
Pitch Perfect Page #17
Aubrey gets the good news and remains poised.
AUBREY (CONT’D)
Thank you, sir. I look forward to
seeing you again at Lincoln Center.
She hangs up and then jumps up and down.
AUBREY (CONT’D)
HELLLLLL YESSSSSSSS!!!!
On a cell phone buzzing. A hand picks it up. We see Chloe
lying in a hospital bed, reading a text. She cries like
she’s at a funeral. The heart monitor she’s connected to
beeps faster.
On a vibrating cell phone in the arm of an inflatable pool
raft. A hand picks it up. WIDE TO REVEAL: Fat Amy, lying
on the raft, totally chilled, surrounded by HOT GUYS and
GIRLS in a clearly exotic locale.
FAT AMY:
Zut alors!
91.
91 OMIT 91
On a cell phone being pulled out of a pair of tight jeans.
REVEAL:
Lilly, in a parking garage, watching a “Rap Battle.”She puts her finger to her ear to listen.
On a vibrating cell phone resting on a poker table. REVEAL:
Cynthia Rose playing poker in an underground poker game. She
reads the text, then moves a large pile of chips.
CYNTHIA ROSE:
I’m all in.
94 CLOSE UP 94
On a text coming through on Beca’s cell phone. We see Beca
with her headphones on, surrounded by all the movies Jesse
has mentioned.
95 INT. BELLAS REHEARSAL ROOM - POST SPRING BREAK 95
The ladies slap high fives and give congratulations. Fat Amy
picks everyone up, squeezing each girl a little too hard.
AUBREY:
The aca-gods have looked down on us
and given us a second chance.
FAT AMY:
Shalom!
AUBREY:
Let’s get working.
92.
(CONTINUED)
CHLOE:
(chest out)
I texted Beca.
AUBREY:
You did what?!
CHLOE:
She makes us better.
AUBREY:
That’s not an opinion for you to
have, Chloe.
CHLOE:
Why? Because it’s different than
yours? You’re not always right,
you know.
The ladies react, sensing the tension.
FAT AMY:
So what now?
AUBREY:
We win without her.
Aubrey blows the pitch pipe and we CUT TO:
96 EXT. JESSE AND BENJI’S DORM - HALLWAY - SAME TIME 96
Beca knocks on the door.
BECA:
Jesse, I know you’re in there. I
can smell the popcorn.
A97 EXT. JESSE AND BENJI’S DORM - SAME TIME A97
Jesse, alone, lays on his bed, watching a movie.
BECA:
Jesse, c’mon. Open the door.
He begrudgingly gets up and opens the door.
BECA (CONT’D)
I’ve been trying to call you. I
left you a bunch of messages.
93.
95 CONTINUED:
95(CONTINUED)
JESSE:
(trying to stay strong)
Yeah. I got em’.
An awkward beat.
BECA:
I’m sorry we fought. I was mad and
I overreacted. It’s just, Aubrey
drives me --
JESSE:
-- Seriously? You think I’m mad you
yelled at me?
BECA:
I know --
JESSE:
No you don’t know. You think you
know, but you don’t. You push away
anyone who could possibly care
about you. Why is that?
Beca reacts, hurt, but takes this in.
BECA:
(shrugs, quietly)
I don’t know.
JESSE:
Well, you better go figure it out,
because I’m done with
(gestures to the two of
them)
Whatever this is.
BECA:
Jesse --
JESSE:
Done!
Jesse closes the door on Beca, leaving her in the hall. Just
then, Benji comes out of a box full of swords. Jesse grabs
his jacket.
BENJI:
Word.
JESSE:
Yeah.
94.
A97 CONTINUED:
A9797 INT. TREBLE HOUSE - LATER 97
The Trebles are there, hanging out in the hot tub. It’s a
tight fit and not gay in any way.
DONALD:
Who do you think would make a
better dad? Captain America or a
great white shark?
Bumper enters.
BUMPER:
Trebles, listen up.
DONALD:
If this is about the Bellas getting
into the finals, we already know.
BUMPER:
I don’t give a crap about those
b*tches. I’m being brought up to
the musical big leagues.
Jesse enters.
BUMPER (CONT’D)
I just got asked to sing back-up on
the new John Mayer album. I leave
tomorrow for Los Angeles.
KOLIO:
But, dude, what about the ICCA’s?
They’re this weekend.
BUMPER:
Sorry, buddies. I won that sh*t
like a hundred times. I’m out of
collarless leather jacket.
Bumper strides out. Unicycle gets worked up.
UNICYCLE:
Bumper’s a jerk. There, I said it!
DONALD:
Well, we need to replace that jerk.
Pronto dente.
Jesse gets an idea.
95.
98 INT. JESSE AND BENJI’S DORM ROOM - MOMENTS LATER 98
Benji stands in front of his mirror. He SNAPS his fingers
and makes a dove appear from underneath a handkerchief.
Jesse enters, all smiles, and holds up a brown hood. It
stops Benji in his tracks.
JESSE:
A spot opened up, and it’s yours if
you want it.
Benji’s eyes well up with tears.
JESSE (CONT’D)
Just one condition. Promise me you
won’t get all weird. We’re just a
group of guys singing covers of
songs. If you’re weird, they won’t
let you stay.
BENJI:
Deal. Although I’m not so sure
what you mean by weird.
The dove lands on his shoulder.
BENJI (CONT’D)
Got it.
A99 OMIT A99
99 INT. BELLAS REHEARSAL ROOM - SEVERAL HOURS LATER 99
The ladies look frustrated and tired. Aubrey is on a tear.
AUBREY:
What is happening to us? Chloe,
you sound like you smoke three
packs a day. Stacie, you’re behind
on the choreography. And Jessica
and Ashley, it’s like you haven’t
even been around all year!
Jessica and Ashley, who we’ve barely seen, look at each other
and shrug.
FAT AMY:
Aubrey, give us a break. It’s not
the same when we’re not all here.
96.
(CONTINUED)
CYNTHIA ROSE:
We need Beca.
CHLOE:
Maybe if Aubrey loosened up the
reins --
AUBREY:
Shut it, Chloe!
STACIE:
Whoa.
AUBREY:
I’m sorry. That was rude. Chloe,
could you please get your head out
of your ass? It’s not a hat.
FAT AMY:
Awww, dip!
A100 EXT. DR. MITCHELL’S HOUSE - NEXT MORNING A100
Beca knocks on a door. It opens, revealing Dr. Mitchell.
BECA:
I need you.
He smiles. We JUMP CUT TO:
100 INT. BREAKFAST NOOK - LATER 100
BECA:
No one’s more surprised than me,
but I liked those weirdos.
Dr. Mitchell gets up to freshen his coffee.
DR. MITCHELL
And you thought quitting was the
answer? After you made a
commitment to them?
BECA:
Oh, you’re going to talk to me
about the sanctity of commitments?
DR. MITCHELL
C’mon, Bec. That’s unfair.
A beat.
97.
99 CONTINUED:
99(CONTINUED)
BECA:
You left us. Me.
DR. MITCHELL
(nods, owning it)
I did. Not my finest moment. But
I tried to call you. I even
learned how to text, but you just
shut me out.
BECA:
Yeah, well, I pretty much shut the
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Pitch Perfect" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/pitch_perfect_251>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In