Pi Page #12
- R
- Year:
- 1998
- 84 min
- 618 Views
RAV COHEN:
It's killing you.
Because you are impure.
LENNY MEYER:
It will kill you!
MAX:
And what will it do to
you?
LENNY MEYER:
We're pure. Give
us the number!
MAX:
The number is nothing.
You know that!
RAV COHEN:
We can use it. We
can wield it.
MAX:
It's just a number. I'm
sure you've written down
every two hundred sixteen number.
You've translated all of
them. You've intoned them
all. Haven't you? But what's
it gotten you? It's not the
number! It's the meaning.
It's the syntax. It's what's
between the numbers. If you
could understand you would.
But it's not for you! I've
got it. I understand it. I'm
going to see it!
(Whispers to Rav Cohen)
Rabbi...I was chosen.
EXT. CITY STREETS - DAY
Max races through the streets of New York. He is wide-eyed.
MAX (V.0.)
Suddenly, it's all there.
It all makes sense. I
can crack it. I can know it.
I know what it is. Sol knows,
too. I need to tell him. I
need to show him. I need to
bring him with me.
People fly by. Max in a spiraling whirlwind.
EXT. SOL'S APARTMENT - NIGHT
A pumped and excited Max paces the hall as he rings the bell.
The door opens. But it isn't Sol. It's a young, beautiful
woman wearing a simple black dress. Her name is JENNY ROBESON
and she is Sol's niece.
JENNY ROBESON:
Can I help you?
MAX:
(Confused)
Sol?
JENNY ROBESON:
Were you a friend?
MAX:
What do you mean?
JENNY ROBESON:
He had a second stroke.
MAX:
Where is he?
Jenny's eyes drop.
MAX:
No.
Max rushes into Sol s study. The room is covered with Sol's P,
research books. It seems Sol had recently come out of
retirement. Max looks at a few of Sol's books. Then he finds a
piece of paper with Sol's handwriting on it. On the paper is
THE number. Max slides it into his pocket.
Max looks at the Go board. The pieces are arranged in a giant
spiral across the board.
DISSOLVE TO:
INT. MAX'S APARTMENT - DAY
Max sits on his bed staring at Sol's handwritten number.
Then he notices that his thumb is twitching. He drops Sol's
note.
MAX:
Stop it, please!
He dumps the contents of the bottle of pills into his hand.
Max stops as he prepares to shove the pills down his throat.
He looks at the pills. Then he looks at Euclid around him. He
throws the pills and the bottle to the floor. They fall to
earth in SLOW MOTION.
The room rushes in on Max and so does the pain. It throws him
to the ground and he bashes his head against the floor.
MAX:
(Courageously)
No. No. I'm ready. I'm
ready! Show me!
Max recites THE number and uses it to get to his feet. The
pain rips apart his voice.
Max's pain and anger transform into violence. He attacks
Euclid furiously. He recites the number with rage in his
voice.
MAX:
Three, seven, two...
He smashes the old computer apart. He tosses his step stool
through the mainframe.
Then he goes to the window and tries to rip off the cardboard
covering the glass panes. Nothing doing, so he yanks the
entire window wide open.
Sunlight floods the room and throws Max into the
BLINDING WHITE VOID
where Max looks around starry-eyed. The pain is gone.
Everything is new to Max - even his hands. The stress leases
from his brow and his shoulders sag.
Max continues to recite the number His voice becomes tender
and peaceful. As he starts to become part of the void, his
voice turns into a whisper and his eyes start to close.
Then he hears Devi.
DEVI (O.S.)
Max. Max! Are you
okay!? Oh my God, Max!
Her voice reaches into the void.
DEVI (O.S)
Max! Breathe, Max. Breathe!
Max looks toward her voice.
DEVI (O.S.)
Yes, Max. Listen to me...
We cut back to
...THE MAIN ROOM
where Devi leans over Max. Max's eyes are open while he
continues to recite the number.
DEVI:
Breathe, Max! Breathe.
Focus.
Max turns away from Devi and we return to the
BLINDING WHITE VOID
where Max continues to recite the number.
DEVI (O.S.)
No, Max. No.
Stay with me Max. Stay with
me.
And then we cut back to
THE MAIN ROOM:
where Devi grabs Max's palm. Max's fingers wrap around her
hand. We return to
where Max stops reciting the number. He suddenly opens his
fear filled eyes.
MAX:
Where am I? What is
this? This is wrong, Sol.
Sol!
Max lets out a 'SOL!, and reaches out into the void. We match
cut back to
THE MAIN ROOM:
where Max grabs Devi and hugs her. He gasps for air as
he collapses into her arms, sobbing.
MAX:
Sol! You were right Sol!
He was right.
DEVI:
That's right Max. That's
Right. Breathe. Breathe.
MAX:
He was right. I want to
breathe. Breathe.
DEVI:
Yes, breathe, Max.
Breathe...
Max sobs. He holds onto her for dear life
And then be realizes that Devi is not in his arms. He is
holding onto himself.
Then Max notices Sol's note on the ground. He looks at the
number. He collects himself and catches his breath.
INT. MAX'S BATHROOM – DAY
Max looks at Sol's note. He lights a match and burns it.
Next, he prepares something in the sink.
We hear the WHINE of a motor. Then it stops, Max looks at
himself in the mirror, He smiles. Then he gets solemn.
He takes a deep breath. Then we hear the motor again. Max
lifts up his arm. He's holding a drill. He places the bit
against the math section of his scalp.
He applies pressure and drills into his brain.
Max collapses as we quickly
CUT TO:
EXT. CITY PLAYGROUND - DAY
TIGHT ON:
a tree branch gently blowing in the wind.
Max watches it with peaceful, understanding eyes. He wears a
hat on his head.
He listens to the wind in the trees.
Just then, Jenna surprises him with her Fisher Price
calculator on hand.
JEHNA:
Max, Max!
Max smiles at Jenna. He's glad to see her.
JENNA:
Can we do one, Max, can
we?
Max shrugs, not able to say no.
JENNA:
How about two hundred
and fifty-five times a
hundred and eighty-three.
Jenna types m the number.
Max is about to say "no" to Jenna, but then be decides to give
it a shot.
Max thinks, he really thinks.
Jenna presses the EQUALS button.
JENNA:
I got it! I got it!
What's the answer?
MAX:
(Smiling and then laughing)
I don't know. I really don't
know. What is it, Jenna?
JENNA:
Forty-six thousand six
hundred and sixty-five.
MAX:
Oh.
The trees blow gently in the wind as we slowly
FADE TO WHITE which brings us to
THE END:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Pi" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/pi_662>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In