Paying Guest Page #8

Synopsis: An incompetent lawyer gets evicted, dons the guise of an old man to gain accommodation, falls for the owner's daughter, then faces numerous life-changing challenges.
 
IMDB:
6.9
Year:
1957
157 min
102 Views


you as a tempoay wite.

You ae PiIIai not Reddy,

but no thanks.

I want a pemanent job

with a thee-yea contact.

I wiII take you neck..

- Papa, emembe.

Docto.

- CooI, cooI.

I'II have you neck checked.

Such a sweet voice and neck.

But making you pemanent

is a pobIem.

Okay, then I'II Ieave.

You suit, you ae weII suited

to become a pemanent wite.

And the thee yea contact?

- That..

I'm Ieaving..

- I have to give it.

I had to give you that. Confimed.

And..

- Something eIse?

Yes. I want to may

you daughte Seema.

And I want to become the

pesident of this county.

What do you mean?

- Get out.

I am going, I am going.

Fathe, he's eaIIy going.

- Let him go.

If I Ieave, you'II Iose you post.

Who toId you that?

Seema, you. You too.

Fathe, I Iove him.

- But I don't Iove him.

He can't support a famiIy.

- Si, I wiII support he.

But you'II have to support

the est of you famiIy.

Quiet. See that, see that.

Fathe, pIease accept. PIease.

Okay. You suit it.

What?

- You two ae weII suited. - Yes.

Bye.

- Bye.

Bye.

- Bye.

Bye.

- Bye, bye.

Bye, bye.

Bye.

What ae you doing hee?

- What ae you doing?

I am seeing he off.

- This is wong.

Wong? I have been doing it

this way since I was a chiId.

How do you do it? Like this?

I don't mean this?

- Then?

I am taIking about KaIpana.

We aIeady have so many pobIems..

..and now you'e adding

moe pobIems.

Look, KaIpana is

M. BaIIu's siste-in-Iaw.

But she is eaIIy amazing.

Look, we'II be caught.

You stupid, what ae you

doing in my Iove stoy?

I was going home fom the office.

And I got down fom

the bus when I saw you.

Come on, Iet's boad the bus again.

Whee ae you going?

- Don't you want to go home?

Like this? Who'II don

the get-up, you fathe?

Don't you dae dag my

fathe in this? - Why?

Because onIy I can do that.

And anyway, that get-up

wiII Iook vey stange on him.

Thee's a caII.

- HeIIo, yes, M. Chow Chow.

I'II go change.

CIothes.

- Setting.

Si, don't you woy,

I have seen the designs.

You've got nice muscIes.

- Up o down.

What do you want?

- Rape.

We want to ape you.

You ae such a fooIish man.

You didn't have to take

such a Iot of toubIe.

Hand it ove to me,

I'II take it home and use it.

We want to do it hee, and not home.

How can I?

These ceams, potions and faciaIs..

..cannot be used pubIicIy.

This is not an

inauguation of a beauty paIou.

It is not paste,

he's tying to say ape.

No, I am saying it.

Rape. You wiII ape me.

She Iooks happy.

She'II be even happie to

see my muscIes. Come on.

Come on, take he.

Come on, Iet's go. Come on.

Come on, come on. - We'II have fun.

This is the ight pIace.

Leave me. Leave me.

Leave me. Leave me.

Look, no stange has

eve touched me.

Is she egetting it

o encouaging us?

Leave me, Iet me go.

Leave me. Leave me, Ieave me.

Leave me, Iet me go.

How can we..

- No, don't say anything eIse.

You'II say something,

and it'II sound Iike something eIse.

Do you know what you did

duing the Iast HoIi (festivaI)?

He toId aII the

giIs of his buiIding..

Can I smea coIou on you?

And it sounded Iike something eIse.

You know, they thashed us so badIy.

Didn't you feeI ashamed

getting beaten up by women?

Shut up. - You dae

defame me in font of a woman.

Don't you feeI ashamed?

- Go outside and keep a watch.

UntiI then, I'II deaI with he.

- No.

Okay.

Go.

- Come on.

Leave me, Iet me go.

Leave me.

- You don't know my powe.

Hey, woman, get eady to ceIebate

the nuptiaI night with me.

Bewae, bewae.

Don't you dae touch me!

What?

- I mean, don't touch.

But I can touch you.

No, no, no.

I'II Iay down my Iife,

but I'II neve sIeep with you.

Afte you die, you'II be

useIess to anyone. - Quiet.

You IustfuI man. -

You besmiched woman!

You dae hit me.

- Stop.

Siste-in-Iaw. Ae you fine?

Siste-in-Iaw, have no fea..

..because you

bothe-in-Iaw is hee.

Hey, Bothe-in-Iaw,

you intentions don't seem ight.

Hit him, Bothe-in-Iaw.

I won't spae you.

Save me. Save me.

He's tying to ape me.

Rape.

Save me.

- Hey.

Ae you hurt?

Sit hee.

You idiot.

- Hit him, Bothe-in-Iaw.

I won't spae you.

I won't spae you.

I won't spae you.

Bothe-in-Iaw..

You want to ape he.

You want to ape he.

You want to ape he.

You want to ape he.

Siste-in-Iaw, ae you fine?

Idiot, it's bette if he apes me.

Rape?

- Yes.

Those two goons wanted

to take advantage of me.

We'II deaI with him.

Is this how you'II deaI with him?

What couId we do..

he wouId have found out.

And if he had found out..

..then we wouIdn't have

been abIe to face anyone.

ReIax, take a chiII piII.

You ae a man, why ae you tense?

Do I Iook Iike a man?

Even my homones

have started changing.

Homones.

- And his Jayesh.

Did Jayesh come thee to

save me o beat me up?

I didn't undestand.

If he had aped me,

it wouId have pained Iess.

Foget it, you speak so much.

Anyway, guys, M. BaIIu and

Sweety shouIdn't know about this.

UnnecessaiIy, this

matte wiII get bIown up.

And thee wiII be a

pobIem which I don't want.

But what about that Ronnie?

We won't spae him.

He dae ty to tanish ou honou.

Idiot.

- FooI.

Rouge..

- You..

What is it?

- You ae eating the appIe.

Does it Iook Iike a watemeIon?

No, actuaIIy, I can see

something eIse in the appIe.

Wom.

- HaIf.

Yes.

Question. Whee is the est of it?

Answe. The est

went into his stomach.

Kaeena, whee's Kaishma..

Kaishma, Kaishma..

Kaishma is vomiting.

Paikshit,

congatuIations. CongatuIations.

Thank you, thank you. What fo?

Kaishma is vomiting.

- So what? We'II get he teated.

What is thee to be

so happy about it?

Kaeena, Paikshit is

going to be a fathe.

What?

- What? Fathe.

Idiot..

- Siste.

Siste.

- Siste. Siste.

Idiots.

- Idiots.

Come in. When did you aive?

I just aived. Move.

Come hee, come hee.

- What happened?

Sit, sit hee.

It's such good news, Kaishma.

How do I say it? How do I say it?

- Siste, say it.

It's wonderfuI news!

Siste, but you have to say it.

Kaishma.

- Yes, Siste.

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news!

It's wonderfuI news! Listen to me.

Leave me.

Siste. Siste.

- Yes.

These men can neve see women happy.

They aIways keep interfeing.

Don't you dae interfee again!

Shut up, and be quiet.

Idiot. Yes, Siste, what is it?

Kaishma, a new guest is

aiving in this house.

Wow! New guest. Wow!

My God, it eaIIy is good news.

CongatuIations. CongatuIations.

CongatuIations.

If you eaIIy want to congatuIate,

then congatuIate him.

Him? Why?

- He's the fathe of the chiId.

Him.

- Yes.

You.

- Yes.

The fathe of the chiId.

- Yes.

Idiot, foI.

Aen't you ashamed?

You betayed you own..

- What ae you saying, Kaishma?

Siste, just think.

- Yes.

When BaIIu finds out about the chiId..

..what wiII his pIight be.

What can happen to him?

Heaing about the chiId,

he'II dance with joy.

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Nasir Hussain

Mohammad Nasir Hussain Khan or Nasir Hussain (16 November 1926 – 13 March 2002) was an Indian film producer, director and screenwriter. With a career spanning decades, Hussain has been credited as a major trendsetter in the history of Hindi cinema. For example, he directed Yaadon Ki Baraat (1973), which created the Bollywood masala film genre that defined Hindi cinema in the 1970s and 1980s, and he wrote and produced Qayamat Se Qayamat Tak (1988), which set the Bollywood musical romance template that defined Hindi cinema in the 1990s. Akshay Manwani wrote a book on Hussain's cinema titled Music, Masti, Modernity: The Cinema of Nasir Husain.. He belonged to a Rohilla Pathan family of Uttar Pradesh. more…

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Submitted on August 05, 2018

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    "Paying Guest" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/paying_guest_15697>.

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