Police Academy 5: Assignment: Miami Beach Page #2

Synopsis: The old Commandant Lassard, leader of the Police Academy (1984), goes to Florida to receive an award. In the city arrives also the cynic Captain Harris who wants to take Lassard's job. Harris wants to place himself in a favourable light in front of the high military hierarchy but, at the airport, Lassard exchanges his bag with another one...
Genre: Comedy, Crime
Director(s): Alan Myerson
Production: Warner Home Video
  1 nomination.
 
IMDB:
4.4
Metacritic:
18
Rotten Tomatoes:
0%
PG
Year:
1988
90 min
457 Views


-Come on, pal. let's go. | -Yeah. Okay.

Go!

Go!

-Here, boss. | -Here.

Duck.

Quietly.

I said quietly.

That's all right.

Would you look at this?

Easy.

Get down, nitwit.

-Hey. | -Nighty-night.

All right, let's go.

All right!

-You got the Laser? | -Yeah.

-Give it to me. Come on. | -Okay, it's hot.

-Here you go. | -Sure, here.

Come to papa.

-Beautiful, boss. | -look at that.

Lt. Callahan.

Sgt. Hightower.

Sgt. Jones.

Sgt. Hooks.

Sgt. Tackleberry.

Officer Conklin.

-Thank you. | -All right. let's go.

We've got some time, boys. | What say we find ourselves the bar?

-Sure thing, boss. | -Yeah. Good idea, boss.

Watch it, kid!

Yeah. Nice shot.

-They ought to keep those kids on a leash. | -Yeah.

What an idiot.

Boss.

Out of the way, buddy.

You all right?

-How's my hair? | -Beautiful, boss.

There he goes, boss.

let him go. | We don't want to draw attention.

Yeah, the diamonds.

-Are you sure my hair's all right? | -Yeah, it looks the same.

-How's it look? | -Hasn't budged, boss.

All right. let's go.

Comdt. Lassard...

I was very sorry to learn | that we wouldn't be traveling together.

Now, that is a disappointment.

Lt. Proctor has booked us | on a very speciaI flight.

VIP. Excuse me.

VIP. I understand that you're taking | an economy flight.

We'll just have to meet in Miami. | I'll see you there.

-Shame. | -Morning, sir.

Please be careful with the bag.

Flying makes him nervous.

Metal, please.

Come through again, please.

It's probably the buckle, sir. | Here, Ill get it.

Get away from me, Proctor.

Thank you.

Come through, please.

Very funny, Jones.

Hold on. Miss?

Could you please tell me at what gate | Flight 1545 is boarding?

-Gate 24, sir. | -Could you aIso check and make sure...

that I am in the speciaI VIP section? | The name is Harris.

There is no VIP section, sir. | It's a private plane.

A private plane.

And you and Mr. Proctor | are the only listed passengers.

I see. Our own plane.

Well, Well, Harris. | You travel first-class, I must say.

Well, it's the only way. Come, Proctor.

-Au revoir! Bon voyage! | -Ciao!

Auf Wiedersehen.

Oh, my God!

This is great! Our own airplane. | AnimaIs to play with.

Ill tell you, this VIP treatment | is worth every penny.

A-okay!

Why do I put up with you?

I think that's because | my sister married your nephew...

-and that makes us-- | -Shut up, Proctor!

Sir, they like you!

-Sir, what would you like to drink today? | -Nothing right now, thank you.

Trichloroethane just doesn't have | the appeaI for me that it used to have.

I still depend on the old PR-24.

This little baby, it doesn't even break. | It pulverizes.

I can smash anybody. | I can hold them in a chokehold.

I have complete control over a perpetrator | or a group of perpetrators.

One time, when I saw these three guys | coming on from the left....

Eyes left!

Hightower, check this out.

-What you got there, House? | -There's an article here on Malone.

-I don't even like him. | -Give me five points.

-You got it. | -Excuse me, sir...

would you mind returning | to your own seat?

-We're about to serve the meal. | -The meal?

-Out of order. | -let me in here.

You've been waiting long? | Great. She's been....

Come on! Other people in need here, | you know.

Sorry.

Im sorry. There seems to be | something wrong with the sink.

I don't believe it. We're on the same plane.

-Boss, you know, we should.... | -What, are you crazy?

-We can't make a scene while we got.... | -Wait for your turn.

Come on. let me in.

let me out of here!

-I'll kill him! | -No, boss!

-The diamonds, boss. | -Right.

Here. Fix this.

-Please, sir. Your cigar. | -You got a problem, Lady?

-Excuse me. | -Now what?

-Okay, nice touch, Hooks. | -Yeah!

Ladies and gentlemen, | thank you for flying with us.

We hope you enjoy your stay | in the Miami area.

The temperature is a balmy 82 degrees.

I don't know what's the matter. | It must be stuck.

Ill get some help.

-It'll just be a minute or so, folks. | -Shall we help her?

-let's do it. | -Excuse me, ma'am.

Thank you.

Why, thank you, gentlemen.

You may all deplane now.

Attention, please. | Passengers on Flight 183...

continuing from Miami to Caracas...

there will be a slight delay | due to a small malfunction.

After we deliver the diamonds, | a night on the town. Your treat.

Stay the hell away from that old man. | He's bad Luck. Keep your distance.

He's a bucket of bad news. | All right, now we can relax.

-You okay, boss? You all right, boss? | -Yeah.

-The bag. | -Ill get it.

-I got it. | -Im all right.

-Give me the damn bag. | -You got it.

let's get the hell out of here. | I got people to meet.

-What the hell is this? | -looks like a moron convention.

-That's a nice set of papayas. | -There he is.

Ive read of your accomplishments, | and I must say that our city...

is proud to welcome | the Police Officer of the Decade.

-You're very, very kind, Mr. Mayor. | -Our Police Commissioner, Dave Murdock.

He's in charge of | the Police Chiefs Convention.

-Very, very pleased to meet you, Dave. | -Pleasure's all mine, Comdt. Lassard.

Mayor Thompson, Id like you to meet...

Comdt. Lassard's | Police Commissioner, Henry Hurst.

How do you do?

And these, Dave, are my finest.

Good to have you here, officers.

Stop! Halt!

-Good to see you, Nick. | -Hi, Uncle Eric.

That's my nephew, Nick | I was talking about. Im very proud of him.

What's the matter? What are you doing?

-Here's your wallet, sir. | -Thank you, Officer.

You're very welcome.

Good to see you, Uncle Eric.

Ive looked forward to this so much.

Nick, I want you to meet my finest, | my best friends.

Excuse me. Bill?

Comdt. Lassard, this is my wife, Eileen...

the chairwoman | of our welcoming committee.

-Very pleased to meet you. | -How do you do?

We've greeted everyone | except Capt. Harris.

-We can't find him anywhere. | -He'll be along shortly.

He's traveling by private plane.

Isn't this fun, sir?

They look impressed, sir. | I wish we had an elephant.

Would you like something?

Your merchandise, sir.

-You got the diamonds? | -Yes, sir. We did like you told us.

We tore out the stones | and threw that gold junk away.

-Good. | -We hid them in the camera.

It's gift-wrapped.

-Is this some kind of joke? | -Sir?

I got no excuse, sir. | Somebody pulled a bag switch on me.

My boat leaves the country in 24 hours.

-You got till then. | -Yes, sir.

-Don't disappoint me again. | -Thank you, Mr. Dempsey.

Sh*t!

That crazy old man has our bag! All right.

We search every hotel untiI we find him.

If we don't get those diamonds back | this time tomorrow, we're dead.

-You give a fine tour, David. | -Thank you, Commissioner.

Commissioner Murdock, | what have you got planned...

as police procedure demonstration | this year?

Last year, they arrested everyone | above the rank of captain, put us all in jaiL.

It was all rather fun, really.

Comdt. Lassard, if I told you, | it would spoiI the surprise.

let me show you the pool area | and the rest of the hotel...

Rate this script:0.0 / 0 votes

Neal Israel

Neal Israel is an American actor, screenwriter, film and television producer and director best known for his comedic work in the 1980s for films such as Police Academy, Real Genius, and Bachelor Party. more…

All Neal Israel scripts | Neal Israel Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Police Academy 5: Assignment: Miami Beach" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/police_academy_5:_assignment:_miami_beach_16050>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Police Academy 5: Assignment: Miami Beach

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "midpoint" in screenwriting?
    A The climax of the screenplay
    B The end of the screenplay
    C The halfway point where the story shifts direction
    D The beginning of the screenplay