Private Gaia 5: The Temptations of Clarisse Page #2

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D Ever more I!

J1 I'm just a fool J1

J7 Fool in love with you III

Pass the ball!

III I fell for you Jil

D And I knew J1

Hey, girl, you know

I'm talkin' to you.

J1 I hope and I pray J1

Jil that someday III

J1 I'll be the vision

of your happiness II

Who are they?

They sound good! Mmm! .57

Earth angel Earth angel 1-7

fl Please be mine .67

D My darfin' dear D

I'll see you guys later, okay?

Bye. J7 All the time IJ

Bye.

J7 I'm just a fool III

J1 A fool-- J1

D with you I!

- Thanks, gentlemen.

- But we ain't done.

You've done enough.

All right. Come on, man.

Let's go to the library-

I'll just have to finish up

on Saturday night.

- A date?

- That's fight.

I can't.

Why?

- Josephine.

- Yes, mama?

I think it's time for you

to bid your friend good night.

- Good night, Mr. --

- Williams.

Williams.

Nice of you to stop by.

Good night, Mr. Williams.

A-and a good night

to you too, ma'am.

Mm-hmm.

Saturday. Saturday.

D There's a moon out tonight D

J1 Whoa-whoa-whoa-ooh IJ

III Let's go strollin' JII

J7 There's a girl in my heart III

III Whose heart I've stolen Jil

J1 There's a glow in my heart J1

Now wasn't that sweet?

Hey-dee-hey-hey.

Joltin' Joe Howard here sending a special

request to y'all out there in radio land-

If anyone knows the whereabouts of Otis

Williams, tell him they got ten minutes--

What?

He said my name.

Yeah, yeah, right,

he said your name.

Once again, sending out

an A. P. B...

To one howling Otis Williams.

Come on down to 1953 Cranebrook Avenue.

He said my name-

He said your name.

Bones, he said our name- He wants us

to come down to the radio station--

Oh, somebody write down

that address!

Write down the address.

- 1953 Cranebrook Avenue.

- He said my name.

- I ain't got a pencil!

- Get us to the station!

- Forget it. I got the address.

- What about the girls?

- Jo's house is on the way. We can

drop 'em off there. - Say what?

Get outta here quick.

Quick! Go, man!

Oh, watch out!

Hey, hurry up, man. Hurry up.

Get us to the station, Al!

Al, don't park in front.

Why not?

Man, we in a milk truck, that's why.

You happy? Beside myself.

Let's go-

Comin' to you live

from WCHB,

It's most definitely

the Joltin' J-O-E...

Gettin' down to the nitty

in this Detroit city.

And now this one from

Mr. Excitement, Jackie Wilson,

He's real petite, light on his feet,

and he wants y'all to be loved.

This cat's pillow's never dry

because he's got lonely teardrops.

Don't tell me. Otis, right?

Yeah, Otis Williams--

Hold on a second- We gotta get your

ass into the recording studio-..

And my ass back before

Jackie's last teardrop falls.

Come on.

Do you wanna go?

- Come on.

- Okay, let's go, let's go.

Th-this is a window.

Come on.

Keep real quiet.

Management doesn't like it when

I leave the show unattended.

Especially if it ain't

exactly station business.

I ain't tryin' to jolt myself

out of job, know what I mean?

Look it here. Guess I need to

cop some milk on the way back.

Don't let appearances fool you.

Lotta records been cut here.

Besides, Johnnie Mae

always gets the job clone.

- Gotta go.

- Who's Johnnie Mae?

I'm Johnnie Mae.

Johnnie Mae Matthews,

Your manager,

producer and promoter.

Now get on in here.

Hey, hey, hey, guys- Let's get started.

All right.

We're ready.

My group is here.

Uh, Miss Matthews,

with all due respect...

I'm Otis Williams,

and this is my group.

Oh, excuse me!

I thought y'all wanted to make it

in the music business.

- Well, yeah, but-

- let me break it down for you.

You see, I've been watchin'

y'all for some time now,

And I think

I can help you make it.

Starting May 8, you could be appearing

at the Belle Isle Silver Jubilee.

May 12, grand opening,

milkefs chevrolet.

May 19, opening at--

For the Miracles--

St. Stephen's community center.

- That's what I'm talking about.

- Shall I go on?

Man, what you waitin' for?

O, shake her hand.

Shake her hand.

Come on.

All right, all right.

Well, let's get movin'.

Time is money. My money.

Oh, and by the way...

I'm changin' your name.

Hmm?

Otis Williams

and the Distants, take one.

J1 Come on, come on

come on, come on J1

.5 You know you make me

wanna love you- .67

Hey! We're tryin'

to make a record down here!

From the top.

Take two.

D Come on

come on D

IJ You know you make me wanna love you

in the morning JII J1 In the morning IJ

- .0' In the evening .7

- fl In the evening 1-7

J1 In the nighttime it's the right

time JII J1 In the nighttime J1

JJ Iris the night time I wanna love

you .57 fl I wanna l0 ve you IJ

D Come on I1

D Come on D

D Come on now IJ

I-I Come on III

J1 I wanna make love to you J1

All right, o, where is Al? I'm starting

to think he's gonna blow this place-

He knows he's supposed to meet you, right?

I told him about 50 times.

We go on next- Y'all better

hope they play a long set-

Who's that?

Oh, hey, man, that's the Primes

and the Primettes.

They're on right after us.

I hope they don't sing

as good as they walk.

Dollar says

he's been drinkin', o.

Where you been, Bones?

Hey, how y'all doin'?

You late.

That's a SO-cent fine.

Yeah, I'm here, and I'll sing any

"skinny behind" group into the ground-

Yeah, I'm talkin' about you.

Cool it, Bones- I'm just

tellin' it like it is.

What y'all call yourselves?

Otis Williams and the Distants.

- And who's Otis?

- That's me.

Well, hello, Otis.

And I'm Josephine.

Hi, Jo. I'm Flo.

This is Florence Ballard,

Mary Wilson.

I'm Diane Ross.

We're the Primettes.

And this is Paul Williams and

Eddie Kendricks, the Primes.

Yeah, and back to you, Diane.

How'd you get to be so Prime?

Why don't you mind your damn business?

She's spoken for-

- So back off.

- Why don't you make me?

Why don't the two of you

just cool out, all right?

- We're cool.

- That's not the way it looks.

The Rumblers!

In our continuing tradition...

Of showcasing the finest

you're gonna see,

Please help me welcome

to the stage...

Otis Williams and the Distants!

Yeah! VVhoo! I gotta go.

I love you.

Come on! Come on!

Yeah! Yeah!

We're Otis Williams and the Distants,

And this is our newest single,

Come on. "

One, two, a one, two,

three, four--

I! ba-ba-ba-boom

ba-ba-ba-boom D

I1 ba-ba-ba-boom

ba-ba-ba-boom D I1 ah D

I1 Come on, come on come on,

come on D D ba-ba-ba-boom D

IJ You know you make me wanna love you

in the morning JII J1 In the morning IJ

IJ In the evening in the nighttime

Jil IJ In the evening IJ

J1 In the nighttime it's the right

time JII J1 In the nighttime J1

J7 I wanna lo vs you J7

.0 Come on .57

I1 Come on come on D

D Come on now D

J1 I wanna make love to you J1

They sound good.

Yeah, but, uh, look at 'em.

They're just standin' there.

What's this?

J1 I wanna be your everything I1

J1 Wah, wah, wah J1

J1 Do you think about me D

J1 Ooh, do you think about me JII J1 I

wanna love you with all my might J3

IJ That sweet

and wonderful dame III

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