Plush Page #3

Synopsis: Mourning the loss of her brother/collaborator, a young rocker struggles to write music while juggling a husband, two kids, and a mysterious new guitarist who will stop at nothing to become the most important person in her life.
Director(s): Catherine Hardwicke
Production: Millennium Entertainment
 
IMDB:
5.4
Rotten Tomatoes:
29%
R
Year:
2013
99 min
$2,843
Website
317 Views


Hmm. Can't really read 'em

out here.

- Come in.

- Okay.

So what you do. Excuse me.

[HIGH PITCHED VOICE]

you push this button here

On my lovely husband's behind.

And you push it and you talk.

Say something.

I'm going to eat you up.

[RECORDING]

I'm going to eat you up.

You've been bad.

Okay, guys. You're being weird.

Come on.

Time to go to bed.

I'm sorry.

Extreme kiddy fatigue.

- Night everybody.

- Night, stinky!

Oh, you're the stinky ones!

I'll work on the song tomorrow.

Aah! F***, Benjy!

Enzo, really?

Benjy, no biting.

You know, he plays guitar

with that hand, kiddo.

- Sorry, Enzo.

- It's okay.

It's just how I make a living,

you know?

Go brush your teeth, okay?

Go brush your teeth.

I'll be in in a sec.

Uh, are you available tomorrow?

For as long as you'd like.

Cool.

May I?

What a gentleman.

Never leave again.

Except to get dog food.

Dog food?

We don't even have a dog,

Bengal.

But daddy said we will

very soon.

Did he say that?

Yes.

Well, we'll just have

to talk about that another time.

Goodnight, baby.

- Goodnight.

- Muah.

Love you.

Sleep well. One more kiss. Muah.

Sleep tight, okay?

[HEAVY BREATHING]

[EXHALES]

[CARTER GROANS]

You're not getting off

that easy.

What's that supposed to mean?

I missed you.

[CARTER GROANS]

You good?

Yeah. Or do you want...

No, I'm okay. I'm okay.

Sorry.

It has been a while.

But next time I promise.

Scout's honor, it's all you.

Okay.

All right. I'm going. Okay.

I'm glad you're back though.

ANNIE:
Good morning.

I hope this video boosts

the sales a little.

So am I going straight

to the choreographer's loft

Or what?

I think maybe sit down

for one second.

Okay.

They cut the sh*t

out of the budget.

Slashed it in half.

Where's... Let me use your phone.

- I'm calling Nigel right now.

- I would not recommend...

No, I want him

to tell me himself.

Actually the label

doesn't want a video

For "half of me" anymore.

They killed the shoot, Hayle.

And the money is from me

for the new song.

Annie.

No. No. That's crazy.

No. You know

what is crazy though?

Driving all day

and all night just to listen

To some scrawny 16 year old girl

and her weirdo brother

Play you three songs

In their parents' McAllen,

Texas, garage. That's crazy.

But it's called faith, Hayle.

And I have believed in you

since the second

I signed up for this insanity.

We'll find a young kid director.

Make something artsy.

I pull every single favor

that I have in this town

And we make this video.

I f***in' love you.

Yeah? Yes. You are a liar.

But I love you too.

Sh*t. I'm good at what I do.

- Okay.

- Okay.

So you go to

this choreography session

And you dance

that little skinny butt off.

Because the label

has already paid for that.

And we make our video

that much better. Yeah?

Thank you.

[MUFFLED SINGING]

# no, I won't stop

Whoo!

Yeah!

Wow. Very good.

Hi everyone.

What's... What's happening?

Carter sent me a text.

Oh, yeah. The puppets broke.

And Camila here said that Enzo

could fix 'em.

I brought the new song anyway.

I wanted to show it to you.

I mixed it last night.

Oh, and I brought

my puppet tool kit.

Well, thank you.

That's very cool.

And he taught me something.

Let's give her a little show.

- Oh, yeah.

- All right. Okay, ready?

- This one.

- Okay. All right.

# let me in, let me in

# let me in, let me in

That's awesome. That's great.

- Thank you.

- That's awesome.

- I'm so proud of you.

- Thank you.

I can't even get you to play

guitar hero.

Enzo's persuasive.

Miss Sinclair,

this came for you.

Um...

coat and tie fan guy?

How did he get my address?

CARTER:
Is that a snake's head?

Egh. Somebody take that

somewhere else, please.

Yikes.

Who is this fan anyway?

He is, uh, I don't know.

Some psycho in a suit.

He chased me in Austin.

Yeah. It was weird.

He was just, like,

running after us.

We had to hide.

We? Who's we?

I'm not the most macho guy.

So...

we hid instead.

No. No, it was not funny

at the time.

Ooh, ripe.

That reminds me.

I brought tomatoes

from my garden.

Heirloom tomatoes.

Seriously, it's kind of creepy.

Now he's stalking me in I.A.

It's scary.

All the way from Texas

to mess with these guns?

I don't think so.

[BOYS SCREAM]

Yeah, no. I don't think so.

He's welcome to come, huh?

Right? Okay.

Dinner's almost ready.

BOY:
I hate tomatoes.

ENZO:
Well,

every time you eat one,

You give yourself 10 minutes

of extra super powers.

- Really?

- Whoo-Hoo.

Why don't you ease up on

the potato juice a little bit?

You know, just a touch?

Given everything

that's happened,

I think Hayley's earned

the right to unwind a little.

Don't you?

Yeah. Yeah, no.

I think we all have.

Cheers to that.

BOY:
Cool! Cheers, big ears.

Can I see it?

This?

Who's hair is this?

Well, it belongs to

my soul mate.

Look, mommy.

It's the same color as yours.

Well, lots of people

have that color hair.

It's the same as yours too.

Give it back to Enzo.

- Eh.

- Thank you, sir.

BOY:
Thank you, sir. [CHUCKLES]

This is good.

- Oh!

- Boom!

Threat neutralized.

Yeah!

Uh, I'm going to go to bed.

Yeah, I should probably go too.

Well,

It has been a lovely evening.

No. No. You're not riding

through the canyon tonight.

Babe, why don't we make him

a bed out there in the studio?

Oh, and I wanted you

to hear the song too.

It's just a demo.

Both of you.

I think I'm going to wait until

she's ready for me to hear it.

I don't really want

to start world war iii.

Oh, I hear you on that one.

Uh, let's just call him a cab.

Come on, babe, you have people

Stay in your studio

all the time.

Yeah, he's not even drunk.

And you're the judge?

You've been going at it

Like it's mardi gras all night.

- Whatever you say, dad.

- Whoa.

Come on, Enzo.

Play me that song.

[SIGHS] Can't live with 'em,

can't kill 'em, right?

Right.

[DOOR SHUTS]

Not cool, Enzo. You can't

just show up like that.

You told me you wouldn't do

anything unless I wanted you to.

Hayley, your husband texted me.

What was I supposed to do?

I didn't want him to get

all suspicious.

- I'm calling you a cab.

- Just...

Listen.

[MUSIC STARTS]

# if I let you in

# let you deep inside

# I don't know if I can hold

# to what I used to be

# I let it die

# coil around me,

it's all yours #

There's a camera over there.

How did you do that?

I've never sounded

like that before.

Tripled your vocals.

Mixed them at slightly

different frequencies.

[HAYLEY GASPS]

Don't bite me.

[MOANS]

Hey.

You were out there for a while.

How'd it go?

Yeah. We just had to talk about

the track for a bit.

It's just a demo

but it sounds wicked.

Well, that's awesome.

Can't wait to hear it.

All right, so this guy

tied up his victims

With the exact same clove knot

as the debutant killer.

Right?

I'm gonna send you the link.

Fascinating.

Awesome.

I can't wait to see it.

You want to come

take a shower with me?

I took one after my run.

Rate this script:0.0 / 0 votes

Catherine Hardwicke

Helen Catherine Hardwicke (born October 21, 1955) is an American film director, production designer, and screenwriter. Her directorial work includes Thirteen (2003), which she co-wrote with Nikki Reed, the film's co-star, Lords of Dogtown (2005), The Nativity Story (2006), Twilight (2008), Red Riding Hood (2011), Plush (2013), Miss You Already (2015), and Miss Bala (2019). more…

All Catherine Hardwicke scripts | Catherine Hardwicke Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Plush" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/plush_16007>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Plush

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In which year was "Back to the Future" released?
    A 1987
    B 1986
    C 1985
    D 1984