Raiders of the Lost Ark Page #14
quietly. They haven’t hurt you in
the last twenty-four hours, they
aren’t going to start now. I’ll be
back to get you in no time.
62.
He kisses her forehead, jumps up and hurries out of the tent.
96 EXT. SAND DUNE OUTSIDE DIGS - DAY 96
With the digs behind them, Indy and Sallah run up to the
ridge of the dune and over the top. At the bottom of the far
side, Omar’s truck is parked. Omar and his men are waiting.
97 EXT. DIFFERENT DUNE - DAY 97
This new spot gives Indy a higher, better view of the whole
scene. Indy is using a surveyor’s instrument to take a
reading -
WHAT HE SEES. Looking through the instrument, Indy gets a
line from the map room through the site where the Nazis are
digging in the dunes to a spot several dunes over. We focus
on that virgin spot of well-hidden sand as -
.
INDY:
There!
Omar’s truck is parked at the stop just viewed from afar.
Dunes rise on either side. One of Omar’s men has been posted
as a lookout up on a ridge. Everybody else -- Indy, Sallah,
Omar, and his men -- have begun digging for the Well of the
Souls.
DISSOLVE TO:
SAME SCENE, NIGHT. They continue to dig furiously, all of
them drenched in sweat. The hole has grown but this is slow,
back-breaking work.
99 INT. COMMAND TENT - TANIS DIGS - NIGHT 99
Belloq, SHLIEMANN the ranking Nazi, and Shliemann’s Aide,
GOBLER, come into the tent, which is full of charts and maps,
drawings of the Ark, radio equipment, liquor and food. The
men have been out digging for the Well all day. They are
tired, discouraged, testy. In all matters, Gobler shows his
alliance with Shliemann against Belloq with small looks and
body language. The Frenchman has disappointed them and he is
feelings the isolation of a scapegoat. Belloq gets himself a
drink as Shliemann towels off his face.
63.
BELLOQ:
premature with that communique to
Berlin. Archeology is not an exact
science. It does not adhere to time
schedules.
SHLIEMANN:
The Fuhrer is not a patient man. He
demands constant reports and he
expects progress. You led me to
believe -
BELLOQ:
Nothing. I have made no promises. I
said only that it looked very
favorable. Perhaps the Ark will
still be found in an adjoining
chamber. Based on the information
in our possession, my calculations
were correct. Perhaps some bit of
evidence still eludes us. Perhaps -
GOBLER:
Perhaps the girl can help us.
Belloq shoots him an angry look.
SHLIEMANN:
My feeling exactly. She was in
possession of the original piece
for years. She may know much.
(really evil)
If properly motivated...
BELLOQ:
I tell you, she knows nothing
useful.
SHLIEMANN:
I’m surprised to find you
squeamish. That is not your
reputation. But it needn’t concern
you. I have the perfect man for
this kind of work.
Shliemann signals Gobler, who steps outside the tent a
moment, calls someone and then reappears. Belloq looks warily
at the entrance. After a moment Belzig enters, reeking
villiany. When his eyes find Shliemann, his superior, he
snaps a crisp “Heil, Hitler!” at him, holding his palm rigid
a long time, exposing a burned scar in the perfect shape of
the sun medallion.
64.
100 EXT. INDY’S DIG - NIGHT 100
In the eerie conjunction of moonlight and torchlight, Indy
and the other men step back in awe of their discovery: there,
flush with the bottom of their pit, is a heavy stone entry
door to an underground chamber. Special prying tools are
produced. With two men assigned to each of the two long
tools, they work in unison to open the vault. They open it a
foot and the two other men rush in to flop the heavy door
completely open. Down inside, only blackness.
The men quickly prostrate themselves around the edge of the
entry to look inside. Indy and Sallah each take a torch and
hold them down the hole.
WHAT THEY SEE. The Well of the Souls is a spooky chamber
thirty feet deep. The walls are covered with hieroglyphics
and carvings. The roof is supported intermittently by stone
pillars, the closest of which hits the roof very near the
entry hole. The Well is quite large; as Indy and Sallah wave
their torches, more and more of the room is revealed. Now the
far end of the chamber comes into view. There is a stone
altar down there and on this elaborated carved platform is a
stone chest, big enough to enclose the Lost Ark and protect
it from the ravages of time. This altar appears to be the
only place on the floor of the Well that is not covered by a
strange, dark carpet of some kind.
.
INDY:
The Ark must be in that stone case.
What’s that gray stuff all over the
floor -
He breaks off realizing exactly what that carpet is. He
blanches. Indiana Jones blanches.
Indy drops his torch to the floor of the Well. This is
answered by the most horrific HISSING imaginable.
WHAT HE SEES. That thick dark carpet is moving. It’s alive.
It’s thousands and thousands of deadly poisonous snakes --
Egyptian asps. And the only thing that seems capable of
avoiding this venomous groundcover is the altar. The snakes
ebb and flow near it, but never encroach on it, as though
repelled by some invisible force.
Indy shakes his head and talks to himself.
INDY:
Why snakes? Why did it have to be
snakes? Anything else.
65.
After a moment of this, he stops. He gathers his energy and
resolve and gets back to the task.
SALLAH:
Asps. Very dangerous.
Where Indy’s torch has landed is a circle of snake-free
floor. The snakes hate the flame; they stay away.
INDY:
Lots of torches. And oil. I want a
landing strip down there.
101 INT. THE WELL OF THE SOULS 101
Fifteen torches have been dropped to the floor of the
chamber, combining to make a good-sized clear zone. Smoke
begins to fill the room. Several canisters of oil have been
lowered into this space. Now, a large wooden crate is lowered
slowly by rope. Rope handles are attached to each end of the
crate.
Up at the hole, Indy gives Sallah a reassuring pat, takes a
breath, and swings carefully onto a rope hanging from the
hole. Despite his care, he swings a bit and his feet hit the
stone pillar which is so near the entry. Surprisingly, the
pillar casually moves a bit, showering a light rain of
crumbled stone to the floor below.
.
Indy lands on the floor of the Well. He looks at the altar
over a sea of undulating death. He picks up an oil canister
and splashes two parallel lines of oil and lights them. A
path six feet wide beings to open the altar. Behind Indy,
Sallah comes quickly down the rope.
We beging to INTERCUT all the action in the Well from here on
with insert shots of the snakes outside the flames. Snakes
and snakes. We see: snakes piled and entwined six inches
deep; mother snakes laying snake eggs; snake eggs hatching
little snakes; snakes cannibalizing other snakes.
102 OMIT 102
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Raiders of the Lost Ark" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/raiders_of_the_lost_ark_659>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In