Pulp Fiction Page #32

Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).
Genre: Crime, Drama
Director(s): Quentin Tarantino
Production: Miramax Films
  Won 1 Oscar. Another 62 wins & 69 nominations.
 
IMDB:
8.9
Metacritic:
94
Rotten Tomatoes:
94%
R
Year:
1994
154 min
33,015 Views


FABIENNE:

Where did you get this motorcycle?

BUTCH:

(he kick-starts it)

It's a chopper, baby, hop on.

Fabienne slowly approaches the two-wheel demon.

FABIENNE:

What happened to my Honda?

BUTCH:

Sorry baby, I crashed the Honda.

FABIENNE:

You're hurt?

BUTCH:

I might've broke my nose, no biggie.

Hop on.

She doesn't move.

Butch looks at her.

BUTCH:

Honey, we gotta hit the f***in' road!

Fabienne starts to cry.

Butch realizes that this is not the way to get her on the

bike. He turns off the engine and reaches out, taking her

hand.

BUTCH:

I'm sorry, baby-love.

FABIENNE:

(crying)

You were gone so long, I started to

think dreadful thoughts.

BUTCH:

I'm sorry I worried you, sweetie.

Everything's fine. Hey, how was

breakfast?

FABIENNE:

(waterworks drying a

little)

It was good –

BUTCH:

– did you get the blueberry pancakes?

FABIENNE:

No, they didn't have blueberry

pancakes, I had to get buttermilk

are you sure you're okay?

BUTCH:

Baby-love, from the moment I left

you, this has been without a doubt

the single weirdest day of my entire

life. Climb on an' I'll tell ya about

it.

Fabienne does climb on. Butch STARTS her up.

FABIENNE:

Butch, whose motorcycle is this?

BUTCH:

It's a chopper.

FABIENNE:

Whose chopper is this?

BUTCH:

Zed's.

FABIENNE:

Who's Zed?

BUTCH:

Zed's dead, baby, Zed's dead.

And with that, the two lovebirds PEEL AWAY on Grace, as the

SONG on the BOOM BOX RISES.

FADE TO BLACK:

TITLE CARD:

"JULES VINCENT JIMMIE & THE WOLF"

TITLE DISAPPEARS.

Over black, we can HEAR in the distance, men talking.

JULES (O.S.)

You ever read the Bible, Brett?

BRETT (O.S.)

Yes!

JULES (O.S.)

There's a passage I got memorized,

seems appropriate for this situation:

Ezekiel 25:
17. "The path of the

righteous man is beset on all sides

by the inequities of the selfish and

the tyranny of evil men..."

FADE UP:

INT. BATHROOM – DAY

We're in the bathroom of the Hollywood apartment we were in

earlier. In fact, we're there at exactly the same time. Except

this time, we're in the bathroom with the FOURTH MAN. The

Fourth Man is pacing around the small room, listening hard

to what's being said on the other side of the door, tightly

CLUTCHING his huge silver .357 Magnum.

JULES (O.S.)

"...blessed is he who, in the name

of charity and good will, shepherded

the weak through the valley of

darkness. And I will strike down

upon thee with great vengeance and

furious anger those who attempt to

poison and destroy my brothers. And

you will know I am the Lord when I

lay my vengeance upon you."

BANG! BANG! BOOM! POW! BAM BAM BAM BAM BAM!

The Fourth Man freaks out. He THROWS himself against the

back wall, gun outstretched in front of him, a look of yellow

fear on his face, ready to blow in half anybody fool enough

to stick their head through that door.

Then he listens to them talk.

VINCENT (O.S.)

Friend of yours?

JULES (O.S.)

Yeah, Marvin-Vincent-Vincent-Marvin.

Waiting for them isn't the smartest move. Bursting out the

door and blowing them all away while they're f***in' around

is the way to go.

INT. APARTMENT – DAY

The bathroom door BURSTS OPEN and the Fourth Man CHARGES

out, silver Magnum raised, FIRING SIX BOOMING SHOTS from his

hand cannon.

FOURTH MAN:

Die... die... die... die...!

DOLLY INTO Fourth Man, same as before.

He SCREAM until he's dry firing. Then a look of confusion

crosses his face.

TWO SHOT – JULES AND VINCENT

Standing next to each other, unharmed. Amazing as it seems,

none of the Fourth Man's shots appear to have hit anybody.

Jules and Vincent exchange looks like, "Are we hit?" They're

as confused at the shooter. After looking at each other,

they bring their looks up to the Fourth Man.

Rate this script:3.8 / 57 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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Submitted by acronimous on March 30, 2016

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