Otis Page #4

Synopsis: Suburban America gone haywire. In the midst of a serial abductor/killer's rampage, a beautiful young teen, Riley Lawson, goes missing. When her desperate parents, Will and Kate, are contacted by her kidnapper, an insufferable FBI Special Agent takes charge of the case.But, from deep within the psychopathic subterranean world created by Otis, Riley turns the tables on her tormentor, manages to escape and to contact her parents. And, fed up with the tragi-comic inability of the FBI to find their girl, Will, Kate, and Riley's brother, Reed decide to take matters - and justice - into their own hands.
Genre: Comedy, Crime, Horror
Director(s): Tony Krantz
Production: Warner Home Video
 
IMDB:
6.1
NOT RATED
Year:
2008
100 min
111 Views


Bet there's no f***ing food.

No, there's no f***ing food in there.

Froot Loops and pizza.

It's gotta be damn near 7:00.

What time does your shift start?

- Now.

- Now?

Get in the f***ing car, Otis.

- But I gotta...

- I gotta? I gotta? Now, Otis.

Cut it out.

Mr. Latham...

Lawson.

I'm a criminologist, trained to hunt down

today's modern-day monsters...

...who do things to the human mind

and body...

...that Hollywood can only

hope to imitate...

...and now your wife may just as well

have put a Sawzall, a blowtorch...

...and a pair of vise grips

into this killer's hands.

Do you really expect me

to work under these conditions?

I have a good mind to go out there

right now and tell them all to just go home.

- Who?

- Who?

The candle people, that's who.

Standing out there in the dark,

alone, shivering, holding candles...

...and singing songs like "Where Have

all the Flowers Gone?" and "Eleanor Rigby. "

No.

I don't even think the candle people

can help you now.

What a dick.

Hey. I'm gonna make you pay for that,

you little sh*t.

Hey, hotshot, if you ever talk to my son

like that again...

...I'll grab you by your scrotum

and pull it up over your head.

Wow.

Mama Lion's got herself a mad on.

You'd better go after her...

...and tell her what an a**hole I am.

It'll make her feel better.

Shut the f*** up.

Oopsie.

Kate.

- Oh, gosh, I'm sorry.

What I did to Riley. Sorry.

Mom, don't worry about that a**hole.

You did what you had to do.

Dad. Dad, tell her. Tell her she was right.

Kate, Hotchkiss is an idiot, all right?

There's no rules for dealing

with something like this.

- Hello?

- Mom? Mom, it's me.

- Oh, my God. It's Riley.

- What? Riley!

- Baby. Hold on.

Mom, I got away from him.

I got away.

Oh, my God.

Riley, we're here. We're all here.

Daddy's here, and Reed is here.

- We're all here, baby. We're all here.

- Honey, honey, where are you?

The Trip-D Market in Fairview.

Honey, are you hurt?

My... My head, but...

- I'm bleeding, but...

- Bleeding? What the f*** did he do to you?

Who is he?

Where is he?

Otis.

His name is Otis Broth.

- 739 Brighton.

- Honey, listen to me.

Is there a bathroom in this market?

Yeah.

Okay, I want you to get in that bathroom

and I want you to lock the door.

We'll be there soon.

We're gonna send you an ambulance...

...but, Riley, do not tell anyone

what you just told us.

Don't tell anyone where you were.

Do you understand me?

- No. Why?

- Riley, listen to your mother.

Don't repeat the address to anyone.

- Kate, what are you doing?

- You've gotta promise me, Riley.

Please, promise me you won't

repeat the address to anyone.

Okay. I won't. I promise.

Good girl. We love you, baby.

We'll be with you soon.

Okay.

Bye.

- What the f*** was that?

- Anything I need to know?

- Good timing, douche bag.

- We found her.

She found us. Nice going, G-man.

- Come again?

- It's Riley.

She's alive.

Hi, honey.

Hi. Hi, honey.

I love you, baby.

We're here, honey. We're all here.

I wanna go home. Please take me home.

We're gonna take you home, sweetheart,

as soon as we can:

I knew you'd make it, Ri.

Mr. And Mrs. Lawson,

may I see you for a moment?

Okay, okay.

We'll be back as soon as we can, okay?

Remember what I told you.

Your daughter has sustained

a head injury.

- Well, how serious is it?

- Well, we're not sure yet.

There's been some hemorrhaging.

Riley?

What...? What is his name?

What's the bad man's name?

I don't know.

Where is he? Where's the bad man?

Riley.

- Where is he?

- House.

Where? Where's the house?

I can't tell.

What did he do to you, Riley?

Dance.

- Tried to...

- Danced?

Rape me:

The possibility of partial paralysis.

Oh, my God.

As soon as we get the results

of the MRI and the CAT scan...

...we'll have a better idea

of the damage, and...

- Yep, he raped her.

- What?

I f***ing knew it.

She's, um, passed out.

Something you can give her

to bring her back? I haven't finished.

- I'm afraid that'll have to wait.

- Doc. Tell me she's gonna be all right.

- I can't question a vegetable.

Excuse me.

- There's been damage, but we don't know...

- F***.

We're talking colostomy bags

and wee-wee pads, am I right?

Sir?

Did she say anything to you

about who it was...

...or where she was being held,

anything at all?

No, Agent Hotchkiss,

she didn't say a thing.

Go have another cappuccino,

Agent Ass-kiss.

It's the trauma.

F*** Hotchkiss and f*** the FBI.

- Let's just go to the cops.

- Dad, get real.

Right. You really think that this pig

deserves due process, Will?

- Kate.

- What? Do you wanna take the chance...

...that Hotchkiss won't f*** up

the investigation and the arrest...

...so thoroughly that this Otis

won't walk on a technicality?

I've got two words for you, Will: O.J.

- Those were initials.

- Don't you nitpick.

No. No, Dad's right.

Let's play by the book.

Then we wait for a year,

then we go to court...

...we get on Nancy Grace

and Larry King, a Dateline special...

...48 Hours investigates. Then what?

Dad, let's go visit the f***er in prison.

Prison? That's exactly

what I'm talking about.

No, not just prison, supermax.

A prison within a prison.

Solitary confinement for life.

Eating our meals

through a hole in the door.

I'm talking about a place that's so bad

it's unconstitutional.

A place where terrorists go

and they don't come back.

And it's not gonna be Otis in there,

it's gonna be us.

At least if you're alone,

you can't get cornholed.

- Cornholed?

- I'm sorry, ass-f***ed.

Honey.

He beat up your little girl, okay?

He deflowered your little Ri-Ri.

Now tell me the truth, Will.

Down deep inside of you,

don't you just wanna...

...f*** up this guy

six ways from Sunday?

Yes. Yes, I do, but...

Giddyup.

Will, I love you.

Now, please, go get some power tools.

Motherf***er.

How we gonna get in?

Bust a window and bust a move.

- Goddamn it, no.

- It'll be like squashing a bug, Will.

He's a human being.

Not the kind we're used to, but...

- What is wrong with you?

- He's got a heartbeat. Eyes. Looking at us.

It wasn't a rhetorical question.

I really wanna know.

It's not a person we're talking about, Will.

It's a worthless piece of scum.

He's a pig, and I did read

Lord of the Flies.

- I know what happens to pigs.

- So you're a savage now.

- We're all savages.

- You're a nurse, Kate.

Exactly, which is

why I'm best qualified...

...to understand what some thing

can endure.

Somebody. You almost said it.

- He stuck his penis in my sister.

- That's enough.

He's her brother, Will.

It's a perfectly natural reaction.

- Natural.

- Primal.

And you're her father.

That's primal too.

It's the brutal,

primal order of things, Will.

- In the wild, nobody manages their anger.

- We're in the wild now?

Yes, Will. Deep in the wild.

- The horror. The horror.

- This is what you want?

- You really wanna do this?

- More than anything, and so do you.

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Erik Jendresen

Erik Jendresen is an author as well as a writer and producer for plays, television, and film.As co-creator, lead writer and a supervising producer of the critically acclaimed mini-series Band of Brothers for HBO in 2001, Jendresen was one of the recipients of that year's Emmy Award for "Outstanding Miniseries", which he shared with Tom Hanks and Steven Spielberg, among others. Jendresen also shared an Emmy nomination for that show in the category of "Outstanding Writing for a Miniseries, Movie or a Dramatic Special". The show also resulted in a Golden Globe Award for "Best Mini-Series or Motion Picture Made for Television", and 20 other awards, including the Peabody Award. As a writer/ producer for film, his current projects include The Mariner (directed by Christopher McQuarrie for FOX); Mission: Blacklist (directed by Rodrigo Cortés); Saint-Ex (directed by Christopher McQuarrie); Aloft (starring Robert Redford); Solo (directed by Antonio Banderas); and an adaptation of Walter Tevis's The Man Who Fell to Earth (directed by David Slade). Earlier film projects include Star Trek: The Beginning (Paramount), Sublime, starring Tom Cavanagh and Kathleen York, Otis and The Big Bang (starring Antonio Banderas and Sam Elliott), and Ithaca - an adaptation of William Saroyan's The Human Comedy (directed by Meg Ryan and starring Sam Shepard and Hamish Linklater). As a writer, producer, and showrunner for television, his current projects include Special, a series based on the documentary filmmakers of the 1960s (with Marti Noxon, for the National Geographic Channel); a series based on the stories of the French Foreign Legion (with Thomas Bidegain and Dimitri Rassam); The War, a five-season series about the unending interconnected conflicts of the 20th century (with Christopher McQuarrie); The 43, a six-hour mini-series about WWII British ex-servicemen fighting fascism on their home soil (BBC/NBC); A Coloured Man's Reminiscences, an eight-hour miniseries chronicling the story of James Madison’s slave, Paul Jennings (with Tyger Williams and Rodrigo Garcia, for ABC); Castner's Cutthroats, a six-hour miniseries about the Battle of the Aleutians (Discovery Channel); Rocket Men, a ten-hour miniseries about Wernher von Braun and the men who took us to the moon and beyond; Climb to Conquer, a ten-hour miniseries about the 10th Mountain Division in World War II (with Wildwood); and Shot All to Hell, a four-hour miniseries about the James-Younger Gang and the Northfield, Minnesota, raid (TNT). Previous projects include Killing Lincoln, co-produced with Tony and Ridley Scott for the National Geographic Channel; a series based on the Francis Ford Coppola film, The Conversation (with Christopher McQuarrie); The Pony Express (with Robert Duvall); an eight-hour adaptation of Gregory Maguire's novel, Wicked (ABC); an eight-hour miniseries Majestic-12; and The Command - a series set in the world of the Joint Special Operations Command (FIC). Jendresen also has to his credit several books, most of which deal with the socio-anthropology of Peru and the Amazon Basin, including Dance of the Four Winds and its sequel, Island of the Sun (both based upon the journals of and co-written with Alberto Villoldo), and the children's book, The First Story Ever Told (also with Villoldo). Hanuman (with Joshua M. Greene, and Li Ming) is a re-telling for children of a portion of the Ramayana. He is also a playwright (The Killing of Michael Malloy, Excuse My Dust, Malice Aforethought). Jendresen lives in Sausalito, California, aboard the M.V. Hindeloopen, 112-year-old riveted wrought iron vessel which saw service during the evacuation of Dunkirk in 1940. He is married to Venus Madora Aslee Bobis, Program Director of the Partial Hospitalization Program at Langley Porter Psychiatric Institute of the University of California, San Francisco, and his partner in Pilothouse Pictures. He is an advisor at the Sundance Screenwriters Lab. more…

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Submitted on August 05, 2018

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