Persona
- NOT RATED
- Year:
- 1966
- 83 min
- 9,875 Views
- You wanted to see me, Doctor?
- Have you seen Mrs Vogler, Sister?
- No, not yet.
- Then I'll fill you in...
...and give you the reasons
why you're to care for her.
Mrs Vogler is an actress, as you know,
and was performing in Electra.
In the middle of the play she fell silent
and looked around as if in surprise.
She remained quiet for a minute.
Afterwards she excused herself by
saying she was overcome by laughter.
The next day the theatre rang and
asked if she'd forgotten her rehearsal.
When the housekeeper went in
she was still in bed.
She was awake but didn't
answer questions and didn't move.
She's been like this for three months
and been given every conceivable test.
The result is clear. She's perfectly
healthy, both mentally and physically.
It's not even a question
of some kind of hysterical reaction.
Any questions, Sister Alma?
No? Then you can go in to Mrs Vogler.
Good day, Mrs Vogler.
My name is Sister Alma.
I've been employed
to look after you for a while.
Perhaps I should tell you about myself.
I'm 25, engaged...
I got my nursing certificate
two years ago.
My parents have a farm. My mother
was also a nurse before she married.
It's fried liver and fruit salad.
Do you want to raise your head?
Is it okay like that?
Sister Alma.
What's your first impression?
I don't know what to say, Doctor.
First her face looks soft, almost
childish. Then you see her eyes...
She's got such a severe look, I think.
- I don't know, I should...
- What were you thinking?
- I thought I should refuse the job.
No, but she should have a nurse
who's older and more experienced.
- Experienced in life. I may not cope.
- Cope?
Mentally.
If Mrs Vogler's silence and immobility
is the result of a decision...
-...it must be as she's seen as healthy.
- Well?
It's a decision that shows great mental
strength. Perhaps I'm not up to it.
You might like to see the dusk,
Mrs Vogler. I can draw them later.
Shall I turn on the radio?
There's a play, I think.
Forgive me, my darling.
Oh, you must forgive me.
than your forgiveness.
What are you laughing at, Mrs Vogler?
Is it the actress that's funny?
What do you know about compassion?
What do you know?
What do you know about compassion?
I don't understand things like that,
Mrs Vogler.
I'm interested in film and theatre,
but I go so seldom.
I have enormous admiration
for artists.
I think art
has an enormous importance in life.
Especially for people
who have problems of some kind.
I shouldn't talk to you about things
like that. I'm skating on thin ice.
I'll see if I can find some music.
Is that good?
Good night, Mrs Vogler. Sleep well.
Damn!
It's strange.
You go around almost any old how.
Do almost any old thing.
I'll marry Karl-Henrik and we'll
have a few children that I'll raise.
All that is decided. It's inside of me.
It's a huge feeling of security.
Then I have a job that I like
and am happy with.
That's good too. But in another way.
But it's good... good.
It's good.
I wonder what's really wrong with her?
Elisabet Vogler...
Elisabet.
Would you like me to open the letter,
Mrs Vogler?
Shall I read it?
Shall I read it to you?
Dear Elisabet:
As I'm not allowedto see you, I'm writing.
If you don't want to read my letter,
you can ignore it.
I can't help seeking
this contact with you -
- as I'm tormented
by a constant question:
Have I harmed you in some way?
Have I hurt you without knowing?
Has some terrible misunderstanding
arisen between us?
Should I really read any more?
As far as I understood, we were
happy recently. We've never been...
...as close to one another
Do you remember saying: Now
I understand what marriage means?
You have taught me..
I can't see what's written here.
You have taught.. Now I see...
You've taught me that we must see
each other as two anxious children -
- filled with good will
and the best intentions
But gov..
Now I see it. But governed by forces
we only partially control
Do you remember saying all of that?
We were walking in the woods
and you stopped and held my belt..
There was a photograph
with the letter as well.
It's a photograph of your son.
I don't know if...
Would you like it, Mrs Vogler?
I've been thinking, Elisabet. I don't
think you should remain at the hospital.
I think it's harmful.
As you don't want to go home -
- you and Sister Alma can move out
to my summer place by the sea. Hmm?
Don't you think I understand?
Not seeming, but being.
Consious at every moment. Vigilant.
At the same time the chasm between
what you are to others and to yourself.
The feeling of vertigo and the constant
desire to at last be exposed.
To be seen through, cut down,
perhaps even annihilated.
Every tone of voice a lie, every gesture
a falsehood, every smile a grimace.
Commit suicide? Oh, no.
That's ugly. You don't do that.
But you can be immobile, you can
fall silent. Then at least you don't lie.
shut yourself off.
Then you don't have to play roles,
show any faces or make false gestures.
You think...
But you see, reality is bloody-minded.
Your hideout isn't watertight.
Life seeps in everything.
You're forced to react.
No one asks if it's real or unreal,
if you're true or false.
It's only in the theatre the question
carries weight. Hardly even there.
I understand you, Elisabet. I understand
you're keeping silent, you're immobile.
That you've placed this lack of will
into a fantastic system.
I understand and admire you.
I think you should maintain this role
until it's played out.
Until it's no longer interesting.
Then you can leave it.
Just as you bit by bit
leave all your other roles.
Mrs Vogler and Sister Alma moved out
to the doctor's house in late summer.
The sojourn near the sea
had a favourable effect on the actress.
The apathy that had crippled her
in hospital yields to long walks -
- fishing trips, cooking,
letter writing and other diversions.
Sister Alma enjoys her rural seclusion
and takes utmost care of her patient.
Don't you know it's bad luck
to compare hands?
Elisabet? Can I read you something
from my book?
Or am I disturbing you? It says here:
All the anxiety we bear with us,
- the incomprehensible cruelty,
our fear of extinction -
- the painful insight
of an other-wordly salvation
The howl of our faith and doubt
against the darkness and silence -
- is one of the most awful proofs
of our abandonment -
- and our terrified,
unuttered knowledge
Do you think it's like that?
I don't believe it.
Making changes...
The worst thing with me is I'm so lazy.
And then I get a bad conscience. Karl-
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"Persona" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/persona_15787>.
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