Pulp Fiction Page #33

Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).
Genre: Crime, Drama
Director(s): Quentin Tarantino
Production: Miramax Films
  Won 1 Oscar. Another 62 wins & 69 nominations.
 
IMDB:
8.9
Metacritic:
94
Rotten Tomatoes:
94%
R
Year:
1994
154 min
33,015 Views


FOURTH MAN:

I don't understand

The Fourth Man is taken out of the scenario by the two men's

bullets who, unlike his, HIT their marks. He drops DEAD.

The two men lower their guns. Jules, obviously shaken, sits

down in a chair. Vincent, after a moment of respect, shrugs

it off.

Then heads toward Marvin in the corner.

VINCENT:

Why the f*** didn't you tell us about

that guy in the bathroom? Slip your

mind? Forget he was in there with a

goddamn hand cannon?

JULES:

(to himself)

We should be f***in' dead right now.

(pause)

Did you see that gun he fired at us?

It was bigger than him.

VINCENT:

.357.

JULES:

We should be f***in' dead!

VINCENT:

Yeah, we were lucky.

Jules rises, moving toward Vincent.

JULES:

That sh*t wasn't luck. That sh*t was

somethin' else.

Vincent prepares to leave.

VINCENT:

Yeah, maybe.

JULES:

That was... divine intervention. You

know what divine intervention is?

VINCENT:

Yeah, I think so. That means God

came down from Heaven and stopped

the bullets.

JULES:

Yeah, man, that's what is means.

That's exactly what it means! God

came down from Heaven and stopped

the bullets.

VINCENT:

I think we should be going now.

JULES:

Don't do that! Don't you f***in' do

that! Don't blow this sh*t off!

What just happened was a f***in'

miracle!

VINCENT:

Chill the f*** out, Jules, this sh*t

happens.

JULES:

Wrong, wrong, this sh*t doesn't just

happen.

VINCENT:

Do you wanna continue this theological

discussion in the car, or at the

jailhouse with the cops?

JULES:

We should be f***in' dead now, my

friend! We just witnessed a miracle,

and I want you to f***in' acknowledge

it!

VINCENT:

Okay man, it was a miracle, can we

leave now?

EXT. HOLLYWOOD APARTMENT BUILDING – MORNING

The Chevy Nova PROPELS itself into traffic.

INT. NOVA (MOVING) – MORNING

Jules is behind the wheel,Vincent in the passenger seat and

Marvin in the back.

VINCENT:

...Ever seen that show "COPS?" I

was watchin' it once and this cop

was on it who was talkin' about this

time he got into this gun fight with

a guy in a hallway. He unloads on

this guy and he doesn't hit anything.

And these guys were in a hallway.

It's a freak, but it happens.

JULES:

If you wanna play blind man, then go

walk with a Shepherd. But me, my

eyes are wide f***in' open.

VINCENT:

What the f*** does that mean?

JULES:

That's it for me. For here on in,

you can consider my ass retired.

VINCENT:

Jesus Christ!

JULES:

Don't blaspheme!

VINCENT:

Goddammit, Jules –

JULES:

– I said don't do that –

VINCENT:

– you're f***in' freakin' out!

JULES:

I'm tellin' Marsellus today I'm

through.

VINCENT:

While you're at it, be sure to tell

'im why.

JULES:

Don't worry, I will.

VINCENT:

I'll bet ya ten thousand dollars, he

laughs his ass off.

JULES:

I don't give a damn if he does.

Vincent turns to the backseat with the .45 casually in his

grip.

VINCENT:

Marvin, what do you make of all this?

MARVIN:

I don't even have an opinion.

VINCENT:

C'mon, Marvin. Do you think God came

down from Heaven and stopped the

bullets?

Vincent's .45 goes BANG!

Marvin is hit in the face.

JULES:

WHAT THE F***'S HAPPENIN'?!

AW SH*T, MAN!

VINCENT:

Aw man. I shot Marvin in the face.

JULES:

WHY THE F*** DID YOU DO THAT?!

Rate this script:3.8 / 57 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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Submitted by acronimous on March 30, 2016

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