Once Upon a Time in Mumbai Dobaara! Page #6

Synopsis: The story of Shoaib, an underworld don who came to power by killing his mentor and has extended his kingdom with the help of his best friend, Javed, and his former lover, Mumtaz. While visiting the area where he grew up, he meets Aslam, who becomes his accomplice.
Genre: Action, Crime, Drama
Director(s): Milan Luthria
Production: B4U Films
  2 wins & 2 nominations.
 
IMDB:
4.8
NOT RATED
Year:
2013
160 min
Website
362 Views


l won't get scared and help

federal dogs like you win a medal.

Officer, nor am l going to

be your way to a medal...

and neither am l going

to betray Shohaib... get it?

Fine...

get going then... come on...

you are of no use to me.

Should l leave?

Yes, before l change my mind.

Okay.

The ones who walk on your path...

are the ones who often

try to cross your path.

What's the matter?

Who is bothering you?

Jimmy!

ln his bid to scale greater

heights, he has fallen to ground.

He is a bloody traitor.

Jimmy?

He had shot Rawal's girl, right?

The cops nabbed him.

Just command us boss...

we'll go finish him while he

is still locked up.

Sreenu caught him and released

him within 10 minutes...

he had Shohaib by the scruff

of his collar, and he let it go...

why?

Looks like Jimmy has

joined hands with the police...

he has saved his life

and endangered ours.

Javed, if he truly has tattled

to the cops...

l will put an end to his tale.

Come on, get the car out.

No, boss...

perhaps the cops have released

the goat as a bait for the lion,

to get him to emerge,

so they can grab him...

it's best if you don't go...

you want Jimmy, right?

l will bring Jimmy to you.

Looks like there are several

dogs trying to guard the house...

that means Jimmy is inside.

lf boss has asked forjimmy,

he wants him at any cost, Aslam.

Even l have given him my word...

now, even if l have to lose

my life, boss will have jimmy...

Hey, if you can't handle it,

why do you drive it?

l will ride it the way l want.

Your father didn't pay for it.

Tell your mother to put

a learners' sign on it.

Looks like this one wants to play.

Let's go teach him how it's done.

Hey, stop this tussle...

stop this chaos.

Sir, ACP sir...

inspector Damle here.

Tell me Damle, what's the matter?

Out here, near the lodge, some

bikers have broken into a fight...

one guy is entering the lodge, sir.

My guess was right...

whoever it is, should not escape...

l will be right there.

Aslam, you?

What's happening here...

what's all the chaos about?

Boss has sent for you...

he is quite concerned.

You are one of us.

Wear that.

A lot of federal traffic...

let's go...

What's the hurry?

Bombay Police can sniff such things

from a distance.

What did you think?

That you'd be able to slink away?

Tell me...tell me where Shohaib is.

Tell me...tell me where Shohaib is.

Shohaib is here.

Boss, what are you doing here?

Aslam, tables are

turned when people turn.

Boss... what are you sayin?

l am your boy.

l will count to three.

Girls have boys.

l need a man.

Boss, l was there just for 5 minutes...

they only asked me a few things and let me go.

One...

How is it my fault...

l have done no wrong.

Your fault is that the police have

sniffed you now...

and your scent

can bring them to me.

Two...

Those bastards have tricked me,

they have tricked me, boss.

You may be right...

but, what can l do Jimmy...

l can watch you die.

Boss.

But l can't watch

you with skepticism.

Three...

Aslam come.

Move... leave...

You are mourning

over Jimmy's death...

or over my victory?

Boss, it is a possibility that he

was trapped into this?

He was trapped today... he could

have gotten me trapped someday...

did you notice the

Police arrangement...

had we been caught,

they'd have killed us.

Jimmy may have slackened... but

he couldn't have backstabbed you.

Look Aslam... my ways are clear...

Champagne for true friends...

and real pain for sham friends.

A man's virtue can be suppressed...

not destroyed...

you helped me out of my mucky life,

you will always be my hero.

Every bloody person wants

to have a hero...

people live for the

last reel of the film...

hoping that the last reel

would have a happy ending...

l want to decide the ending for

everyone in the film, instead...

l want to have fun...

heroes need me to

be able to exist...

Aslam, l am the villian.

What if l end up

messing up someday?

Aslam, you are like a son to me...

l will have an extra peg when

l grieve over you...

but l will kill you.

l only leave one way

open for those who err...

the way to their graves.

Shohaib!

l am glad you called me...

l do not wish to live on the morsels

Shohaib deigns to throw at me.

No tension.

l planted a bomb,

but he got away...

joined hands with the cops...

yet, he escaped...

Now, l could bow down, to even

a dog who dares to bite him.

Let me throw you a bone, then.

Who is this?

That's Shohaib's latest flame.

His flames light up

and die down every day.

This dame received an award...

for having the prettiest face...

her face hit the headlines before

it hit the big screen...

why?

Only one person could

have managed this... Shohaib.

He said it and

everyone agreed to it.

l see...

a chink in his armor.

l would say.

Good...

we have the reins in our hands...

controlling the horse,

should be easy.

No tension.

l feel like a pawn,

torn between love and friendship...

What do l do now?

lt is very difficult

to choose one of the two.

But, l will invariably bend towards...

the one who tugs on my heart strings, won't l?

She is right, old man!

Cut!

Who was that?

Who said that?

ery good, Jasmine.

Come on. Let's proceed.

Come on!

Yes.

Start sound.

33 by 6. Take 1.

Action.

lt makes me lose

faith in my life...

as getting what

l deserve seems like a strife.

Okay, cut it!

Way to go.

ery good, Jasmine.

Thank you, sir.

lf the big guy has decided

to applaud you... how can l not.

come on, everyone, pack up...

go home... rest of it, tomorrow.

Shall we leave?

You are back?

lf my mother finds out,

she'll kick me out of the house.

lf you want, we could find

your old lady a wonderful old man.

Oh God, you should really

consider thinking before talking.

Thinking,will slight my thoughts.

l have never met anyone like you.

And, you never will.

Because l am unique...just me!

Come in.

Well, since you are here anyway,

drop me off at Shaheen's.

Do you see a meter

attached to my car?

Do l look like

a taxi driver to you?

l am here to meet you,

not to drop you off.

l didn't mail you or phone you,

and ask you to come, did l?

Then, do what l ask for.

Who do you take me for?

l know you are a

very powerful guy...

that people are afraid of you.

Now, drive the motorcar,

motormouth.

Who are these people, that

are more important to you?

Shaheen wants to meet her lover...

and she won't be allowed

to go until l accompany her...

her mother trusts me a lot.

Wow... trusts you a lot, it seems.

When in love, a man is

much like half a glass of water.

His thirst is not quenched

and nor is his heart contented.

ls that so?

When in love,

a man is like a cricketer.

The mind keeps appealing

even after the heart is out.

ls that so?

When in love...

What is the matter with you?

You are going on and on about love.

l am only telling you

the advantages of love.

Last l checked, you thought love was venom.

What made it turn to elixir of life?

Rate this script:0.0 / 0 votes

Rajat Arora

Rajat Aroraa (born 23 July 1975) is an independent writer in the Indian film and television industry; widely known for his films Once Upon a Time in Mumbai (2010), The Dirty Picture (2011), Kick (2014), Gabbar Is Back (2015) and Taxi No. 9211 (2006) He has also written the blockbuster hit and critically acclaimed Once Upon a Time in Mumbaai (2010). Rajat wrote Baadshaho (2017) directed by Milan Luthria and starring Ajay Devgn. The movie is scheduled for release in September 2017. He also worked on AZHAR, a biopic on the most controversial Indian cricket captain, with Balaji Telefilms. The movie released on 13 May 2016. Rajat is also working on untitled film for Multi Screen Media (MSM). more…

All Rajat Arora scripts | Rajat Arora Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Once Upon a Time in Mumbai Dobaara!" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/once_upon_a_time_in_mumbai_dobaara!_15222>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Once Upon a Time in Mumbai Dobaara!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A An object or goal that drives the plot
    B A type of camera shot
    C A character's inner monologue
    D A subplot