Princess Mononoke Page #4

Synopsis: While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy.
Director(s): Hayao Miyazaki
Production: Miramax Films
  13 wins & 5 nominations.
 
IMDB:
8.4
Metacritic:
76
Rotten Tomatoes:
92%
PG-13
Year:
1997
134 min
Website
12,006 Views


- Somebody cut her off.

- She's headed for the forge!

Keep stoking those fires! Riflemen to the

stockade. We've got her right where we want her.

A weapon for every man!

Everyone defends Irontown!

Toki, she's on the roof.

Now, don't get excited.

Keep those bellows working.

Whatever happens, we can't

let those fires go out.

- Is she alone?

- Yes.

She can't escape.

We have her cornered.

You know she means

to kill you this time.

We'll see about that.

Come on.

- Get a weapon!

- Move! Move!

Make room for milady!

Can you hear me,

Princess of Beasts?

If it's me you want,

here I am.

If you seek revenge for

all the animals we've killed,

well, there are two women down

here whom I'd like you to meet.

They want revenge as well for

husbands killed by your wolves.

Come on out, you little witch!

My husband's dead because of you!

Huh?

There she is!

- It's her!

- There she is!

Everybody out of the way!

Riflemen, get ready to fire!

It's a trap. No! Wait!

Princess of the wolf gods! Don't go

down there! Go back to the forest!

Listen to me, please!

Don't throw your life away!

- Shall I stop him?

- Leave him be. Let him do what he likes.

She's down! We got her!

Stay back.

Cut off a wolf s head,

and it still has the power to bite.

What?

- Take aim where she falls.

- Right.

Open fire.

Yeah!

No! Stay back!

Oh! What the devil was that?

Wake up.

No!

- Skin her!

- Kill her, milady! Kill her!

- Are you all right, sir? Can I help you?

- I'm fine. Fine.

Get away from me!

- Begone!

- Yes, sir!

Huh?

Traitor! You're a spy

for the wolves, aren't you?

Stay back!

Oh! Halt!

Step aside.

- What do you think you're doing, boy?

- Stay your hand.

The girl's life is now mine.

I'm sure she'll make

a lovely wife for you.

There's a demon inside of you.

It's inside both of you.

Look, everyone!

This is what hatred looks like.

This is what it does

when it catches hold of you.

It's eating me alive,

and very soon now it will kill me!

Fear and anger only

make it grow faster.

I'm getting a little bored of

this curse of yours, Ashitaka.

Let me just cut

the damn thing off.

Lady Eboshi!

Someone come here

and take her from me.

Milady!

Don't worry. She's just

stunned. She'll be all right.

Lady Eboshi?

As for me, I'm leaving,

and I'm taking the Wolf Girl!

Oh, no, you're not!

Nobody treats my Lady Eboshi like that!

Move and I fire!

Kiyo, what are you doing?

How can he

still be walking?

- Is she all right?

- Yes, milady's safe, sir.

Someone bring me my gun! Riflemen

to the square now, on the double!

They're not getting

out of here alive!

Toki, come here.

What? What's happened?

Sir, I can't let you pass.

The gate's been ordered shut.

It can't be opened.

Turn back, please.

We're grateful to you for bringing

those men back to us.

- We don't want to hurt you.

- Please!

I walked in through this gate this morning.

Now I'm going to leave the same way.

Don't be a fool.

It takes ten men to open this gate.

Stop it! You'll kill yourself.

Huh?

Out of the way!

The wolves are attacking!

Flint!

She's all right!

Your princess is safe with me!

Stay and I will bring her!

Come on, Yakul.

You have my thanks.

Good luck, stranger.

Stop it!

Leave him!

He's mine!

Oof.

His own people shot him.

He's dying.

Why did you stop me from killing her?

Tell me while you're still alive.

I didn't want them to kill you.

That's why.

I'm not afraid to die. I'd do anything

to get you humans out of my forest.

I knew that from

the first moment I saw you.

And I'm not afraid of you!

I should kill you for saving her!

That woman is evil, and there's no one

who can stop me from killing her.

No. Live.

That's enough! I'm not

listening to you anymore!

You're beautiful.

What is it, San?

Want me to crunch his face off?

The ape tribe.

All right!

What do you want here?

Apes, how dare you show such

disrespect to the wolf clan.

This is our forest.

The human-

give him to us.

Give us the human and go.

You go before

my fangs find you.

- We will not go.

- We will eat the human.

Yes, let us eat

the man creature.

Are you crazy? Just what happened to

make the ape tribe change this way?

Since when do apes

eat the flesh of a man?

If we eat the human,

we will steal his strength,

and we will drive

the other humans away.

Give us

the man creature.

Stop this. You know you can't possess

the humans' strength by eating them.

All that'll do is make you

into something else,

something even worse

than human.

We plant trees. Humans tear them up.

The forest does not come back.

If we kill the humans,

we will save the forest.

You mustn't give up. We'll find a way.

The Forest Spirit is with us.

Go on planting your trees

and someday we'll beat them.

The Forest Spirit will not fight.

We will all die.

Wolf Girl does not care.

She is human.

Enough!

I'll bite your head off,

you chattering ape.

Stop! Wait! Come back!

Leave them alone!

Don't worry about them.

It's all right.

You two go on ahead now.

I'll stay here and deal with the human.

- What about the elk?

- Yes.

Can we eat him?

No, you may not.

Go home!

Come over here.

Don't worry. I'm a friend.

Don't be shy. I won't hurt you.

I need you to help me carry him.

Please?

You are very wise. You know better than

to set foot on this island, don't you?

Ugh! I smell like a human.

You can go wherever you want to.

You're free now.

Finally.

There he is.

Come and see. Hurry.

Quick, you idiots.

It's the Nightwalker.

He's the reason we've been sitting around

in these stinking animal skins, you know.

But sir, we can't.

It's a sin to look at it.

Ha. And you call yourself

the greatest hunter in the west.

Look. We've got a letter

of pardon from the Emperor,

forgiving us for cutting off the head

of the Great Forest Spirit.

The legends tell us that

when day becomes night,

the Forest Spirit turns

into the Nightwalker,

and at sunrise,

it changes back.

Look! See there?

It's happening.

- Take a look, MasterJigo.

- What is it?

- Over there.

- Hmph.

Look. There must be hundreds of them.

Those boars are not

from this region.

They must have been traveling for months

to get all the way up here.

- That one's Okkoto!

- Can't be.

They say he died

It's him, all right.

I know those old tusks.

And it looks like he brought

along his whole tribe.

He's seen us!

Let's get out of here!

Come on, you cowards!

Move! Quickly!

The bullet wound's gone.

Yakul.

The mark's still there.

Finally you're awake.

You really should thank Yakul. He hasn't

left your side this whole time.

How'd you know his name's Yakul?

He told me,

and he told me about you-

about your village,

your people and your forest.

The Forest Spirit brought you back

to life again. He wants you to live.

I had the strangest dream.

- There was a golden creature.

- Eat this.

Chew.

We are here to kill the humans

and save the forest.

Why are there

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Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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