Paap Page #5

Synopsis: Kaya, a Buddhist village girl from Spiti, is waiting to join the monastery. An elderly lama, dreams of his teacher's rebirth and Kaya is assigned to find and bring the reincarnated boy to ...
Director(s): Pooja Bhatt
Production: Nirvana Films
  4 nominations.
 
IMDB:
5.2
NOT RATED
Year:
2003
120 min
174 Views


Megha and her calls!

- Her age to receive calls

"Do you get as many as her?

- Papa, it's Shiven on the line"

"You're a smart chap, Shiven.

You've telephoned my house..."

so it cannot be tapped

"How have you been?

- You've made a mistake, sir"

Killing Zakir is going

to prove very costly for you

Raj has simply got the name

Encounter King

People also say about him

that he never misses his mark

"But about you, he was off the mark"

"Else, you wouldn't have been

talking like this with me today"

"Get one thing clear, sir"

There isn't a bullet

that can kill me

I'm going to lead a very long life

Better you understand that and

also make Raj see reason

"Oh sure. I will, of course"

But listen to something I say

Heed my advise

Come here

You're all alone out there

What will you do?

Come over

We can sort it out

"I'm coming, sir. Having

heard of Zakir's murder..."

I'll have to meet the two of you.

I'm coming over

Your house will soon echo with

the same cries of mourning...

I just heard in my friend's house

What did you say?

You'd shove the camera up mine?

Go on. Do it...

shove the camera!

What?

"I thought I'd make a hero out of you,

but you start playing villain?"

Speak!

Speak!

He won't speak like that

I feel as if we've

just been married

Where was the need for this?

You don't give me a bill anyway!

It's ages since...

My job following me here

"Go on, Ratan Singh.

- News is that Shiven..."

"has beaten up some tourists, sir.

- Then?"

We've got his location

Congratulations on the

wedding anniversary

He's going back tomorrow morning

Going back? What for?

What for? Because he's sensible.

He's not a fool like you

He has finally admitted

that his world lies there

And it's time you admitted

that your world lies here

"Make preparations. You're going to

the monastery, as soon as he leaves"

"If this is a sin,

let me commit this sin"

That's it.

This much is enough for me

"You can go away now,

if you wish to"

With the memory of this moment...

I shall somehow spend my life

"What will happen of you, Kaaya?"

You refuse to live moments

in flesh and blood

And you talk of spending a lifetime

with dead memories?

You can't go with me...

you can't live without me

what will happen of you?

You think you're doing

a pious deed...

by killing your love

for the sake of your father?

Wrong. You are

committing a sin

A sin

"When I leave this place tomorrow,

I won't even look back at you"

I will erase your memories

from my heart and soul

"There is place for you

in my life, Kaaya"

But not for your dead memories

And let me tell you one last thing.

Whatever the world thinks...

"this is the life for me,

this is the moment I live"

You can spurn this moment and

keep looking for the eternal joy

And turn this world

into a hell

But I will live this life.

To the fullest

With you

Or without you

"Whenever you miss me, sit on

this camel and come to my house"

Don't be afraid.

We're the police

Search the nearby places

"Calm down. As I said,

we're the police"

We haven't come here to inconvenience

you or anyone else

I only want Shiven

Tell me. Where is he?

Speak

Over there! Go and look!

"From here, go straight to the

monastery. Don't get out of there"

Go!

His gun is with us!

Ratan Singh...

You aren't escaping now!

"I'll do to you

what I did to your friend, Zakir"

Wait there!

Where the hell are you?

"Come on out, you coward!"

Where?

- Over there

Who are they...? Who?

What's going on out there?

Go and stop them!

Move it!

Don't get closer!

I'll shoot!

Well? Why don't you shoot?

Kill me!

You know who this man is...?

He's a murderer!

I have a warrant against him!

Don't get closer.

I'll shoot!

Kill me

"You're the one who made me

a police officer, isn't it?"

So you might as well kill me now

What then?

You want to kill her?

Him?

If you're still not satisfied...

will you kill this little child?

Are you going to

kill all of them?

How many people will you kill?

Aren't you tired of it all?

Enough. You've done enough

Enough. Not anymore

Not anymore!

Are you crying?

The Lama does not cry

Thank you very much

For all that you did for me

So long then.

Thanks for saving my life

"Kaaya, everything

comes to an end"

And the ending has an end too

The moment you were so

scared to face...

I was scared to face...

is now looking us in the face

I have come to accept

the bitter truth

"Till now, I kept thrusting my ideals

and principles on you"

And today I realise

the mistake I have made

And this realisation

comes from my enemy

From Shiven

"As they say, the enemy is

the biggest teacher"

He's the one who teaches you

to be compassionate

I have come to love Shiven

I don't regret the fact that

everything comes to an end

That we're wiped out

"What I regret is that we stop loving,

even while we're alive"

I had stopped loving you

Which is why I snatched from you

your most precious wealth

Your freedom

Today...

I return to you what is

rightfully yours

You may now decide

what you wish to do

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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