Princess Mononoke Page #3

Synopsis: While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy.
Director(s): Hayao Miyazaki
Production: Miramax Films
  13 wins & 5 nominations.
 
IMDB:
8.4
Metacritic:
76
Rotten Tomatoes:
92%
PG-13
Year:
1997
134 min
Website
12,004 Views


gorgeous men in here, honey!

I've seen cattle

that looked better.

Listen, stranger.

Why don't you come over to our place?

You don't want to stay

in this stinking old barn.

Look, woman! We risked our lives

to bring you the rice...

you're all eating tonight,

so watch your mouth.

And who made the iron that paid

for that rice, huh? Tell me that.

Yeah, we're pumping those bellows

while you pigs are in bed.

Actually, if it's not too much trouble,

ladies, I would like to see where you work.

- You would?

- We'll have to work in makeup tonight.

Lend me your lipstick.

- Don't be a stranger.

- Don't forget now.

We'll be waiting for you.

It's best not to pay them

any mind, you know.

Lady Eboshi spoils them rotten.

That's why they're like that.

They say that happy women

make a happy village.

Happy? Ha!

Those kind of women workin' here?

Women like that- It's a disgrace.

They defile the iron.

Lady Eboshi goes around buying the

contract of every brothel girl she can find.

Milady has a kind heart,

that's all.

You got rice

on your chin, old man.

It's true. Everything here has turned

upside-down since she showed up.

That's right. She's not even afraid

of the gods, that woman.

You should have seen the way she dealt

with Nago. Am I right?

- Who's Nago?

- "Who's Nago?" The gigantic boar god.

He used to rule

this whole forest.

We couldn't even get near the mountains

with him around.

Nothing to do but sit around

on our backsides for months,

starin' at a bunch

of angry boars.

Mm-hmm. See, the iron in the sand

under this town had all been dug out.

Then we tried to get at the iron under the

mountain, but Nago wasn't gonna stand for that.

The problem was, before we could dig for

the iron, we had to clear away the forest,

and that's what

made the boar angry.

He's feeling no pain.

Then one day Lady Eboshi came along

with her warriors and her rifles.

Young man, what's wrong?

Is something

hurting your arm?

No, I was just thinking

about the boar god.

I was thinking how he must

have died filled with hate.

Forgive me for keeping you

waiting, stranger.

That's good iron.

We were running behind

with tomorrow's shipment.

Let's have a rest.

- You may tell the others.

- Yes, ma'am.

Some think you're either a spy for the

Wolf Girl or for Lord Asano and his samurai.

There are a lot of people out there

with their eyes on this iron.

Why are you here,

if you don't mind my asking?

I believe

you'll recognize this.

It shattered the bones

of a giant boar,

rotted his flesh and

turned him into a monster.

I fought with him, and for that I

was cursed with this mark on my arm,

and soon it will kill me.

Where is it you come from? I've

never seen a red elk like that before.

I have come a very long way.

I can't tell you more than that.

Answer milady's question

or I'll cut you in half.

What do you plan to do?

What exactly are you here for?

To see with eyes

unclouded by hate.

" Eyes unclouded"?

That explains it.

Come. I'll show you all my secrets.

- Is that wise, milady?

- Gonza, take over for me.

Oh.

This is my garden. None

of the townspeople dare to come here.

Follow me if you wish

to learn my secret.

Good evening.

We've only just

finished it, milady.

It's still too heavy.

Perhaps if you didn't

hold it so delicately?

Milady, if we make them

any lighter, they'll fall apart.

I trust you to figure it out.

They're not for me.

They're for the other women here.

That'll be something to see.

This is the latest rifle

that I've asked these people to design.

The ones we brought here

have turned out to be too heavy.

These will kill forest monsters and

pierce the thickest samurai armor.

You better watch out there, young man.

Lady Eboshi wants to rule the world.

I'm sorry to have

to push you all so hard.

- I'll have wine sent down later.

- Oh, that'll be nice.

First you steal the boar's forest from

him and then transform him into a demon.

Now you're making

even deadlier weapons!

How much more hatred and pain

do you think we need?

Yes, I'm the one who shot the boar,

and I'm sorry that you suffer.

I truly am.

That brainless pig. I'm the one he

should have put a curse on, not you.

No!

Does that right hand of yours

wish to kill me now, Ashitaka?

If it would lift the curse,

I'd let it tear you apart,

but even that wouldn't end

the killing now, would it?

No, it wouldn't. It would have to kill

all of us to be at peace.

Milady, Osa has

something to say.

Forgive me, milady.

You must not make light

of the boy's strength.

Young man, like you,

I know what rage feels like...

and grief and helplessness.

But you must not take

your revenge on Lady Eboshi.

She is the only one

who saw us as human beings.

We are lepers.

The world hates and fears us,

but she took us in and washed

our rotting flesh and bandaged us.

Osa?

Life is suffering.

It is hard.

The world is cursed,

but still, you find reasons

to keep living.

I'm sorry.

I'm making no sense.

Oh, they just keep coming back.

Every night they're

out there planting trees,

trying to turn the mountain

into a forest again.

Stay here. Help me kill

the Forest Spirit, Ashitaka.

You would do that?

Kill the very heart of the forest?

Without that ancient god the animals here

would be nothing but dumb beasts once more.

When the forest has been cleared

and the wolves wiped out,

this desolate place will be

the richest land in the world,

and Princess Mononoke

will become human.

Princess Mononoke?

Princess of the spirits of ghouls,

beasts and ancient gods.

The wolf stole her soul,

and now she lives to kill me.

The legends say the blood of the Great

Forest's Spirit can heal anything.

Perhaps it could cure

my poor lepers.

Might even be able to lift

your curse, Ashitaka.

Milady! How does the action feel to you?

Better?

Smooth as silk, the perfect

thing for ruling the world.

- Ah!

- It's still too heavy for the girls.

All right.

Well, look who's here.

Evening. All right if I work

the bellows for a while?

Well, I guess so.

- Excuse me. May I try it?

- Huh?

It's okay.

Might as well let him try.

When you get tired,

I'll take over for you.

Well, that won't be long.

Oops! Better keep

that kimono shut tight, girl.

I'm impressed, but you'll

never keep that pace up.

- It's hard work, isn't it?

- Mm-hmm.

You bet, and our shifts

are four days long.

You must lead hard lives here.

Yeah, I suppose. But it sure beats

working a brothel in the city, huh?

Here we get to eat as much as we want,

and the men don't bother us!

Unless we want 'em to!

- No!

- But you can't leave tomorrow.

- Can't you stay a little longer?

- You can stay and work here.

Thank you all, but there's someone I

have to find out there in the forest.

- She's here.

- Oh!

The wolves are coming.

It's the Wolf Princess!

Stop!

Wait! I don't want to fight you.

I'm a friend.

Here! She's here!

- She's on the roof.

- Hurry! She's after Lady Eboshi!

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Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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