On the Riviera Page #8

Synopsis: Jack Martin (Danny Kaye), an American entertainer working cabarets on the French Riviera, does an impersonation of philandering industrialist Henri Duran (Kaye, again) so convincingly that even Duran's beautiful wife (Gene Tierney) is fooled by it. When Duran's business interests compel him to be in London when he should be hosting a large soiree at his home, Martin is persuaded to impersonate Duran at the party. But matters threaten to get out of hand when Martin (as Duran) is confronted by several of the philanderer's women, and by Duran's ruthless business rival, M. Periton (Jean Murat).
Genre: Comedy, Musical
Director(s): Walter Lang
Production: 20th Century Fox Film Corporation
  Nominated for 2 Oscars. Another 1 win & 1 nomination.
 
IMDB:
6.5
APPROVED
Year:
1951
89 min
91 Views


- They told me at the club

you had come out here.

I was afraid you'd sail

without my seeing you.

Perhaps that would

have been just as well.

One would almost think

you did not want to see me.

- Well, did we?

- Didn't you tell them?

- What was there to tell?

- About our conference last night, of course.

Oh, yes, of course I told them.

- And you told them the terms?

- Mmm, yes, in a general way.

- Then why are they acting so gloomy?

- Why, indeed?

- You do not act very cheerful yourself.

- Cheerful? Why should I?

Oh, Henri, you're an amazing man.

- I bring you a check for 30 billion francs-

- 30 billion francs?

- You sound surprised.

- Well, I am.

I, uh- I am surprised

that you got it so quickly.

I'm a man of my word. I told you last night

I would bring you the check this morning.

- And there it is.

- Yes, there it is.

I have always said you had the shrewdest

business mind in Europe, Henri.

- Last night, you proved it.

- You give me too much credit, Felix.

- No, you held a trump card,

and you played it like a master.

- Thank you very much, Felix.

I'm sorry I cannot ask you to stay,

but Lili is not feeling very well just now.

- I must get back to the villa.

- I'm sorry to hear that.

I'll take you back in my launch.

- That's very kind of you, Felix.

I'll be with you in a minute.

- Gentlemen.

30 billion francs!

We are saved!

We are solvent! We are rich!

- Thanks to Monsieur Martin.

- Yes.

He seems to have played my part

almost as well as I have played his.

- Oh, good morning.

- What are you doing here?

- Came to get my clothes.

- How did you get in?

Sneaked in through the library.

Oh, don't worry. Nobody saw me.

- I'm surprised you have the gall to face me.

- Why not?

What you did last night was utterly contemptible.

You knew I thought you were my husband.

- Sure, I did. We had a lot of fun, didn't we?

- Fun?

Yeah. You know, I wasn't

too keen about it at first.

But when I realized the situation,

you know, with the captain gone...

- and how desperate you were.

- Really?

- Oh, I'm not saying I can't use the money.

- Oh.

- And I was wondering if I could ask you a favor.

- What kind of a favor?

Well, if it isn't too much trouble,

I'd like a letter of recommendation.

- Recommendation? After what you did?

- Yeah.

What's the matter with what I did?

Didn't you like my performance?

- I certainly did not.

- Well, I'd like to know anyone

who could've done better.

- Oh, you vulgar, insufferable-

- Wait a minute.

If you weren't satisfied,

why didn't you tell me before this?

Because your performance

was too good.

I don't mind saying you gave a pretty good

performance yourself.

Will you get out of here,

you conceited-

It's not conceit. I did a good job last night.

And I'm proud of it. That's all.

I just thought you might know some other homes

where I could do the same thing.

- My charges would be very reasonable.

- Monsieur Martin.

- I must ask you to leave.

- Okay.

But if the captain's ever away again,

I'll be very happy to oblige.

Is that why you came here?

To make cheap, disgusting-

No, I told you why I came.

I came to get my clothes.

Why didn't you take them

when you left this morning?

- What?

- Why didn't you take your clothes

when you left this morning?

Left this morning? I left last night.

- You left last night?

- Sure. Soon as I found out the captain was back...

I beat it out of here

as fast as I could.

Then the capitaine

was here last night.

- Sure, he was. Didn't you see him?

- Oh, yes.

Yes, of course I did.

Oh, thank you. Thank you very much.

I- I can't tell you

how relieved I am.

I'm delighted

you came back this morning.

I don't get it. You certainly haven't

been acting that way.

Oh, I am sorry. I'm afraid I was confused.

But I'm not anymore.

It's all very clear to me now.

Jack, I wonder, would you

do me an enormous favor?

- Sure, anything.

- But we must act quickly,

before my husband gets here.

- Okay.

- Now-

Well, Monsieur Martin.

Uh, good morning, Captain.

Good morning.

I'm, uh- I'm delighted to find you here.

- You are?

- Yes.

I want to thank you

for what you did for me last night.

I'm sending you a check in the morning

which will express my gratitude more fully.

Well, thanks, Captain.

I sure can use it. By the way, what did I do?

You made a great financial deal for me.

What did you say to Periton?

Oh. I said, uh, "Hmm."

- Oh, that.

- Yeah.

- I was told you always use it.

- But never with such success.

Look, Captain. I don't know how to say this.

It's really none of my business.

But you're making a great mistake.

- I am? How?

- Your wife. She's wonderful.

Believe me, she's got everything,

everything a man could ask for.

- I found that out.

- You know, she's so crazy about you...

she just tried to talk me

into making you jealous.

- You were supposed to come up

and find her in my arms.

- Oh?

Why don't you quit playing the field and

concentrate on her?

- You're right, my friend.

- Now will you go up? She's waiting for you.

Monsieur Martin...

will you and your charming Colette

have dinner with us tonight?

We will come to the show and afterward,

the four of us will have a big celebration.

- I wish we could, but, uh,

I don't know where Colette is.

- No?

No, she walked out on me.

She didn't understand about last night.

- Oh, I am very sorry.

- So am I.

- Is there anything I can do?

- No. No, I'm afraid not.

- Wait a minute. You could do me one favor.

- Anything.

- Tell me, Captain. What's your secret?

- Secret?

Yeah. Let's face it. We do resemble each other.

We proved that last night.

But when women

look at you, they- Well, you know.

And when they look at me,

they run for the nearest exit.

What's your secret?

- Well, thank you, Captain.

- Not at all.

- Well, good-bye, Jack.

- Good-bye, Henri.

- Oh, Captain. Just one thing.

- Yes?

Make sure she knows it's you this time.

I don't wanna get in any more trouble.

Have no fear. She will know.

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Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

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    "On the Riviera" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/on_the_riviera_15200>.

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