

Uh, Jack Martin?

Yes, yes. That's the one.

Yes, he's very good. I liked him.

Yes, I thought you did.

That's why I tried to get him, of course.

I'm sure if he had known you wanted him,

he would have been delighted to come to you.

- Do you really think so, Henri?

- I am positive.

Uh, shall we dance?

Why, Henri, I thought

you detested dancing.

I do? Oh, I do.

I do, but, uh, anything

to be near you, my dear.

- How nice.

- Not at all.

Pardon.

- Well, so far, so good.

- Yes. Yes.

What are we so happy about?

Who has he fooled? She knows who he is.

- But he does not know that she knows, so-

- So she has fooled him.

Exactly.

Lili, this is a lovely party.

I must compliment you, my dear.

Why, Henri, you have changed.

- Have I?

- Yes.

Once you would have said to me,

"Parties are so dull.

Let's run away from all our guests,

just you and I, and-"

- And what?

- Henri!

- Come in!

- Where is Jack?

Don't talk to me about Jack!

I hate him!

But where is he?

He's not in his dressing room.

Monsieur Gapeaux,

what's wrong with me?

Nothing! Nothing shows.

That's it! Nothing shows.

Well, I'll fix that!

But you haven't answered me.

Where is Monsieur Martin?

He's not going to be here tonight.

- He sent word that he's indisposed.

- Indisposed?

- Oh!

- But the broadcast- the television broadcast!

- I've made all the arrangements.

- Television?

What are you talking about?

Jack is such a success, the television

people want to put him on the air tonight...

and I said yes.

- Now, where is he?

- You find out and tell me!

I'll go there and break his head!

If he does not show up tonight,

he is through!

He will never work in another nightclub

in France, on the continent.

I have friends. I will finish him!

Good!

- Now tell me nothing shows.

- Oh!

- We will put you on the television.

- No.

But you will be a sensation.

With that neckline, you will be

the Faye Emerson of France.

- I said no.

- Where are you going that you got so undressed?

To the villa

of Capitaine Henri Duran.

My dear Jack is going to find out he's not

the only one who can get himself "indisposed."

Madame Charlier

looks lovely this evening, doesn't she?

- Madame Charlier?

- Yes, the woman over there

wearing the diamond choker.

- Oh.

- Why, Henri, since when

have you been wearing glasses?

Glasses? Uh, glass- Oh!

Uh, since the flight.

Yes, since the flight.

We were flying over the polar cap,

and the glare was blinding.

- Absolutely blinding.

- Oh.

These are the price

of adventure, my dear.

- Oh, Louise. How nice to see you.

- Lili, darling.

- Henri.

- Charmed, madame, I'm sure.

Isn't he formal tonight?

You old fox. Don't you remember Antibes?

Uh, oh, yes, of course.

Uh, Antibes. Hmm.

I thought you would.

I'll see you later, darling?

Yes, Louise.

Henri, what happened at Antibes?

Lili, would you believe me

if I told you I didn't remember?

Yes, indeed, I would.

Oh, the Peritons.

Madeleine, I'm so glad you could come.

- I'm very happy to be here, Lili.

- You are beautiful as always.

- Henri.

- Good evening.

- Henri.

- How are you, uh, Felix?

- Delighted to see you.

- Thank you.

- And surprised. I rather

thought you'd be in London.

- London?

What could I do in London

that I cannot do here?

- You could be seeing Sir Hubert Canon.

- Shh!

Oh, yes, Sir Hubert.

He's a charming fellow,

but hardly worth a trip to London.

Lili, why don't we invite Sir Hubert down

for a weekend soon?

- Oh, but, Henri, he's so dull.

- Oh, no, not really.

It's only the way he talks.

Jolly good hunting yesterday.

Caught three rabbits and the upstairs maid.

- You two seem very happy.

- Why not, Felix?

- Yes.

- Henri, perhaps you could

spare me a few moments.

- Yes?

That little business matter-

I'd like to discuss it with you.

- Business matter?

- Yes. You know what I mean, of course.

- Uh, hmm.

- Henri!

Pardon. You must come at once-

the telephone.

- The air ministry.

- Air ministry?

- About the planes.

- Oh, good, good.

- The planes?

- Yes. Will you excuse us, Felix?

I'll take it in there.

- What did he want?

- Something about business.

- He wants to see me alone.

- Do not! Whatever you do-

- Do not let him see you alone.

- Suppose he corners me.

- What do I do?

- Radiate confidence.

- Be very sure of yourself.

- But do not say a word.

And another thing,

with Madame Duran-

- You are being much too attentive.

- What?

- Everyone will know-

- That you are not Henri.

- You may pay attention to all

the other women at the party.

- But not Lili.

Look, I thought I was giving an inspired

performance. If you want a run-of-the-mill-

- You understand. It is dangerous-

Pardon me, Capitaine.

Could I speak with you for a moment?

- Certainly, Antoine.

- In private.

Oh. Excuse me, gentlemen.

- What is it?

- There's a young lady to see you, Capitaine.

- I showed her into the library.

- Uh- Well, do I know her?

I do my best to keep track, Capitaine,

but this is one I have never seen before.

Uh, it's a little difficult

for me to see her now.

- Why don't you send her away?

- I'm afraid that's easier said than done, Capitaine.

She's quite persistent

and might make a most unpleasant scene.

- Ah!

- If I might suggest, you are

most adept in such matters.

I am? Oh, yes, of course I am, but-

I have never been in the service

of any gentleman who could handle them as well...

coming and going.

Thank you, Antoine. I will see her.

Thank you, Capitaine.

Di- Uh-

I- Good evening, mademoiselle.

Capitaine Duran,

are you surprised to see me?

Surprised?

I am delighted, astonished.

But you invited me.

Or did I misunderstand you?

No. No.

It's just that I thought you had given

your heart to that young American.

- Martin?

- Yes, he is such a handsome, such a gifted, such a-

Such a big, ugly pig!

But, mademoiselle,

I have always found him charming.

- You don't know him.

- Ah, you are angry.

That is why you have come to see me-

because you are angry with him.

Why do you keep talking about him?

I have a very good reason.

You see, my wife and he-

Rate this script:0.0 / 0 votes

Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

All Valentine Davies scripts | Valentine Davies Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "On the Riviera" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/on_the_riviera_15200>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    On the Riviera

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the typical length of a feature film screenplay?
    A 200-250 pages
    B 150-180 pages
    C 90-120 pages
    D 30-60 pages