Pulp Fiction Page #23

Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).
Genre: Crime, Drama
Director(s): Quentin Tarantino
Production: Miramax Films
  Won 1 Oscar. Another 62 wins & 69 nominations.
 
IMDB:
8.9
Metacritic:
94
Rotten Tomatoes:
94%
R
Year:
1994
154 min
33,014 Views


Butch hangs up the phone. He looks at the cab waiting to

take him wherever he wants to go.

BUTCH:

(to himself in French

with English subtitles)

Fabienne my love, our adventure

begins.

CUT TO:

EXT. MOTEL (STOPPED / RAINING) – NIGHT

Esmeralda's taxi pulled into the motel parking lot. The rain

has stopped, but the night is still soaked. Butch gets out,

now fully dressed in tee-shirt, jeans and high school athletic

jacket. He leans in the driver's side window.

ESMARELDA:

Forty-five sixty.

Handing her the money.

BUTCH:

Merci beaucoup. And here's a little

something for the effort.

Butch holds up a hundred dollar bill.

Esmarelda's eyes light up. She goes to take it. Butch holds

it out of reach.

BUTCH:

Now if anybody should ask you about

who your fare was tonight, what're

you gonna tell 'em?

ESMARELDA:

The truth. Three well-dressed,

slightly toasted, Mexicans.

He gives her the bill.

BUTCH:

Bon soir, Esmarelda.

ESMARELDA:

(in Spanish)

Sleep well, Butch.

He tweaks her nose, she smiles, and he turns and walks away.

She drives off.

INT. MOTEL (ROOM SIX) – NIGHT

Butch enters and turns on the light.

Lying curled up on the bed, fully dressed, with her back to

us is Butch's French girlfriend, FABIENNE.

FABIENNE:

Keep the light off.

Butch flicks the switch back, making the room dark again.

BUTCH:

Is that better, sugar pop?

FABIENNE:

Oui. Hard day at the office?

BUTCH:

Pretty hard. I got into a fight.

FABIENNE:

Poor baby. Can we make spoons?

Butch climbs into bed, spooning Fabienne from behind.

When Butch and Fabienne speak to each other, they speak in

babytalk.

FABIENNE:

I was looking at myself in the mirror.

BUTCH:

Uh-huh?

FABIENNE:

I wish I had a pot.

BUTCH:

You were lookin' in the mirror and

you wish you had some pot?

FABIENNE:

A pot. A pot belly. Pot bellies are

sexy.

BUTCH:

Well you should be happy, 'cause you

do.

FABIENNE:

Shut up, Fatso! I don't have a pot!

I have a bit of a tummy, like Madonna

when she did "Lucky Star," it's not

the same thing.

BUTCH:

I didn't realize there was a

difference between a tummy and a pot

belly.

FABIENNE:

The difference is huge.

BUTCH:

You want me to have a pot?

FABIENNE:

No. Pot bellies make a man look either

oafish, or like a gorilla. But on a

woman, a pot belly is very sexy. The

rest of you is normal. Normal face,

normal legs, normal hips, normal

ass, but with a big, perfectly round

pot belly. If I had one, I'd wear a

tee-shirt two sizes too small to

accentuate it.

BUTCH:

You think guys would find that

attractive?

FABIENNE:

I don't give a damn what men find

attractive. It's unfortunate what we

find pleasing to the touch and

pleasing to the eye is seldom the

same.

BUTCH:

If you a pot belly, I'd punch you in

it.

FABIENNE:

You'd punch me in my belly?

BUTCH:

Right in the belly.

FABIENNE:

I'd smother you. I'd drop it on your

right on your face 'til you couldn't

breathe.

BUTCH:

You'd do that to me?

FABIENNE:

Yes!

BUTCH:

Did you get everything, sugar pop?

FABIENNE:

Yes, I did.

BUTCH:

Good job.

FABIENNE:

Did everything go as planned?

BUTCH:

You didn't listen to the radio?

FABIENNE:

I never listen to your fights. Were

you the winner?

BUTCH:

I won alright.

FABIENNE:

Are you still retiring?

Rate this script:3.8 / 57 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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Submitted by acronimous on March 30, 2016

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