Opening Night Page #6

Synopsis: A young woman gets killed in an accident trying to meet her favorite actress Myrtle Gordon after a play. Then Myrtle Gordon felt responsible for the killing leading her down to an emotional crisis that interferes with her professional work as an actress.
Genre: Drama
Director(s): John Cassavetes
Production: Faces Distributing Corporation
  Nominated for 2 Golden Globes. Another 2 wins & 1 nomination.
 
IMDB:
8.1
Rotten Tomatoes:
92%
PG-13
Year:
1977
144 min
3,657 Views


I can open the door.

Beat it.

[Myrtle] Okay, so I got

a few laughs tonight.

Listen, I've seen worse nights

than that, babies.

I've seen-seen drunks

in the audience...

heart attacks, lines screwed up...

nerves, dope,

theaters burning.

- What are we talking about here?

- All right, Myrtle, listen to me.

Half the audience loved the play.

The other half hated it.

- But you're still my favorite star.

- That's not what I was talking about.

You know that!

[Gus]

What are they, blind?

[Sarah]

What are we gonna do?

[Maurice]

Look, it's Myrtle's problem.

It's up to you, Myrtle,

if you wanna straighten yourself out.

She's the only one that can solve it.

Listen, you liar, you just shut up

and don't talk to me anymore.

- [Maurice] Hey, I'm on the stage with you.

- [Manny] What do you think is going wrong?

- Nothing.

- She doesn't think anything's going wrong.

- Is it the girl that was killed?

- [David] What girl?

- No.

- The autograph hound.

- [Maurice] The girl that was killed?

Have you, uh -

- Have you seen her since she died?

- [Manny] Oh, Sarah, please.

- No.

- Uh, now - [Stammers]

Sarah, I don't know

what the hell you're talking about.

The problem is here with us.

Let's not complicate it with never never land.

[Sarah] Look, the name of this play

is The Second Woman.

The girl dies,

and Myrtle can't cope with it.

[Gus]

Who is this girl?

Did you see her?

All right. Okay, I have seen her,

but not like you think.

I mean, I made her up.

She's mine. She's my fantasy.

I wanted to see

how it would feel like to be, uh -

To be young again.

Whatever.

If that makes you happy.

Was she on the stage

with you again tonight?

No!

Look, would I let anybody

go on stage for me? Are you crazy?

- [David] Do you know what's going on?

- No.

Can I take Myrtle

to my spiritualist?

- Oh! Wait a minute.

- [David] Spiritualist?

- [All Chattering, Murmuring]

- Wait a minute.

Myrtle, you were never in it tonight,

not for a moment.

Now, I don't know whether it's because

you don't want to, because you can't...

because you're nuts,

I don't know.

Or because, uh,

the play's about aging and, uh...

you're repulsed by it.

I don't know.

But I think it's an important play.

And, uh, if you don't

put yourself out -

I mean, if you don't feel the pain

of the losing of, uh...

passion and, uh -

[Manny Groans]

Look, if I put a call in to New York,

we'll be there in less than two hours.

I'll take her to my spiritualist, and we'll

be back in time for rehearsal tomorrow.

I don't want anybody

to misunderstand this lunacy.

It's made up.

I can control it.

It's- It's- I- I just let

my imagination go a little bit.

[Sarah] Are you sure

it's just your imagination?

I can make her appear

or disappear at will!

Please come and sit down.

Hello, Sarah.

How are you?

- Oh, and you must be Miss Gordon.

- Yes. How are you?

- Fine. Please sit down.

- Thank you.

Sarah.

- Is it okay if I join the sance?

- Please do.

Thanks.

Doris, get the candles.

Can't see in the pitch black,

you know.

And bring Frank in.

We need a fan. When we close the doors,

it gets stuffy in here, you know.

Now, Sarah...

from what you've told me

on the phone...

this could be

a misplaced phenomenon...

looking for a way to cause trouble.

Well, I believe that Nancy exists...

but, uh, only in my mind.

I'm an actress...

and the play

that we're doing right now...

is about the gradual lessening...

of my power as a woman...

as I... mature.

Uh...

at some time in life youth dies...

and the second woman in us

takes over.

I believe that Nancy is

the first woman in my own life.

Nancy. The girl who got killed?

- Yes.

- I see.

Actresses create characters.

I created Nancy

because I thought there were...

certain scenes in the play

where I was having trouble...

uh, visualizing my own life.

[Chuckles]

I'll do anything.

I drink, I--

I stay up all night, I--

- You're so right.

- [Myrtle Chuckling]

I'll do just about anything...

to make my character

more authentic.

I always have.

I see.

[Sighs]

Well...

let's turn up our hands, everyone,

and put them flat on the table.

I'd like to see your palms,

um, darling.

Doris, get a pan of water

and a wash rag, please.

Your hands were smudged.

Must have brushed against you.

This, uh, Nancy of yours,

Myrtle, is a bad girl.

She's very tough.

I feel she's very near to us now.

[Myrtle]

Well, what do you want me to do?

Lower the lights, and, Frank,

light the candles, please.

I'm sorry. I - It's, uh -

You want to protect this kid, honey?

I-I just don't know

how to explain it.

It's, uh - It's like

when you were a child...

and you had an imaginary friend.

You know, someone that you made up?

She doesn't exist.

Well, at least now you know.

At least I know what?

A lot of people think

the young girl in us is important.

Not too many years ago...

I went around

pretending I was 18.

But I wasn't.

I was 60.

Take a snooze, huh?

Night.

Well, uh, listen, thank you.

You know? That was -

Oh, that's all right.

Get some sleep, will ya.

- Go on. Sleep.

- You too.

Where are you?

[Sighs]

You know it's not your fault.

You're only 18.

It's not my fault either.

I'm an actress.

I have to...

I -

[Groans]

Ohh!

[Panting]

[Myrtle]

Hello!

Hello.

- Listen, you know who I am, don't you?

- Mm-hmm.

Well, the door to Miss Goode's suite

is locked.

- Mm-hmm?

- Well, I'm locked out.

Oh. You're from

up in the penthouse, aren't you?

I - I need to get in.

- Have you got the key?

- I have some keys.

I don't know if I have the key

to Miss Goode's room.

Would you try one, please?

I'm sure you can get me in.

I haven't seen you

in the movies in a while.

- I'm doing a play.

- Oh, I heard that.

Let's see if this one works.

No, that doesn't.

Let's try this one.

[Knocking]

- Thank you.

- That's too much.

That's really too much.

You're just great.

Thank you.

[Groaning]

[Banging Against Wall]

Oh, my God.

What are you doing?

Don't worry, Sarah.

I'm doing this to myself.

I'm a little shook.

Use your bathroom?

[Myrtle Sighs]

[Water Running]

[Myrtle Clears Throat]

I'm a little shook up.

Be all right with you

if I spent the night?

- Were you with her last night?

- Yes.

[Sarah]

Manny, she's crazy.

- Sarah, we've been waiting for two hours.

- I've never seen behavior like this.

- Two precious hours of rehearsal.

- She's got to be replaced.

Oh, you want me to replace her now?

One day before New York?

Thank you very much.

- Let's go.

- Yes, sir.

- Leo, tell everyone to take a break.

We'll be back in a half hour.

- Right.

[Engine Starts]

[Manny] I had an affair a couple of years ago.

You know about it.

Nineteen-year-old girl.

[Chuckles]

You don't think I was

making a fool of myself?

Think every time

I took my shirt off I didn't...

wanna be younger?

I had my nails done,

my face massaged.

Had a container of breath spray

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John Cassavetes

John Nicholas Cassavetes (; December 9, 1929 – February 3, 1989) was a Greek-American actor, film director, and screenwriter. Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). He studied acting with Don Richardson, utilizing an alternative technique to method acting which privileged character over traditional narrative. His income from acting made it possible for him to direct his own films independently.Cassavetes was nominated for three separate Academy Awards: Best Supporting Actor for The Dirty Dozen (1967), Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974). His children Nick Cassavetes, Zoe Cassavetes, and Xan Cassavetes are also filmmakers. more…

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Submitted on August 05, 2018

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    "Opening Night" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/opening_night_15324>.

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