Police Academy 5: Assignment: Miami Beach Page #4

If he becomes aggressive...

we take his arm, turn him around...

into the stomach throw.

Next?

I accept your challenge.

Okay.

let's see what you got, Jonesey.

All right, you're on.

Very good.

Thank you.

Next.

Jones, look at that. It's a knife.

-Watch this! | -Did she say knife?

Brother, let me help you up.

Not bad for a beginner.

What a good sport. Next.

That's it for me, Lady.

Come on, don't be afraid.

-Make way. | -Here's a volunteer.

Commissioner, fabulous convention.

-Fabulous, sir. | -Good.

This is a great convention.

Next. I need a volunteer.

Thanks.

Upsy-daisy.

That's okay, Im all right.

-Thank you. | -Next.

An authoritative voice | is very important in crowd control.

Now, let's see how some of you people | do in this situation.

Officer, out here with me.

The crowd has just broken through | your police line.

Move them back.

Hell, no! We won't go!

-What's the matter. You think Ill hurt you? | -Yeah.

Just remember what I taught you, okay?

-Be gentle. | -Okay.

I guess I did that wrong.

I don't know. | This technique has its merits.

-Shall we try it again? | -Practice makes perfect.

Officer, your turn. Out here with me.

Hell, no! We won't go!

Excuse me. We need to keep it....

It would really help us a lot | if you'll just back up.

Back off, you turkeys!

Im a police officer, | and when I talk, you listen!

Now, get your butts the hell back there | before I really get mad!

And no back talk!

-We jump out of this. That's him? | -Yeah. Go out on the limb.

let's get him.

-Where'd he go? | -How come we haven't hit the ground yet?

Physics.

-Way to zing there, Officer. | -Very, very nice shooting, Officer.

Excellent shooting! Excellent!

Officer, you need to share those weapons | with the other officers.

No. I need these.

let me talk to him.

Ill get you some of your very own | just as soon as we get home.

-You promise? | -Cross my heart.

-Okay. | -Good.

-Thank you very much. | -Thank you.

Eugene, this one, too.

let's go.

Thank you. let's go, guys. Excuse me.

May I have an interview, please?

On three, two, one, guys. | Hello, and you are?

Capt. Thaddeus Harris | of the Metropolitan Police Department.

Only a captain? Cut. Out of here.

-He's a nobody. | -He looks like a waiter.

-Sir-- | -Not a word, Proctor.

All right. Okay.

Our 24 hours are almost gone.

We got to get that camera back now!

Why do we need five guys | to take a camera from one old man?

-Believe me, it ain't that easy. | -Yeah.

Boys, I want you to | try this one on for size.

let's just say | we happen to be passing by...

and the poor old guy happens to faint.

Mouse, Sugar, they happen to catch him. | They set him down on the ground.

Maybe they open his collar.

Maybe they slip that | nasty camera off his neck.

-That is a great plan, boss. | -Very good.

If the old man faints.

He'll faint.

Julio will make sure of that. | Go on, Julio, show them.

We'll give him a shot, | make him go night-night.

-That's a pretty good plan, boss. | -That's great.

-Come on, let's get out of here. | -All right.

Come on, Sugar.

We only have about | 10 more minutes of this.

-Lassard, congratulations! | -Thank you so much.

let me just.... Here you go.

Commissioner, could I get a picture...

of you congratulating Comdt. Lassard?

-Of course, certainly. Yes. | -Thank you.

Photo opportunity.

Stay.

Thank you.

Commandant, I just want to say hello | and congratulations.

We'll get him next time, boss. | We'll see to it. We'll get it.

It wasn't our fault.

Excuse me.

Would you just give me my damn camera?

-My camera? | -Give me my damn camera!

-What are those? | -Diamonds!

-You broke my camera. | -Diamonds!

All right! All right!

Nobody move, or the old man is history.

-Boss. | -What?

All right. I want to see hands in the air. | Everybody's hands up.

Now. Hands up!

Pick him up. | I want everybody where I can see them.

-Get the diamonds. | -I see.

The police procedure demonstration.

A kidnapping. How original.

-I am honored. | -Shut up, old man.

Yes, of course. Im sorry.

Now, we make for the elevator.

Anybody gets stupid, | he gets filled full of holes.

Police, freeze!

Cover me up top! let's go!

All right, release your hostage...

put your weapons on the ground, | and slowly put your hands in the air!

Well said! That's my nephew.

-Shut up, old man. | -Okay, mister, hands up!

Hi.

Nobody's gonna shoot. | Not while I got grandpa here.

-Now! | -Too Late!

Mouse, Sugar, get in the elevator!

-Nobody move! | -No, no. He's bluffing, right?

Smart boy. He was bluffing.

He was bluffing, boss.

All right! What floor?

What's the matter? | You got a problem with this floor?

I don't mean to interfere, | but the commissioners are all downstairs.

I would use the penthouse. | It's very defensible.

You're all welcome to use my suite. | Allow me.

What?

Here we are.

All right, Im ready.

Snap it up with those blueprints. | We don't have all day.

-Here you are, sir. | -Thank you.

Tackleberry, would you please | stop doing that?

Sorry, sir.

All right.

Now, they're gonna | give us anything we want.

So all we got to do is figure out | the fastest way to get to Dempsey's boat.

-Im thirsty, boss. | -You got any booze around here?

-Certainly. The bar's very Well-stocked. | -Thanks.

There might still be | some ice cream left in the freezer.

Thanks. You're really a good host.

You're very welcome.

Do you mind?

Some of us are trying to | plan our escape here.

Sorry, boss.

We are definitely gonna need | a boat at the harbor.

And we're definitely gonna need | a fast car at the hotel back entrance.

What?

With the roof so accessible, | you'd be a fool not to ask for a helicopter.

Helicopter? What a stupid idea!

No. He's right.

We'd be a sitting duck in that car. | The chopper is a great idea.

-We take the chopper to the harbor-- | -And?

Then we switch to the boat!

What? You don't like the boat?

-What? | -What?

I have to go to the little boys' room.

No, this is a kidnapping! | It's not a kindergarten!

Boss, he did think of the helicopter.

Yeah. Come on, boss.

All right, fine.

But make it quick. | Got a phone call to make here.

All right.

All we can do now | is wait untiI we hear their demands.

Im afraid you're right. | All we can do now is wait.

Would someone please wake Harris up?

He's thinking.

Here we go, come on. Open up. Big aah.

Would you please stop doing that?

Sorry, sir.

Incoming call for you, sir.

-Hello. | -All right. listen up.

I want a helicopter with pilot | on the roof of this hotel.

And?

And I want a fast boat | waiting for me in the harbor.

If all goes Well, I see no cops...

I hand the old man back to you | at the 12-mile mark off Key West...

as soon as we're safe | in internationaI waters.

We want some proof | that Lassard is still alive.

Your buddies want to talk to you.

-Hello? | -Comdt. Lassard?

Commissioner Hurst, | how nice of you to call.

I do hope that you do your best | to rescue me.

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