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Pitch Perfect Page #16
heard on stage. A beat. An obviously upset Aubrey flings
the backstage door open. The rest of the Bellas amble in
behind her.
AUBREY:
What the hell, Beca, were you
trying to screw us up?
BECA:
Are you serious?
The Trebles, including Jesse, stop to listen.
AUBREY:
This isn’t the Beca show!
BECA:
Hey, in case you hadn’t noticed
everyone pretty much dozed off
during our set!
AUBREY:
It’s not up to you to decide what
we do and when we do it. Why don’t
you ask the rest of the group how
they felt about your little
improvisation?
The gang shuffles awkwardly for a beat, saying nothing.
BECA:
(frustrated)
Fat Amy?
86.
74 CONTINUED:
(2) 74(CONTINUED)
FAT AMY:
I mean, it was cool and all, but...
I guess it sorta took us a little
by surprise.
The other girls mumble reluctant agreement.
AUBREY:
A lot by surprise.
(to Chloe)
I told you she wasn’t a Bella.
CHLOE:
Aubrey, don’t --
BECA:
It’s okay, Chloe. I mean...
(sarcastic)
You don’t actually think you have a
say in the group, do you?
AUBREY:
Your attitude sucks, you’re a Grade-
A pain in the ass, and I know
you’re hooking up with Jesse!
Hearing his name, Jesse crosses over and chimes in.
JESSE:
Aubrey, calm down. She’s not. I
swear.
BECA:
God, Jesse! You are always trying
to help me! I don’t need helping!
Just get out of my face!
Jesse throws his hands up in the air, “I’m done.” Benji
enters from backstage.
BENJI:
Trebles? Time to bring the pain.
The Trebles head for the door, save for Bumper. Beca looks
at Aubrey and the ladies. There’s a sense that it’s them
versus her.
BECA:
(breaking down)
Man, this is what I get for trying!
You know what? I’m done.
87.
75 CONTINUED:
75(CONTINUED)
Beca tears off her scarf and goes. ANGLE ON: Bumper, who
starts a slow movie-clap.
BUMPER:
Now that was a performance.
FAT AMY:
Oh, I will eat you.
76 INT. BACKSTAGE SCENE DOCK - MOMENTS LATER 76
An upset Beca blows past Benji.
BENJI:
Beca?
Benji starts to follow but stops when he notices TIMOTHY
being picked up by his mom. Benji clocks the mom’s tote bag
that reads:
MY CHILD IS AN HONOR STUDENT AT JFK HIGH SCHOOL.77 INT. BECA’S DORM ROOM - LATER 77
Beca, still dressed as a Bella, enters to find a bunch of
Koreans playing Wii on Kimmy’s bed.
She catches sight of herself in her closet mirror, and makes
a decision. She takes out her phone and sends a text, CLOSING
her closet door.
The closet door OPENS to REVEAL Beca, now dressed to the
nines. Behind her, even more Koreans play animated Wii in the
middle of her room. Beca ducks around them and out the door.
78 EXT. CLUB - THE GARAGE - NIGHT 78
Luke is there waiting with a BOUNCER.
LUKE:
Everything okay?
88.
75 CONTINUED:
(2) 75(CONTINUED)
BECA:
(a little emotional)
I’m so done with those girls.
Luke nods, then turns to the bouncer.
LUKE:
She’s with me.
CUT TO:
78A INT. GARAGE - LOUNGE AREA 78A
Luke and Beca stand close to each other, holding beers.
BECA:
(Over the music)
I can’t believe how much time I
wasted on that silly a cappella
sh*t!
LUKE:
Maybe it’s good you’re done with
that.
BECA:
(re:
DJ booth)Yeah, I’d rather be up there
anyway. This music is dope!
LUKE:
Yeah, right? You have good taste.
BECA:
(blushing)
Thanks.
Luke picks up on Beca’s energy and realizes he needs to say
something He leads Beca across the floor and waves up to DJ
CJ who flirts back.
BECA (CONT’D)
You know her?
LUKE:
Yeah, she’s my girlfriend. I’m sure
I mentioned her before.
BECA:
No.
89.
78 CONTINUED:
78(CONTINUED)
They take seats in the lounge, off the dance floor. Beca’s
deflated. Luke takes this in. Then:
LUKE:
Hey, spring break, at the station,
take the night shift. Play your own
stuff. Whatever you want. The place
is all yours, Becky.
A beat.
BECA:
Thanks. You know my name’s actually
Beca.
LUKE:
What?
BECA:
My name. It’s Beca. Not Becky.
LUKE:
That’s weird. Why didn’t you say
anything?
BECA:
I really don’t know.
BECA (CONT’D)
Hey, why’d you finally decide to
play my music?
LUKE:
I listened to it, and I thought it
was solid.
(a beat)
Plus, Jesse wouldn’t stop bothering
me about it. That kid is
relentless.
Beca takes this in, “Jesse.”
LUKE (CONT’D)
(gesturing to the booth)
Alright, I’m gonna go hang. You can
take care of yourself for a bit,
yeah?
BECA:
Oh, uh, sure. I’m good.
89A.
78A CONTINUED:
78A(CONTINUED)
Luke heads for the booth where he kisses DJ CJ. PUSH IN on
Beca, once again all alone.
79 OMIT 79
A80 INT. REHEARSAL SPACE - BARDEN UNIVERSITY - CONTINUOUS A80
Aubrey, stone-faced, eyes the “Finals Rehearsal Plan” that
hangs on the wall. A beat. Then, she rips it down, hits the
lights and exits, slamming the door behind her.
89B.
78A CONTINUED:
(2) 78AB80 INT. BECA’S DORM ROOM: B80
Kimmy Jin exits with beach gear. Beca watches out her window
as cars pull away for Spring Break. Kimmy Jin gets in one
with a bunch of friends and drives off, leaving Beca by
herself.
C80 EXT. BARDEN UNIVERSITY - VARIOUS - SPRING BREAK C80
Empty shots of campus. The school is deserted.
D80 EXT. RADIO STATION: D80
Beca arrives to an empty station.
80 RADIO STATION BOOTH: 80
Beca enters the booth and sits at the console.
81 A CAPPELLA HEADQUARTERS: 81
Benji, envelope in hand, knocks on a door marked “I.C.C.A.:
International Championship of Collegiate A Capella.”
OMIT 82 & 83
84 JESSE’S CHILDHOOD HOME: 84
Jesse enters to his parent’s embrace, Regionals trophy in
hand. Jesse looks clearly depressed. They won’t let go.
85 RADIO STATION BOOTH: 85
Beca’s alone at the console, surprisingly unsatisfied. She
thumbs through a binder full of CD’s and lands on the
soundtrack to “The Breakfast Club.” CLOSE ON Beca, the
wheels turning.
90.
86 BECA’S DORM ROOM - NIGHT 86
Beca, fighting back tears, wears her headphones. ANGLE ON:
Her computer. It’s the ending to “The Breakfast Club.”
87 INT. TIMOTHY’S HOME/LIVING ROOM - SAME TIME 87
Timothy, from The Footnotes, enters. His jaw drops. From
TIMOTHY’S POV:
Gail, looking authoritative, sits next toTimothy’s mother. CLOSE ON: Timothy. Oh, sh*t.
88 INT. GYM - CONTINUOUS 88
Aubrey works out and reads, “The Seven Habits of Highly
Effective People.” Her cell rings. She answers it.
AUBREY:
This is Aubrey Posen.
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"Pitch Perfect" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/pitch_perfect_251>.
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