Private Gaia 5: The Temptations of Clarisse Page #3

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J7 I wanna

make love to you f!

It's Smokey, and he's got

Berry Gordy with him!

J7 I wanna

make love to you f!

I! Yeah, yeah, yeah

Come on I!

I1 Come on come on D

D Come on now D

D Come on, come on now I!

D Gstfin' tired

Getfin' tired D

D Come on I1

D Come on D

Otis Williams and the Distants!

- Whoo! Come on!

- Otis Williams and the Distantsl

Top that.

And now they're back.

Hey, hey. That was great.

Thanks, man-

The Primes and the Primettes.

Mom, mom!

Oh, y'all were wonderful!

Oh, wonderful! Al!

Oh, honey, you were so good.

Jzsciiyfl

D Just a little bit longer J1

III Just a little bit III

IJ Longer D

III Stay just a little bit JII

.17 Please J7 J7 Please,

please Please, please fl

J7 Just a little bit longer fl

fl Tell me you're going to J7

I! Just a me bit I!

D Now your daddy don't mind D

D And your mommy don't mind D

I! R we have another dance I!

D Yeah, just one more D

I1 One more time D

D One more time D

III Oh, won't you stay J1

They're good. What?

fl Just a little bit longer J7

Shut up.

They're all right.

IJ Please won't you

say you will III

J1 Say you will J1

I1 Won't you place your sweet lips I1

D to mine I!

D Won't you say you have me D

D All the time D

JII All the time JII

n StayJil

J7 Just a little bit longer J7 .67

Just a little bit longer; stay J7

III Just a little bit please IJ

III Please, please, please III

J1 Just a little bit longer J1

J1 Please tell me you're going to J1

J7 Just a little bit J7

Hey, there goes

Berry Gordy.

Let's go. IJ Come on, come

on come on and stay IJ

J1 Come on, come on come

on and stay J1 J7 Stay IJ

How're you doin'?

Oh, couldn't be better, sir.

A Mr. Berry Gordy, right?

Yeah, that's right.

Thank you.

Uh, Otis Williams.

Oh, Otis. Hey, man, you guys were

really good out there tonight.

Smokey better watch out- It just

isn't fair how good we are.

We've got other songs.

- D Piano's kid, Pacds kid D

- D Bang, bang D

D Yeah, Pam's kid D

D Bang, bang D

Thanks.

Uh, excuse me, sir.

I just wanted to, uh--

Oh, uh, this is Blue.

Hi, Blue.

L-I mean our bass,

Melvin Franklin.

I just wanted to say this is such a

great pleasure to finally meet you,

Because the things you're doing

with Motown are great.

Thanks very much. That's nice to hear,

guys. Thank you. I appreciate it

Uh--

uh--

Uh, do you guys have a manager?

Yes.

No.

I mean-- well, you know. We

haven't signed anything-

It's complicated.

You know, a friend--

Listen, if you guys

ever figure it out,

Here's my card.

Nice meeting you.

It's our pleasure,

Mr. Gordy.

Card.

Card.

Here comes Johnnie Mae.

Holy--

whool

Damn!

Miss Matthews!

Hey! Do you like it? Like it?

Shoot, I love it-

Where'd you get it?

New York City, baby.

Cut that deal at RCA,

Walked half a block down to

Broadway, paid for it cold cash.

Go on. Check out the upholstery.

Genuine leatherette-

Hey, hey, I said check

it out, not mess it up-

So our record

must be doin' good, huh?

You tell me.

Does this look good to you?

Oh, wow!

Whewl

So when is pay day?

As soon as those royalties

start pourin' in, baby.

But that's our money

right there, right?

Can't we just

divvy that up now?

Fellows, I'd love to,

but we got bills to pay.

- What bills are those?

- Promotion, for one thing.

Air time don't come cheap, you know.

Palms gotta be greased-

That's it?

What's with the third degree?

Don't y'all trust me?

Oh, oh-- no, no, no.

Sure we do.

Just tryin' to learn

the business.

Well, learn it

on your own damn time.

And don't be confusin' my money with

money you ain't even earned yet.

Y'all ain't my only group.

You know, as a matter of fact,

just get out.

Get out of my damn car. I don't

know what I was thinking--.

Letting you ungrateful buds

drive in it anyway.

Yeah, but

what about the car?

- Ain't your car.

- It says our name right there.

Ain't your name, either.

Not no more.

The car, the name, it all belongs to me.

The songs too.

Get on my damn nerves.

Can she do that, o? Can she

take our name like that?

I don't know.

No money? I'm sick of this crap.

I quit!

What?

I quit!

Just like that, Bones,

you gonna up and quit on me?

Wait up, Al.

I'm with you.

Richie.

To hell with you.

Oh, no.

Come on, Richard.

Damn! I mean, just like that they're

just gonna up and quit on us.-.

Just because

they ain't gettin' paid!

Yeah.

Maybe they're right, o.

I can't believe

you just said that, Blue.

We are not quittin'.

We got a card.

Just don't have a group.

You hungry?

I'm always hungry.

Mama Rose's?

What's up, o?

Better be good news,

'cause I can't take no more bad.

Well, you best believe

it's good news, man.

Who'd you get?

Singer and dancer.

Yeah? Yeah?

Lay it on me.

Paul Williams and Eddie Kendricks, man.

The Primes?

Well, once upon a time.

What happened? What you

mean what happened, 0t?

These cats

are now available.

I don't know, Blue. I just

don't like their attitudes.

Oh, now come on, 0t.

You know they sing good.

They move good.

They hungry, just like us.

And they wanna join

our group.

Now I'm tellin' you, 0t,

I'm tellin' you...

These cats called me up

beggin' to join our group.

You know what I'm sayin'?

Hey, y'all!

They begged?

Yeah. Well, you know,

practically.

Now the point is, what harm

can one rehearsal do, right?

Come on.

Hey...

When you get done here,

you can come do my yard.

It was a joke, man- Ha-ha!

Hey, how y'all be?

Hey, how y'all doin'?

Hey.

So, we heard y'all

wanna join our group?

- Your group?

- Yeah.

I thought you said

they wanna join our group.

Al!

My man.

Well, what do you know.

Oh, we can do better than that.

A one, a two, a one, two, three.

I! Ohhhh D

I! Mower D

D Oh, mother of mine D

I! Oh, mother I!

D Oh, mother I!

J1 The things

that you told me-- J1

Wait, wait, wait, wait.

Hold it, hold it, hold it.

Look, fellows,

we sound good, but, um,

You know, just standin' there

and snappin' fingers...

ls fine, you know,

if you some old cats.

But see, we're young,

and I'm kind of frisky.

So we got to move.

You know what I'm sayin'?

Yeah, yeah, yeah.

I mean, that's what I thought.

- All right.

- So why don't you show us what you got?

All you're doin' is steppin' back like

this. One, two, three and snap, snap.

You got it?

Like, one, two, three and snap.

D 0h, mother I1

I! Oh, mother I!

D 0h, mother I1

I! Oh, mother I!

Now go to your left. Go to

your left IJ Oh, mother 1-7

Your other left. Oh, come on, man.

We some singers.

I don't see

why we have to dance.

We're just tryin' to sell some sex

here, so you gotta move, all right?

Besides, we gotta give the folks somethin'

to watch while I'm singin' so sweet.

Oh, man, it be

pilin' up in here today.

Come on, Al, come on- Let's get it

together now. Now back from the top.

Pick it up.

Here we go.

D 0h, mother I1

I! Oh, mother I!

I1 Oh, mama I!

I! Oh, mother I!

J1 Oh, mama J1

Hazel

I! Oh, mother D Now they're

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