Psycho Ward Page #4

Synopsis: While on a research outing, a group of urban explorers get more than they bargained for when the visit the site of an abandoned mental hospital and discover it's hiding a terrifying secret....
Genre: Horror
Director(s): Patrick McBrearty
Production: Lionsgate
 
IMDB:
2.1
R
Year:
2007
90 min
34 Views


storage area.

Once we get there,

we head through

to the dining room.

Backbreaker.

I'm all over this.

I know I'm wasting my breath,

but please be careful.

See you on the flip side.

Stay there when you get to the end.

Looks like it goes right through

to the other side.

I won't take long.

Good.

Keep your eyes open

Can do.

I can't see him.

He must almost be through.

It's all clear.

Okay, we're coming through.

Oh, man, what did I just

stick my hand in?

Suck it up, Sarah.

This is the way out, remember?

See you on the flip side.

Get going.

Tino buddy,

is that you?

Marco.

Marco.

Damn it.

Sarah, is everything all right?

Did you guys hear that?

Hear what?

I must be going crazy.

This sh*t's starting

to make me jumpy.

urbanstudd.com

is gonna rule next month.

The soup's on.

Oh, sh*t.

Studds?

Eugene.

He's gone.

I told him to wait.

Studds, you in here?

Where did he go?

I don't know.

Maybe he's up ahead.

Damn.

What?

Did you find something?

Is it bad?

It's just an old sheet,

but it looks like

Studds was here.

Why did he leave?

Where's the boiler room?

It's through there.

Sarah.

F***, man,

what is this sh*t?

What is this sh*t?

F*** you, a**hole.

Please do not do that again.

"Stay together," I know.

I just had to get out of there.

What's that for?

Most likely a guard

up there during meals.

If the crowd got out

of control for some reason,

they probably used

tear gas to subdue them.

Come on, the boiler room's

through here.

The boiler room's in there.

Are you sure?

I'm sure.

Let's go.

It should be up here.

Where's the tunnel?

Are we in the right place?

It's right here.

It's supposed to be

right here.

Some of these bricks

are newer.

It looks like

they sealed it off.

We're screwed.

I knew that we should have just stayed

by the front door.

Someone would have found us.

I need more time to find

another way out of here.

You can wait.

I'm going back.

Sarah, stay--

Let's go find her.

Oh, come on.

Come on, which way was it?

The keys.

The groundskeeper.

Are you the groundskeeper?

We've been stuck here

for hours.

There's some psycho chick

after us.

Oh, man, what's that smell?

Try to breathe

through your mouth.

Where is it coming from?

Down there.

Lisa, I have to check it out.

Stay here.

Okay, please hurry.

Richard, what is it?

Nothing.

Just stay there.

Damn, Tino.

What did they do to you?

Why couldn't you just listen?

My God.

Sarah.

Richard, what did you

see in there?

Richard, wait.

Stop for a minute.

Lisa, what is it?

We need to find Sarah.

She's out there all alone.

You saw something in the cells

or on the camcorder.

What was it?

There's someone else

in here with us,

someone bad.

Lisa, we need to go.

Go? Go where?

We're trapped in here,

remember?

And until you tell me

what's going on,

I'm not moving

another inch.

Now you're acting childish.

Childish?

You've known something was wrong

the whole time.

You've kept it to yourself

to be in control,

same as you always have.

Everything I've done

has been to protect you.

Protect me?

What about Tino,

Studds and Sarah?

Who's protecting them?

If I tell you who it is

you'll say I'm crazy.

Just tell me.

Darrell Coombs.

One of those prisoners

you told us about?

I thought he died

in that fire.

I don't know how,

but Coombs is here.

Coombs was one of the most

systematic killers

in recorded history.

He fancied himself an artist.

He'd put on a mask to create

a very specific persona.

He'd incapacitate his victims

with a deep belly wound

and mutilate their faces

using whatever he had.

And he always

signed his work.

Are you sure

you want to see this?

Everyone's dead

except us.

No, Sarah's alive

and we can save her.

I know it.

Richard, what is this place?

It's a chapel.

When they caught Coombs

the police asked him

what he did after

he killed his victims.

He went to church

to repent his sins.

We need to hurry.

She said she was going back

to the first door.

Well, I hope she knows

where she's going.

Her sense of direction

needs work.

I knew it.

She went the wrong way.

Sarah, Sarah,

are you in here?

What is that?

Sarah's camera.

He's gonna kill her.

No, he won't.

I won't let him.

Won't let him?

He's already killed

Tino and Studds.

How are you

gonna stop him?

He killed Tino and Studds

because they got separated.

We won't make

that mistake.

We'll find Sarah

and stay together.

We need to go back.

Go back where?

To those cells. Whatever he's doing,

he's doing it down there.

It's where the old

psycho ward was.

That place with that

awful smell?

It won't be easy, I know.

You want to go in there?

We have to.

That's where he's taken her.

Lisa, wait here.

Please hurry.

Oh.

Damn.

Sarah?

Hey hey,

are you okay?

I think so.

I need your jacket.

We have to act now,

while we still can.

Can't we just

hide somewhere?

Someone will eventually

come and find us.

If we hide somewhere,

Coombs will eventually find us.

We are trapped in here

without food or water.

Now we can last a while

without food,

but after two or three days

without water

we won't be

in any kind of shape

to fight him off.

Look, men like Coombs

can only do things like this

while they're in complete

control of their environment,

when they feel secure.

That's probably why

he came back here.

He spent almost

in this place.

It's been easy for him

up until now.

We have to change that.

How?

How?

He's in the chapel.

After he killed Sarah

he had to go there to repent.

He's vulnerable right now.

We can attack him in there.

Attack him?

Attack him with what?

Follow me.

Lisa, find a weapon-- anything.

- Richard!

- Lisa, run!

Richard!

Lisa, the chapel!

Destroy the chapel!

Destroy the chapel!

Please open.

Open.

Come on, you bastard.

Finish what you started.

Richard, you're still alive.

The keys--

Lisa, get the keys.

No f***ing way.

What is it?

Lisa...

take the keys to the van.

Drive until you can call 91 1.

But you're coming with me.

I'll be right behind you.

Richard!

I'll see you in the next life.

Richard!

No! No!

No!

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