Opening Night Page #9

Synopsis: A young woman gets killed in an accident trying to meet her favorite actress Myrtle Gordon after a play. Then Myrtle Gordon felt responsible for the killing leading her down to an emotional crisis that interferes with her professional work as an actress.
Genre: Drama
Director(s): John Cassavetes
Production: Faces Distributing Corporation
  Nominated for 2 Golden Globes. Another 2 wins & 1 nomination.
 
IMDB:
8.1
Rotten Tomatoes:
92%
PG-13
Year:
1977
144 min
3,657 Views


- Charlie, get away from that door!

- [Manny Whispers] It's your show now.

If it becomes too impossible,

you ring down the curtain. Understand?

[Leo]

All right, Manny.

[Manny] Keep pumping coffee into her.

Black coffee.

[Actors Continue Speaking On Stage]

[Lena]

I don't know. I don't care.

- [Carla] Do you think he knows her?

- [Lena] Yeah, he knows her.

- It's the first wife.

- [Charlie] Wife?

- [Lena] He had her by the wrist.

- [Charlie] Did he hurt her?

- [Lena] You think I'm gonna interfere

in that kind of bullshit?

- [Whispers] You sure?

It's a shock for me to see you. I'm not

seeing you on a street corner somewhere.

I didn't bump into you in a crowd.

[Audience Applauding]

[Lena] What the hell is going on here?

Who is this dame?

[Tony]

This is Virginia.

This is, uh, my, uh, ex-wife

from 15 years ago.

And this is my new wife.

Say hello to Carla.

- Hello.

- That's Carla.

Charlie Spikes, my brother-in-law.

Charlie Spikes.

[Audience Laughing]

[Tony]

Wait a minute!

Goddamn it, no! No!

No!

[Audience Continues

Chuckling, Laughing]

I've gotta get a glass of water.

I can't -

Never mind the water.

I said, what do you want?

[Vito]

Dad's gonna hit you again.

What kind of woman are you?

Hey. Come here. Sit down.

- Sit down.

- Let go of my arm.

- I said sit down!

- Stop it, Dad.

- Sit down.

- Take it easy. You're bigger than she is.

- [Shouting]

- Hey, Tony, leave my house!

- Goddamn it, leave my house!

- [Shouting Continues]

- How dare you act like this?

- Leave him alone! How dare you!

Look, I - I even wore this veil

because...

I'm sorry.

I'm sorry, I -

I'm a very foolish woman, and I--

This is very embarrassing.

It's just that...

I'm alone.

No, I'm not alone. I've been living

with this guy for- for several years...

and-and I was married

to someone else before Tony...

and I don't--

I don't even know where he is.

I was just--

I was just floating around...

and I--

- [Carla] Go on.

- You were married, you and him.

- Right, honey?

- Yeah, but it didn't mean anything.

It was just for a little - little bit of time.

It didn't mean anything.

- You have any kids?

- No. No.

I don't have any kids.

- [Groans]

- Virginia. Virginia!

- Come on.

- Tony.

- Hey, Tony.

- In the bedroom.

- Put her down, Tony.

- Leave me alone, will ya, Lena?

This woman is hurt.

I'm not gonna do anything.

- [Lena] Put her down, Tony.

- I'm gonna lay her down on the bed.

[Charlie]

Come on, we all love you, Tony.

You wanna hit me?

Go ahead and hit me.

[Lena Sobbing]

[Audience Laughing]

[Charlie]

Tony? Tony?

Come on, Tony.

We all love you, Tony.

You wanna hit me?

Go ahead and hit me.

You're my friend.

You're my best friend.

[Lena Continues Sobbing]

[Charlie] Everybody loves you.

Your kids love you.

Come on.

[Crashing]

[Kelly Muttering]

Come on, baby, it's coffee time. Let's go.

[Leo Muttering, Indistinct]

[Audience Applauding]

[Patrons Shouting, Laughing]

- A double scotch, please!

- Double scotch.

[Virginia]

Do you love me?

[Audience Applauding]

Honey, you better get her dressed.

- Better hurry. We don't have much time.

- Okay.

[Kelly Whispering]

Come on. Here we go.

It's going to be fine.

Easy. Easy does it.

Oh, yeah, you're gonna be fine now.

You were really good.

Yeah, you were just -just fine.

If we can just get over this -

[Leo]

Okay, straighten up. Here we go.

You're gonna make it.

- You all right?

- Terrific.

[Jimmy]

Places, please.

The show's going well.

- We'll all have some champagne later.

- [Sighs]

[Laughs]

Or whatever.

You're terrific.

## [Whistling]

[Myrtle]

I'm gonna bury that bastard.

I think it's going very well.

Keys, please.

- [Stage Hand] House lights down.

- See ya on stage.

- Okay.

- [Jimmy] Places, please!

[Jimmy]

Curtain!

- [Phone Rings]

- [Myrtle Groans]

[Phone Rings]

[Marty]

Hello?

Oh. Hello. How are you?

No, your sister isn't here.

No. No.

No--

- Oh, she told you.

- [Kelly] Come on, baby.

Well... there you are.

No, there's no--

there's no point.

- I said, there's no point.

- Miss Gordon?

- Can I say something?

- Sure.

I've seen a lot of drunks in my day...

but I never seen anybody as drunk as you

and still be able to walk.

You're fantastic!

- Thank you, Bobby.

- Okay.

[Marty]

That's right. That's right.

I'm not hostile. No.

No, I don't care.

Because I'm goddamned sick and tired

of walking into this house...

and finding it empty, that's why.

Mm-hmm. Yeah.

Look, I can't talk now, all right?

I'm gonna hang up.

Okay, well, listen,

it'll either work out or it won't.

[Phone Hangs Up]

[Keys Jingling]

[Lock Rattling, Door Slams]

Great.

This is funny, you know.

It's very funny.

Hysterical.

You want to recap it?

[Laughs]

All right, I run off...

to the Beverly Hills Hotel...

and I find myself

a little, innocent girl...

and I sit there with her...

and all she can think about

is my graying temples.

And you run off with -

[Marty]

Do you love me?

Listen, Marty...

you object to my going out, right?

Yes, I do.

- And my drinking?

- Yes.

Somehow, a cocktail here and there

is very destructive.

Yes, I think it is, very.

Well, I've heard

your every point of view.

Every story you tell

turns out the same way.

A constant, long-winded recital...

about what's wrong

with everyone in the whole world.

I tell you what I think

is important for you!

Well, I am not me.

I used to be me.

- I'm not me anymore.

- What the hell do you want from me?

You want me to get down on my knees?

What the hell do you want?

Everything you can't give me.

I want youth...

super strength...

dream building, happiness,

fun, emotion.

- Babe.

- Practically anything.

- Babe, I love you.

- No, no, no.

I love you! I am Superman!

- Hey!

- I am Superman!

Oh, you're weird!

And you make me feel old.

I am so strong

you can't believe it.

- Hey, M -

- I am -Aaah! Aaah!

- Aaah! Aaah! Aaah! Aaah!

- [Audience Laughing]

I am Superman!

[Audience Continues Laughing]

- What -

- We are not we!

- What are we fighting about, Marty?

- We are--

[Audience Laughs]

What are we fighting about, Marty?

We are absolutely different people

than we were.

When I look at my face in the mirror

when I'm shaving in the morning...

you know what I see?

I can see it then in my face.

It's hard to cover it up.

- What?

- There's something deeply cynical

about my face.

[Audience Laughing]

It's hard to cover it up.

- Congratulations.

- It's hard to cover it up.

[Audience Continues Laughing]

It is very hard to cover it up!

- My heart -

- [Audience Continues Laughing]

My heart pounds!

Do you understand?

My heart pounds! It pounds!

Bah-bah-bah-bah-bum!

Bah-bah-bah-bah-bum!

Bah-bah-bah-bah-bum!

# Bah-bah-bah-bah-bum #

My stomach is empty...

and I feel like screaming.

I am restless...

[Chuckles]

with this pose.

Well, I am not me!

And I know that I am

someone else!

- Do you think I am too?

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John Cassavetes

John Nicholas Cassavetes (; December 9, 1929 – February 3, 1989) was a Greek-American actor, film director, and screenwriter. Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). He studied acting with Don Richardson, utilizing an alternative technique to method acting which privileged character over traditional narrative. His income from acting made it possible for him to direct his own films independently.Cassavetes was nominated for three separate Academy Awards: Best Supporting Actor for The Dirty Dozen (1967), Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974). His children Nick Cassavetes, Zoe Cassavetes, and Xan Cassavetes are also filmmakers. more…

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Submitted on August 05, 2018

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    "Opening Night" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/opening_night_15324>.

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