Otis Page #3

Synopsis: Suburban America gone haywire. In the midst of a serial abductor/killer's rampage, a beautiful young teen, Riley Lawson, goes missing. When her desperate parents, Will and Kate, are contacted by her kidnapper, an insufferable FBI Special Agent takes charge of the case.But, from deep within the psychopathic subterranean world created by Otis, Riley turns the tables on her tormentor, manages to escape and to contact her parents. And, fed up with the tragi-comic inability of the FBI to find their girl, Will, Kate, and Riley's brother, Reed decide to take matters - and justice - into their own hands.
Genre: Comedy, Crime, Horror
Director(s): Tony Krantz
Production: Warner Home Video
 
IMDB:
6.1
NOT RATED
Year:
2008
100 min
112 Views


What the f*** did I tell you?

Don't... Don't say her name.

Don't say Kim.

Otis!

She had to change

the brand of her underwear.

She can't even look at Victoria's Secret.

I said... Said I was sorry.

Sorry's not gonna f***ing cut it

when you lick the crotches...

...of all the panties in your sister-in-law's

hamper like a f***ing dog does, Otis.

You're lucky she lets me come here at all.

Look at this f***ing pigsty.

What the f*** is this? My footballs?

Jesus.

F***ing coach.

Played me once. I suited up every

goddamn game and he played me once.

Cocksucker.

Did you get this sh*t

down from the attic?

- I like to look at it.

- Yeah, well, I don't. Get rid of it.

And I've had it with the f***ing Froot Loops

and the pizza.

Next time I come here...

...I wanna see real f***ing food

in the refrigerator, and clean up.

You're a f***ing idiot, Otis, but you're not

an animal, so stop living like one.

What do I do?

What do I say if it's him?

Just like in the movies.

Just keep him on the line

as long as you can.

Do you mind?

Keep him on the line.

We'll try and get a lock on him.

Hello?

- Hello, ma'am.

- Hello.

- Let me speak to Riley.

- Oh, man. Oh, man.

She's so smart and you're so stupid.

He gets disturbed if you

don't use the name "Kim. "

My bad.

I'm sorry, what did you

say her name was again?

- Kim.

- She's stalling.

- She's trying to keep him on the line.

Are you serious?

I'm upset. I can't remember.

Kim. Kim, Kim, Kim.

Kim, right.

Is she...?

Is Kim?

- Is she all right?

- She's better than all right.

She's my steady girl now.

And that means nobody gets

to put their fingers inside her but me.

Can you believe I just said that?

- Give me the phone.

- Stop him. He's gonna blow this.

Don't f*** this up.

Let them do their job.

Their job? Dad, I've watched the news.

I know how this ends.

Keep going. We're close.

What do we need to do

to make sure that Kim stays alive?

Just let me take her to the prom.

Hello? Hello?

This guy's good. Can't get a lock.

Must be using analog.

Signal's roaming...

...and keeps getting bounced back

to our position. Could be anywhere.

Twenty-one hundred kids

are reported missing every day.

Gone, vanished...

...never to be heard from again.

In the case of Riley Lawson,

hope continues...

...but is this just another futile attempt...

...to find something

that might be forever lost?

And what of the man

who has seen Riley Lawson...

...who might be looking at her right now,

raping her with his eyes?

Raping her, or doing much, much worse?

We're very fortunate to have with us...

...the special agent in charge

of the Riley Lawson case...

...Special Agent Ralph Hotchkiss.

Welcome.

So, what's it gonna take

to catch this maniac?

Twenty-seven fifty, please.

I'm a profiler.

I live with the burden of empathy.

FBI, huh?

I see the world through

the eyes of the bad men.

When I see a woman's ankle,

I see it with a shackle on it.

The delicate bone of a woman's wrist...

...seems incomplete without

the flourish of a restraint.

- Mm-hm.

- The hollow of her neck...

Sometimes it seems a blank canvas...

...without a studded choke chain.

So is sociopathy, pedophilia,

sexual deviancy...?

Are these all on the rise in America?

Deviancy has been around for millennia.

The center for pleasure

and the center for pain...

...are located right next

to each other.

You stimulate one,

you often stimulate the other.

What exactly is it that separates you

from the people you hunt down?

I like to use a condom.

- Hello?

- Hello, ma'am.

- Who's calling?

- Oh, jeez, Mom.

You know who this is. It's me.

And I'm just calling because

I wanna find out...

...how late Kim can stay out tonight.

How late? Is she coming home?

It's prom night.

And, you know, king and queen

of the prom and everything.

You know, everything?

Prom night.

We're gonna groove on the dance floor...

...and she's gonna tell me

she loves me.

No, she's not.

And then you know what I'm gonna do?

She's my little girl.

She sure is, and I'm gonna f*** her.

You son of a b*tch.

You low-life f***ing scum.

- What did you say?

You heard me.

Nothing we do, nothing we say

is gonna stop you from hurting Riley.

- Riley?

- You're gonna get her killed.

- You're gonna get her f***ing killed.

- Shut up.

You heard me. You telling me I'm wrong?

You telling me I'm wrong, you f***ing pig?

I must have dialed the wrong number.

I mean, who's Riley?

Riley is my little girl.

Riley has her whole life in front of her.

She's my baby girl.

But it's Kim I'm going to f***...

...right in the back seat of my car.

I will skin you. I will debone you.

I will feed your entrails

to our neighbor's Shih Tzu.

Yes.

I'm sorry, but it's late. Gotta go.

I gotta put on my...

My... My... My... My boogie shoes.

You...

Oh, my God.

What did I do? What did I do?

- Hello.

Hey, baby.

Tonight's the night.

You excited, Kim?

- Yeah.

- Me too.

You have your dress picked out?

I sure do.

Oh... Heh-heh.

Can't wait to see you in it.

My mom helped me pick out my suit.

I think it's super bitchen.

It's gonna make you hot.

I'll bet.

If it's anything like the dress,

it'll probably make me wet.

That's right, that's right.

Well, I'm gonna be there in just a sec.

I'm gonna pick you up

in the old Trans Am.

Try not to get

my seat too wet, baby, okay?

And, Kim, it's gonna be magical.

You know what this is?

Um, like, BOC?

Come on, Kim.

"Don't Fear the Reaper. "

Kim, don't tease me.

- Our song?

- Yes. Yes.

You know what that means?

That you love me...

...and I love you.

You like that?

It's nice. Right?

- Oh, it's good. Now, let's get...

- Please, don't.

Don't you ruin this.

Don't you f***ing ruin this.

- Baby, wait.

- Wait, what?

I, um...

I want to get you out.

Won't you let me take you out, Otis?

I could, um...

I could touch you

with my hand, and then...

Can I, Otis?

Well, hello, ahem, big boy.

Oh, no. Oh, no.

Otis, this is gonna feel so good.

Oops.

It's okay. It's okay, baby.

It's okay. Don't worry.

No, no, no.

No, no, no.

No, no, no.

- Wait. Just wait. Just stay there.

- No, stop.

F***. What are you doing here?

F***, f***, f***.

- Wait. Help, I'm...

- No.

Please stop.

No, please don't.

Don't. Please.

Please don't.

Oh, f***. Oh, okay.

You are f***ing back here.

- What the f*** you doing in there?

- I was play... Playing.

Play, playing what?

I was singing with your old toy,

the Mr. Microphone.

What?

What the f*** are you doing that for?

What are you, American Idol?

- No.

- No. F***ing how about American Idiot?

I should give them a call.

I'm sure they need contestants.

I'm not an idiot.

Really.

Why did you hit me?

Because you're my f***ing brother.

Because you're a total f***-up.

Because you're a f***ing piece of sh*t.

Forty f***ing years old.

What are you doing?

You're supposed to be at work.

Oh, God, please work.

Okay.

Okay.

Said I wanted this place cleaned up.

Rate this script:0.0 / 0 votes

Erik Jendresen

Erik Jendresen is an author as well as a writer and producer for plays, television, and film.As co-creator, lead writer and a supervising producer of the critically acclaimed mini-series Band of Brothers for HBO in 2001, Jendresen was one of the recipients of that year's Emmy Award for "Outstanding Miniseries", which he shared with Tom Hanks and Steven Spielberg, among others. Jendresen also shared an Emmy nomination for that show in the category of "Outstanding Writing for a Miniseries, Movie or a Dramatic Special". The show also resulted in a Golden Globe Award for "Best Mini-Series or Motion Picture Made for Television", and 20 other awards, including the Peabody Award. As a writer/ producer for film, his current projects include The Mariner (directed by Christopher McQuarrie for FOX); Mission: Blacklist (directed by Rodrigo Cortés); Saint-Ex (directed by Christopher McQuarrie); Aloft (starring Robert Redford); Solo (directed by Antonio Banderas); and an adaptation of Walter Tevis's The Man Who Fell to Earth (directed by David Slade). Earlier film projects include Star Trek: The Beginning (Paramount), Sublime, starring Tom Cavanagh and Kathleen York, Otis and The Big Bang (starring Antonio Banderas and Sam Elliott), and Ithaca - an adaptation of William Saroyan's The Human Comedy (directed by Meg Ryan and starring Sam Shepard and Hamish Linklater). As a writer, producer, and showrunner for television, his current projects include Special, a series based on the documentary filmmakers of the 1960s (with Marti Noxon, for the National Geographic Channel); a series based on the stories of the French Foreign Legion (with Thomas Bidegain and Dimitri Rassam); The War, a five-season series about the unending interconnected conflicts of the 20th century (with Christopher McQuarrie); The 43, a six-hour mini-series about WWII British ex-servicemen fighting fascism on their home soil (BBC/NBC); A Coloured Man's Reminiscences, an eight-hour miniseries chronicling the story of James Madison’s slave, Paul Jennings (with Tyger Williams and Rodrigo Garcia, for ABC); Castner's Cutthroats, a six-hour miniseries about the Battle of the Aleutians (Discovery Channel); Rocket Men, a ten-hour miniseries about Wernher von Braun and the men who took us to the moon and beyond; Climb to Conquer, a ten-hour miniseries about the 10th Mountain Division in World War II (with Wildwood); and Shot All to Hell, a four-hour miniseries about the James-Younger Gang and the Northfield, Minnesota, raid (TNT). Previous projects include Killing Lincoln, co-produced with Tony and Ridley Scott for the National Geographic Channel; a series based on the Francis Ford Coppola film, The Conversation (with Christopher McQuarrie); The Pony Express (with Robert Duvall); an eight-hour adaptation of Gregory Maguire's novel, Wicked (ABC); an eight-hour miniseries Majestic-12; and The Command - a series set in the world of the Joint Special Operations Command (FIC). Jendresen also has to his credit several books, most of which deal with the socio-anthropology of Peru and the Amazon Basin, including Dance of the Four Winds and its sequel, Island of the Sun (both based upon the journals of and co-written with Alberto Villoldo), and the children's book, The First Story Ever Told (also with Villoldo). Hanuman (with Joshua M. Greene, and Li Ming) is a re-telling for children of a portion of the Ramayana. He is also a playwright (The Killing of Michael Malloy, Excuse My Dust, Malice Aforethought). Jendresen lives in Sausalito, California, aboard the M.V. Hindeloopen, 112-year-old riveted wrought iron vessel which saw service during the evacuation of Dunkirk in 1940. He is married to Venus Madora Aslee Bobis, Program Director of the Partial Hospitalization Program at Langley Porter Psychiatric Institute of the University of California, San Francisco, and his partner in Pilothouse Pictures. He is an advisor at the Sundance Screenwriters Lab. more…

All Erik Jendresen scripts | Erik Jendresen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Otis" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/otis_15399>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Otis

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Schindler’s List"?
    A Eric Roth
    B Aaron Sorkin
    C Steven Zaillian
    D Quentin Tarantino