One Chance Page #9
HIS POV; where Pavarotti’s full gaze is on Alessandra, who
although flattered, tries to turn his attention to Paul,
but to no avail.
Finally, the aria ends to polite applause. Ignoring Paul
completely, Pavarotti rises to leave until the Asst.
Conductor whispers in his ear.
PAVAROTTI:
Ah, si.
(turns to Paul; obviously
hasn’t heard a word)
You inhaled after in te, vivo ravviso il
sogno. Rodolfo would not have run out of
breath there.
52.
Paul is about to speak, but Pavarotti’s back is to him and
he’s heading for the door, arm in arm with Alessandra
leaving Paul alone on stage, destroyed...
Paul stands for a moment, then slowly turns and walks off
as we...
DISSOLVE TO:
EXT. PORT TALBOT - DAY
Gray as ever. A bleak contrast from the vibrancy of Italy.
ROLAND (V.O.)
I hates to say it, but I did warn you.
INT. POTTS FAMILY KITCHEN - DAY
Where Paul and his parents are just finishing Sunday
dinner. Paul stares at his plate.
YVONNE:
Put a sock in it, Roland. At least he had
the nerve to have a go.
ROLAND:
Which has left him where?
PAUL:
Thanks, mum. That was lovely.
He takes his plate to the sink.
YVONNE:
There’s treacle tart and strawberries.
PAUL:
I’ve got work in an hour.
Kisses her goodbye.
YVONNE:
When’s that lovely girl coming to visit
again?
PAUL:
See you guys.
ROLAND:
Oy. Hang on a second.
He follows Paul out the front door.
53.
Paul works the combination lock to his bicycle which is
chained to the iron railing at the base of the steps.
ROLAND:
There’s an opening down the mill. The
wait list’s a kilometer long, but, how’d
you like to come work with me?
PAUL:
No thanks, dad.
ROLAND:
It’s time to grow up now, son. You’ve had
your great adventure, which is more’n I
ever had, but singing didn’t work out so-
PAUL:
I know, dad.
ROLAND:
(grabs his arm)
No you bloody well don’t! You think
you’re too good to work the mill. Well
I’ve got news for you, boy, you’re the
one’s not good enough.
PAUL:
(after a beat...)
I’ll be late.
Roland lets him go. Paul pedals out onto the road.
ROLAND:
Just what the world needs, more bloody
mobile phones!
EXT. PORT TALBOT - DAY
As Paul cycles stoically to work.
INT. CAR PHONE WAREHOUSE - DAY
Where Paul rings up a sale for an ELDERLY COUPLE...
ELDERLY WOMAN:
Right. Now how far away from the house
will the telephone actually work?
PAUL:
As far as you’d like.
54.
ELDERLY MAN:
Nonsense. The cord on our last telephone
didn’t even reach to the back door.
PAUL:
But this hasn’t got a cord.
ELDERLY WOMAN:
We don’t take kindly to bullshitters.
PAUL:
That’s because you’re bloody insane.
He walks away, despite their protestations. Braddon sees
this and, after throwing a look at Paul, goes to help the
elderly couple.
BRADDON:
(shouting)
Good afternoon! May I help you?!
INT. CAR PHONE WAREHOUSE, BACK ROOM - DAY
Paul puts together a cardboard display stand. His phone
buzzes. He sees Julz picture with a text message: “?”
He taps it, revealing the “text thread”; a series of “?”
and “!” and “?!?!?!?!” stretching back over a week.
He switches his phone off just as Braddon enters.
BRADDON:
Not quite the pinnacle of customer
service, I’d say.
PAUL:
Sorry.
BRADDON:
Perhaps you’re confused...see you’re the
diffident, jolly one, whilst I’m the
edgy, mysterious bloke with bubbling
cauldrons of danger and pizzazz.
PAUL:
Right.
BRADDON:
It’s bad as all that is it?
(off Paul’s look)
Right... Come on.
Pulls Paul to his feet.
55.
PAUL:
Where we going?
BRADDON:
Desperate times call for naked dancers.
CUT TO:
Where Paul and Braddon sit at the edge of the stage,
framed between the legs of a gyrating dancer.
Braddon’s smile is ear to ear as his head bobs and swivels
to the music... Paul still looks miserable.
Braddon follows Paul out of the club where they unchain
their bicycles from the pole holding up the marquee.
BRADDON:
There you are. All better now?
PAUL:
(not at all...)
Yes, loads. Thanks.
BRADDON:
D’you know, I think I could headline
there. The first step on my career to pop
superstardom.
PAUL:
That’s your dream is it?
BRADDON:
When I was younger. Before x-box payments
and chest hair and whatnot.
PAUL:
You haven’t got chest hair.
BRADDON:
‘Course I do. Gallons of it... It’s just
very blonde.
PAUL:
Right... And what about now?
BRADDON:
Dreams? Honestly?
56.
PAUL:
If possible.
BRADDON:
Be nice to have a family of my own. Oh
and one day go to New Zealand. Hire a car
and do the Lord of the Rings tour. See
where the hobbits live.
PAUL:
That’s it?
BRADDON:
Well, yeah. The lower your expectations,
I find, the greater your general level of
happiness.
PAUL:
(agreeing)
Right.
They pedal off down the road...
BRADDON:
Then again, a threesome wouldn’t be the
worst thing that could happen.
PAUL:
Obviously.
EXT. PAUL’S APARTMENT BUILDING - NIGHT
Paul hops off his bike and pushes it towards the entrance
where Julz stands with several large suitcases.
PAUL:
Hi.
JULZ:
Hi.
PAUL:
How did you--?
JULZ:
Mum drove me. She waited as long as she
could but...
PAUL:
Right. Um... Sorry, did we?
JULZ:
You stopped ringing me back.
57.
PAUL:
Yeah.
JULZ:
Playing hard to get again?
PAUL:
Just feeling sorry for myself.
JULZ:
Always flattering on a man.
PAUL:
He didn’t even know I was there.
JULZ:
(shrugs)
He’s a celebrity.
PAUL:
Sorry?
JULZ:
He may be a great singer, but anyone that
famous can’t be anything but an ass of
intergalactic proportions.
PAUL:
It’s lovely to see you.
JULZ:
Is it?
PAUL:
I’m an enormous idiot.
JULZ:
You are. And?
PAUL:
I’m truly sorry.
JULZ:
And?
PAUL:
I’m an ass of intergalactic proportions?
JULZ:
Well said. Lucky for you, I’ve decided to
take you up on your offer.
PAUL:
You have?
58.
JULZ:
I have.
PAUL:
Em, which offer exactly?
JULZ:
Seeing as your self-esteem’s down the
loo, and we’re never going to have a
proper go at a relationship living so far
apart, I decided to accept your offer
to...move in together. To give it, you
know, a proper go. Nothing ventured...
PAUL:
Nothing gained.
JULZ:
So...?
Paul stares dumbfounded... Realizes she’s hanging herself
out there for him...
PAUL:
Oh right! Yes, of course. That would be,
um...
JULZ:
What?
PAUL:
Wonderful.
JULZ:
(smiling)
And?
PAUL:
I’m an ass of intergalactic proportions.
JULZ:
Yes, though there’s still hope for you.
He reaches down to carry one of her suitcases but can’t
even lift it off the ground.
JULZ (CONT’D)
I packed a few things.
PAUL:
We may need a bigger flat.
CUT TO:
59.
EXT. ABERAVON BREAKWATER - DAY
An immense seawall jutting out into the gray water.
Surfers and wind surfers brave the cold waters alongside
as Paul and Julz walk hand in hand.
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"One Chance" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/one_chance_619>.
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