Paying Guest Page #7

Synopsis: An incompetent lawyer gets evicted, dons the guise of an old man to gain accommodation, falls for the owner's daughter, then faces numerous life-changing challenges.
 
IMDB:
6.9
Year:
1957
157 min
102 Views


- Yes, he Ieft.

Those paying guests have

ceated aII these pobIems.

I'II have to show those

paying guests my powe.

HeIIo, Namaste India.

HeIIo, BaIIu Singh.

This is Ronnie speaking.

Why ae you speaking?

Don't you get tied of speaking?

I know what you'II say.

You waned me to seII

the hoteI within a week.

And the time's ove now.

And now, you want to wan

me and give me moe time.

Look..

- Shut up.

I know, you'II taIk

about my paying guests now.

You'II theaten me that

I shouId go and wan them..

..not to interfee between us.

Listen. They ae not

just my paying guests..

..they ae my famiIy membes.

They ae my younge bothes.

Get that.

They teat me Iike an

eIde bothe, espect me.

If you say anything against them..

..I'II foget any eIation we have.

Get that. Disconnect the phone.

You fooI, aen't you ashamed?

Disconnect the phone.

BaIIu. - What's wong

with you voice, idiot?

It's me, Sweety.

- Sweety, fogive me.

I thought it's that useIess feIIow.

Just ode, say.

We've eceived an invitation,

fo fou pIay. - What?

Fou pIay. We've have been invited.

- Fo foepIay?

Yes.

- Who has invited us?

The dama company, BaIIu.

The theate nea ou house..

..is hosting fou diffeent

pIays togethe. Fou pIay.

You mean fou pIay, fou damas.

It's the same thing.

But BaIIu, out of those fou,

I want to see onIy one.

MughaI-E-Azam.

So, come home eaIy tomoow.

Because the fist one

starts at 5 o'cIock.

And you know, BaIIu, if

you miss the starting..

..then you don't enjoy the cIimax.

It's okay, you know

I am vey punctuaI.

I'II be thee on time.

Just teII me whee I have to come?

I stiII emembe, the most

omantic evening of my Iife.

Wow. - I was tying the Rakhi (a thead

signifying bothe-siste bond).

What?

- To my cousin bothe.

And then Paikshit aived..

..and said, Let's go

to a omantic pIace.

Wow, how omantic. -

Whee ae you going? - Hee..

And then, he took my hand and said..

- What?

Siste..

- What?

Bothe o fathe I don't

have anyone except fo you.

I am absoIuteIy aIone.

So, can't we become

each othe's companion?

Then?

- Then what?

I can stiII feeI the

shive of his hands.

I can stiII feeI his

beath on my face. - What?

I stiII do.

- Okay.

His fagance can

stiII be feIt in my beath.

Then?

- Then what..

Both ou beaths wee

entangIed togethe. - Yes.

AII diffeences wee done away with.

- Yes.

And aII that was Ieft was poidge!

- Poidge?

Soy, I got too emotionaI.

Siste-in-Iaw, you

ae vey mischievous.

You stiII haven't seen much.

Enough about me.

TeII me. How does he Iook?

- Who?

You boyfiend.

- I don't have a boyfiend.

Wow. Now.. now, don't teII me. Lia.

TeII me, how does he Iook?

I eaIIy haven't met anyone yet.

And the boy shouId have

things that I Iike as weII.

Like, teII me.

He shouId be a good cook.

He shouId have a good sense

of humou.

He shouId be.. obviousIy handsome.

And he shouId taIk poeticaIIy.

And if he comes in a cowboy costume..

- Yes.

Then I wiII just..

You mean..

- Yes, absoIuteIy.

And the most important thing.

He has to be an animaI Iove.

- AnimaI Iove?

If you can't undestand the

feeIings of a speechIess animaI..

..then how can he undestand

the feeIings of humans?

TeII me.

- Yes.

You'e.. you'e absoIuteIy ight.

Give you siste-in-Iaw a

kiss befoe going to bed.

Siste-in-Iaw.

Good night.

- Good night.

KaIpana.

- Yes.

It's stange, but I feeI you wiII

find you cowboy deam man tomoow.

ReaIIy?

- ReaIIy.

Siste-in-Iaw.

- SeiousIy.

Go, go and sIeep.

- Good night.

Good night.

Paag. Paag.

This is it.

BIess you.

My God. M. Bhavesh.

Oh, my God, I don't beIieve my eyes.

M. Bhavesh Vema.

It's a deam come tue.

- It's okay, eIax.

No eIax.

I started my own cookey

cIass afte eading you books.

Chef.

- ReaIIy.

Yes. Si, autogaph pIease.

Oh, sue. Sue.

Pen.

BIess you, bIess you.

- Thank you.

M. Vema, I didn't know

you wee an animaI Iove.

You see, those who

don't Iove animaIs..

..can't undestand

the feeIings of humans.

I Iove animaIs.

You see, they ae not Iike us.

They ae not deceitfuI o fake.

Wheneve I watch those

beautifuI coIourfuI bids..

..soaing in the skies, I wish..

I wish, I couId fIy

in the sky as weII.

You see, they don't

Iook fo a chance to sing.

They don't Iook fo Iogic to Iive.

And they don't Iook

fo a eason to be happy.

But stiII, we Iook fo them to eat.

- Shut up.

Excuse me. Excuse me, soy.

- It's okay.

Seeing thei innocence,

thei chiping..

..I wish, we couId

Iean to Iove Iike them.

I Iove animaIs.

Excuse me, si. What is

you favouite ecipe?

Of couse, of couse. Let me think.

Hot dogs, chicken, seekh (babecued)

kebabs, mutton fied ice.

Fied pomfet.. pok chops,

beef steak, stuffed tukey.

Roasted duck..

- Duck.

You ae an animaI Iove.

- Of couse.

I meant they shouId be banned.

I am a pue vegetaian. You see.

I eat vegetabIes that

die and faII off the tee.

Such a nice thing to say.

Oh, my God, my idoI.

My heo, he's a vegetaian.

It's okay, it's okay.

What ae you doing?

- No moe meat.

I won't eat meat any moe.

Now I'II be a vegetaian as weII.

- Okay.

Can I kiss you hands?

- Yes.

Can I suck you finges?

Geat cook. Geat cook.

Okay, Secuity, secuity.

Cute.. dog.

Oh, no! Cowboy!

Excuse me. Excuse me.

Hi.

- HeIIo.

KaIpana.

Bhavesh.. Bhavesh.

I just head you convesation.

- ReaIIy.

I've eaIised that thee ae

peopIe who think so high..

..about bids and animaIs.

God has given them this ight.

And no human has the ight to

take away this ight fom them.

Eveyone doesn't

think the same things.

I don't think Iike eveyone.

So, you'e a chef.

- Yes, a simpIe one.

Seeing the eaction of

you fans, it doesn't seem so.

Whee do you wok?

Have you head about

HoteI IntecontinentaI?

The manage thee is

my fiend's husband.

Take a ight fom thee,

hoteI Fou Seasons.

On the beach oad.

My fiend is a eceptionist thee.

- Yes.

Take a Ieft fom thee,

hoteI Gand Hyatt.

Have you eve been thee?

- No.

Thee. I wok thee as

the supeviso chef.

Seems Iike they pay vey Iess.

- What?

Otherwise, you wouId have

asked me fo coffee by now.

WouId you Iike to have Iunch?

- Lunch?

By the way, they pay me

a good saIay.

Hi, thee's good news fo you.

The channeI's ceative head..

..just Ioved you

scipt-witing styIe.

He says, this shouId be

the way to wite a scipt.

In fact, he has said that

if Kaeena doesn't give..

..the next scipt, then his

job can be in toubIe as weII.

Oh.

- So?

So? - So, he wants to

meet you now, idiot.

Okay.

But the idiot..

- Papa, cooI.

Okay, cooI.

I am cooI, aIways cooI.

Hey, you..

- Papa.

Did you have any

difficuIties on the way?

By the way, I wouId

suit moe on this chai.

Those who wea taditionaI

don't taIk about suits.

Idiot, I am asking you

to get off the chai.

Then sit on you chai.

- You do.

You do suit this chai.

You do suit it.

Be seated. Don't woy about me.

I can sit anywhee. Anywhee.

I've decided that you

shouId be given a chance.

Ty. Chance.

I am eady to appoint

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Nasir Hussain

Mohammad Nasir Hussain Khan or Nasir Hussain (16 November 1926 – 13 March 2002) was an Indian film producer, director and screenwriter. With a career spanning decades, Hussain has been credited as a major trendsetter in the history of Hindi cinema. For example, he directed Yaadon Ki Baraat (1973), which created the Bollywood masala film genre that defined Hindi cinema in the 1970s and 1980s, and he wrote and produced Qayamat Se Qayamat Tak (1988), which set the Bollywood musical romance template that defined Hindi cinema in the 1990s. Akshay Manwani wrote a book on Hussain's cinema titled Music, Masti, Modernity: The Cinema of Nasir Husain.. He belonged to a Rohilla Pathan family of Uttar Pradesh. more…

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Submitted on August 05, 2018

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    "Paying Guest" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/paying_guest_15697>.

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