Princess Mononoke Page #2

Synopsis: While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy.
Director(s): Hayao Miyazaki
Production: Miramax Films
  13 wins & 5 nominations.
 
IMDB:
8.4
Metacritic:
76
Rotten Tomatoes:
92%
PG-13
Year:
1997
134 min
Website
12,001 Views


Have you ever heard of the Emishi

people? They're said to ride red elks.

They also use stone arrowheads

just like you.

Of course, they were all

wiped out 500 years ago.

Don't worry.

I won't tell anyone where you're from.

Anyway, I've got

much bigger fish to fry.

Have you ever come across

anything like this before?

Never have.

It came from the giant boar.

It was inside him.

I'm sure it was that little ball of iron

that killed him.

There's a place high in the mountains

far to the west of here.

It's where the spirit of the forest dwells,

and it's a very dangerous place for humans.

- To enter there is certain death.

- The Spirit of the Forest?

I've been told the beasts there are all

giants, just as they were in the dawn of time.

See ya there, my friend. Mmm.

Hyah! Move! Hyah!

Hyah! Come on!

Watch the load!

Push him!

Hyah! Ha!

The sooner we get this rice home,

the sooner we eat. Let's move!

Coming this way! Wolves!

Don't let the oxen panic! Stay calm!

Take up your positions!

Keep your powder dry.

Make sure you wait for them

to come within range!

- Ready! And fire!

- Fire!

- They're getting away!

- Fire!

- Second round! Fire!

- Fire!

That was it?

They weren't so big.

They're just pups.

Wait till you see their mother.

Where are they?

It's Moro!

Come on.

Ha, ha!

We killed her!

You forget she is a god.

It will take more than that.

- She certainly did some damage.

- We move out now.

What about the men

she pushed over the cliff?

They're dead.

Let's get the living home.

He's still breathing.

Hang on.

Huh?

My name is Ashitaka!

I have traveled far

from lands to the east.

Are you ancient gods, and have I come at

last to the realm of the Spirit of the Forest?

Go away.

A kodama! I never thought

I'd see one of them here.

Oh, no, no, no, no!

Easy there. You don't want

to make your injuries worse, do you?

Oh, no!

He's a tree spirit.

He brings good luck.

It's a sign

this forest is healthy.

But they'll lead their lord

and master right to us.

Who do you mean?

You mean those wolves I just saw?

- No, I mean a real monster,

like a huge enormous deer,

Except they say it's got a human face

sometimes, and then at night they say it-

Where'd it go?

Look! Reinforcements! We're doomed!

Oh, no!

If Yakul's not afraid, then we have

nothing to worry about here.

Would you be kind enough to grant us

passage through your forest, little one?

Sir, I really think

we should turn around now.

I wonder, did I mention that no humans

have ever made it through these woods alive?

There's a lovely trail

back across the river.

The current's too swift

for us to get across,

and your friend's injuries

are very bad.

If we don't get him back soon,

he doesn't have a chance.

Hey, little fellow, are you showing us

the way or just getting us more lost?

Please, sir, I'm really pretty sure

they're not trying to help us get home.

Oh, my God!

There's thousands of them.

Look at that. That must be

their mother, a fine old tree.

Oh. This place is magical.

The tracks of those wolves

and the girl with them.

This place must be where

the four of them live.

Sir, I think maybe we took

a wrong turn somewhere.

This is a place

for gods and demons.

I think we're safe.

We'll rest a bit.

More tracks?

Whatever made these

made them recently.

Sir! What's going on?

Are you all right?

Uh, sir, what

just happened there?

You went white as a sheet

all of a sudden.

- I warned you about this place.

- Here.

- Did you see anything just then?

- Like what?

Forget it.

Hang on just a little longer.

You're almost home.

I failed her.

It's gone,

whatever it was.

That's strange.

Suddenly he doesn't feel heavy at all.

My arm!

It doesn't hurt!

It's healed!

No, it's still broken.

Sir, you were right. We made it

back home just like you said!

It's a fortress.

It's Lady Eboshi's Irontown. We make

iron here from the ore in the sand.

Hey, there!

Hello, it's me!

- Look there!

- Hello!

- Someone's come out of the woods.

- Is it the Wolf Girl?

Look! It's me!

Kohroku, the ox driver!

- It's Kohroku! He's alive!

- Kohroku's alive!

- It's true! Kohroku's still alive!

- Let's go see!

Quiet! Stop that noise!

I'm trying to tally these accounts here,

so shut up!

- Haven't you heard? Kohroku's come back from the dead!

- What?

- There they are!

- There he is!

That's it.

- This is unbelievable.

- Where are the others, Kohroku?

- Yes, is my son with you?

- I'm afraid we're the only ones who made it.

It's never the guards that die.

Stand aside.

That man in the weird costume, sir?

Who do you think it could be?

He's obviously an outsider.

- Be careful.

- Listen to me, everyone!

This stranger saved our lives. He carried

the rifleman all the way back here.

You should be grateful to him.

Ow! Hey, watch the arm.

Sir.

Hold it right there.

I'm very grateful for you bringing

these men back to us, stranger,

but something

doesn't smell right.

You got back almost as fast as we did

and through the forbidden forest.

On top of that, you did it

with two badly injured men,

- and you want me to believe

that you- - Kohroku! Kohroku!

- You're alive!

- Toki, my love!

Huh?

That's just great! How are you gonna

drive the ox now all banged up and mangled?

- But, my little flower-

- You scared me half to death.

Don't you "little flower" me.

I wish the wolves had eaten you.

Then maybe I could have

found a real husband!

Sweetness, can we

discuss this later?

Toki, save your sweet nothings

for some other time.

And as for you, Gonza, a fine

captain of the guard you are,

always strutting and throwing your

weight around once the danger's over.

You never do a lick

of work around here.

That's unfair and untrue.

Thanks, stranger. My husband's an

idiot, but I'm glad he's safe and sound.

That's a relief. I was starting to think I'd

done something wrong by bringing him back home.

Say, why don't you take the mask off?

I bet you're really handsome.

Gonza?

Bring the stranger

to me later.

I would like

to thank him personally.

- Kohroku.

- Uh, yes?

- I'm happy you're back, and I apologize.

- Uh, okay.

Uh-oh, milady, you really shouldn't

tell him things like that.

If you're too nice to him,

he'll walk all over you.

I hope you'll forgive me, too, Toki. I was

responsible. I should never have let it happen.

Oh, that's all right. Milady,

if you hadn't been there,

the wolves would have eaten everyone, and then

we'd all have to find ourselves new husbands.

Get some rest, traveler.

I will see you this evening.

Oh, hey! You're not handsome,

you're gorgeous!

Pull!

Here! You know, they had to fight off

wolves to get this rice through.

Just dish it out!

There he is!

- Where is he?

- Over there in the back.

Toki was right.

He is handsome.

- Yeah, not bad.

- But he's so young!

That never stopped you before.

Quiet out there!

We lost some good men today.

Yeah, there's lots of

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Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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