Psycho II Page #5
- R
- Year:
- 1983
- 113 min
- 923 Views
You smell like, like the
toasted cheese sandwiches...
What?
...that my mother
used to bring me
when I was in bed
with a temperature.
She used to do lots
of nice things for me
before she went...
Before she became...
Shh.
Just remember the good things
she did for you.
Only the good things.
I can't.
They're not there anymore.
Of course they're there.
No, the doctors
took them all away.
Along with everything else.
Except,
except those sandwiches.
Shh.
Just sleep.
Oh, good morning, Doctor.
Good morning, Norman.
I called your office.
They said you were on your way
over here.
Where's Mary?
She's gone in to town.
Oh. What for?
I don't know.
She didn't tell me.
Some tea?
Coffee, if you have it.
Thank you.
Sure.
Norman.
Do you remember
Lila Loomis?
Yes.
She's staying in town.
She is?
She's Mary's mother.
That's why Mary went in
to town. To see her.
Do you realize
what this means, Norman?
What?
They're the ones
who've been leaving the notes
and making
the phone calls.
Why would they do that?
Because they hate you.
Mary, Mary doesn't hate me.
Come on, Norman.
Like mother
like daughter.
You know how Lila Loomis
feels about you.
She can't wait see you
re-institutionalized.
That's why all this
is happening to you.
They want to destabilize you,
undermine your sense
of reality.
They can't do that.
Good. Glad to hear you
say that.
But...
It isn't them, anyway.
It isn't?
Who is it?
It's my mother.
She's not dead.
How do you know that?
I've seen her,
up in the window.
You saw her, too.
That was Mary Loomis
to look like your mother.
Mary Loomis again.
But she's been with me
when the phone rang.
Then it was her mother.
Downstairs.
Norman.
Do you remember now our
discussions about your mother?
Once you accepted the fact
that you murdered her,
no hold over you.
Room 15, please.
I want you
to stop calling Norman.
What are you
doing here?
You heard me.
Stop calling Norman.
I haven't called him.
Don't lie to me.
You called him this morning.
For God's sake,
keep your voice down.
All right,
so what if I did call him?
He's slipping
into insanity again,
I can hear it in his voice.
There's nothing anyone
can do about it,
not even you.
You could stop stuffing
bloody towels down toilets
and peering through
peepholes in walls.
That would be a help.
What?
What are you talking about?
About what you're doing
to Norman.
You were in that house
last night.
I was not.
I came right back here
after I saw you.
Don't lie to me.
I'm not lying.
Why weren't you
in your room last night
when I called?
What, did you have me paged?
I was probably down here.
Mother, stop lying to me,
please.
What happened in that house
last night?
Goodbye, Mother.
He's about to go
over the edge, isn't he?
Listen. Now listen.
Just dress up
in his mother's clothes
one more time.
That's all it's going to take.
I'll have the police
and the doctor
before you are in danger.
Then they'll have to act
on our petition.
Mother, I signed
all your petitions.
I've been to
all your meetings,
done everything
you've asked for years.
But I am not going to
hurt Norman anymore.
Well, if you won't do it
for me,
at least do it
for your father.
I'm not living for dead people
anymore, Mother.
Not for your sister,
or my father,
not even for you.
I'm going.
Now, wait a minute.
Mother, let go,
you're hurting me.
Mom, don't.
No.
Listen to me! If you go near that
house, you're going to be sorry.
Yeah.
I don't see
what all the rush is for.
The Sheriff's concerned.
And he thought we might
bend the rules.
I don't like it.
You're supposed to have
an order from the coroner.
Now do you believe me?
Yes. She's dead.
Then she's not coming back
to life again, is she?
Back to life?
No.
Shall we go?
Mary.
Back here.
I was just about
to have some lunch.
You want some?
No.
Where have you been?
At the cemetery.
Dr. Raymond had them open up
my mother's coffin.
Oh.
Yes.
That proves that
she's not the one
who's been
torturing me.
Not unless
she's a ghost.
No.
No. He says,
he says it's you
and your mother.
He says your last name
is Loomis.
Is that true, Mary?
I wonder
who that could be.
I don't know.
Don't you?
Hello, Mrs. Loomis?
How are you this...
I'm... I'm sorry, Mother.
I didn't mean to insult you.
Norman, stop it.
This is not your mother.
Hello. Hello, Lila?
Lila, are you there?
There's no one on the line.
Hello?
Yes, Mother, I'm sorry
we were interrupted.
Norman, there's no one there.
Yes, Mother.
Yes, Mother.
Hello?
Hello, Norman?
This is your mother.
It doesn't sound like her.
It is, Norman,
and I want you to hang up.
Do you understand? Hang up.
All right.
Do it, Norman, now.
Hang up.
I was so worried.
About what?
Well, that all the things
that have been happening to me
were because of you
and your mother.
Mrs. Bates' corpse,
I knew she was dead for sure.
But now,
now I know it's somebody
completely different.
Who is it?
My real mother.
Who is your real mother,
Norman?
I don't know.
She won't tell me.
Your mother is dead.
Mrs. Bates
was your real mother
and she's dead.
Then who was that
on the phone?
My mother.
Dr. Raymond was right
about both of us.
Lila and I were trying
But then I stopped,
only she won't,
and she's the one
who's calling.
Well, why did you stop?
It wasn't fair for us
to be doing
what we were doing to you.
Is that the only reason?
What do you mean?
You know what I mean.
Ma'am?
Norman?
to see you out at the swamp.
Hey, Sam.
Yeah?
Scotch it is.
There you go.
All right.
Spread that line away.
We're gonna send the divers
down here in a minute.
Hello, Norman.
Hi, Sheriff.
What is... What is
going on here?
Have you
seen this before?
No. Did you... Did you find it
in the swamp?
Yes.
How about any of this stuff?
This is Mr. Toomey's.
Who?
Norman's motel manager,
before he fired him, that is.
Have you seen him since?
No, I told him
to get packing and he left.
That's all I know.
You sure?
Y-Yeah.
Well, that's about it then.
You can leave.
Just you, Norman,
not the young lady.
Okay. But shouldn't I wait?
Don't worry.
I'll have her
along presently.
Oh, forget the marker.
Get on in there.
Sheriff, I've been
wanting talk to you.
Yeah.
Someone has been
phoning Norman
claiming to be his mother.
And not the dead Mrs. Bates,
his real mother.
So?
So I've been wondering
if it's possible
that he was adopted?
Not that I've ever heard of,
here, Miss Loomis.
How did you find out
who I was?
We're a tad slow
around here, young lady,
but not incompetent.
Now,
I've got a question for you.
Either you or your mother
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Psycho II" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/psycho_ii_16340>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In