Rain Man Page #8

Synopsis: Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1949 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",
Genre: Drama
Director(s): Barry Levinson
Production: MGM
  Won 4 Oscars. Another 22 wins & 22 nominations.
 
IMDB:
8.0
Metacritic:
65
Rotten Tomatoes:
89%
R
Year:
1988
133 min
3,547 Views


Was I there? Where was l?

You were in the window.

You waved to me.

'Bye-bye, Rain Man.

Bye-bye, Rain Man.'

So, you--

- You were the one that sang to me?

- Yeah.

What did you sing?

What was that song?

What did you sing?

She was just seventeen

You know what I mean

And the way she looked

was way beyond compare

So how could I dance

with another

When I saw her standing there

Did I Like it

when you sang to me?

Did we sing any other songs

Like the Beatles?

Scary! Hot! Scary bad!

Scary bad! Scary!

What's scary about it?

Hot water burn baby!

- Water!

- 'Hot water burn baby'?

- What baby? Me?

- Yeah.

- Yeah.

- Easy, easy.

- Water-- Hot water burn baby.

- I'm not burned.

I'm not burned.

Look at me, please.

- Water burn baby.

- Please. Please!

Hot water burn--

Tub burn baby.

- I'm not burned.

- Tub burn baby.

- I'm not burned.

- Yeah.

I'm not burned. It's okay.

It's okay.

Time for Wallbrook now.

That's why they put you away.

They thought you'd hurt me.

Never hurt baby.

Never hurt Charlie Babbitt.

Never hurt Charlie.

What? What?

Never hurt Charlie Babbitt.

What, Ray?

What?

Come on. It's 11:00, Ray.

- Lights out.

- Yeah.

Never hurt Charlie Babbitt.

Never hurt Charlie Babbitt.

There you go. Right where you Like 'em,

at the end of the bed.

Come on, Ray.

Hi, it's me.

You didn't hang up.

Does that mean we're engaged?

Listen, l, uh--

I just wanna hear it's not over.

I'm scared it's over.

Don't ask me tonight.

I don't know what to say.

- Let it sit.

- Something I'm not real good at.

There are a lot of things

that you're not good at.

I'll call you

when I get back, okay?

- I'll see you.

- Ciao.

Why are you looking at that? I bought

a TV, and you're watching a dryer.

I don't know.

Because at the shrink hearing,

we'll have to prove...

you prefer to watch TV as opposed to

the clothes dryer, you understand that?

- Yeah.

- You Listening to me?

Turn this off

when you're not watching it.

- Yeah.

- You'll run down the batteries.

Then where will you be

at 3:
00 when Wapner's on?

Yeah. The red one

always falls the same.

Why don't you listen to me?

You don't wanna

listen to me, do you?

You wanna go back to Wallbrook?

I gotta make

a phone call.

Lenny, it's me.

Where have you been? I've been

sittin' by this phone for three hours.

I had to buy some clothes.

Clothes? Charlie, we are

in serious trouble.

- Why are you buyin' clothes?

- Take it easy.

I'm in Tucumcari.

I'll be there--

They repossessed the cars

to pay off the Loan.

The cars are gone, Charlie.

And Bateman wants

his down payment back. They all do.

That's 80,000, Charlie.

You gotta pay these people back,

or it's all over.

We're out of business.

What am I gonna tell 'em?

I don't know.

Son of a b*tch!

Son of a b*tch!

This would be easier

if you let me put the top up.

You wouldn't have to fry.

Put this lotion on

so you don't burn.

Don't start with that.

You want me to put the top up?

- I definitely Like the top down.

- I know. I don't want you to burn.

Definitely Like it

when the top's--

It's all right.

Just take it easy.

- Oh, no.

- It's almost over.

Uh-huh. All right.

How does that feel?

Very slippery.

Maldonado swings, and there's

a base hit into center field.

One run is in.

Here's Brenly going to third.

The throw by Davis... not in time.

Brenly in safely

at third base...

on Maldonado's single.

He held that ball too Long

in center field, don't you think so?

We'll look at it again.

Treadwell playing way over towards

the right side, shaded him to pull.

Here's Davis.

Yeah, he seems to hold it there

just a bit, Tom.

Sort of double-pumped it.

Watch the replay.

He loses all chance

on a play on Brenly...

even though Brenly

doesn't exactly run fast.

And the throw into third base

finally is a little bit high.

Will you give me

a break with this?

Ray, stop it.

J-7.

- K-7? What's that?

- J-7.

What's J-7?

What's J-7? The song?

Look out there, Raymond.

No, out here.

'18 Wheels and A Dozen Roses.'

- What's the number?

- E-5.

'Cheating Heart,' Hank Williams.

'Your Cheating Heart.'

'Course, that's Hank Williams, Jr.

D-1. D-1.

'Blue Moon of Kentucky,'

Bill Monroe.

And the Bluegrass Boys. K-5.

How many toothpicks

came out of that box?

- Yeah.

- 246.

- Are you paying attention?

- Yeah.

- You watching that?

- Yeah.

- You seeing that, Ray?

- Yeah. Falling on the ground.

Okay. Now what do I have left?

Two jacks, one 8,

one king, one 6...

two aces, one 10, one 9, one 5.

One 5.

You are beautiful, man.

- I'm an excellent driver.

- You can't drive now, Ray.

You Listening to me?

This is very important.

When there's lots of tens and picture

cards left, then it's good for us.

- Say it. 'Tens are good.'

- Tens are good.

- Okay. And you're gonna bet one--

- One if it's bad.

- Two if it's good.

- That's right. Two if it's good.

Now, listen.

Casinos have house rules.

The first one is,

they don't Like to lose.

So you never, never show

that you are counting cards.

That is the cardinal sin, Ray.

Are you Listening to me?

That's very, very important.

Yeah. Counting is bad.

Yes. Counting is bad.

I Like to drive

slow on the driveway.

You get this right, you can drive

wherever you want as slow as you Like.

I'm an excellent driver.

Miss Sue Morgan, please pick up

the hotel courtesy phone.

- Rain Man?

- Yeah.

- Let's play some cards.

- Yeah.

- You want a hit?

- No. You've got 18.

- Want a hit.

- Sir, you have 18.

- He doesn't want a hit. Hit me.

- Definitely want a hit.

Hitting 18.

- He doesn't want a hit.

- Hit me.

You took my queen. I've got a ten.

I needed that queen.

- I can't take it.

- Sir, please don't touch the cards.

- I need my own queen.

- There's lots of them.

- 'There's lots of them'?

- Lots and lots of them.

Hold on here for a second.

I'm gonna double down.

Queen. Queen.

- Queen.

- Yes!

Yes, sir.

You gotta love this town.

I'm goin' for it, Nick.

It certainly looks Like it.

- You wanna bet one chip or two chips?

- Bet two.

Bet two?

What's your secret, guys?

We cheat.

This is Sam.

Tape table 47.

- About 85,000.

- 85,000?

- Yeah.

- Did you call the eye in the sky?

- Sam did.

- Okay, I'll take over from here.

Do it again. Do it again.

- Do it again. All right!

- Yes!

You're doing well.

I'm happy for you, sir.

What do you see?

He's not catching the hole card,

and he's not past posting us.

- He's not using a computer.

- No, but something's not right.

No one can count

into a six-deck shoe.

Hold it here.

- Watch my chips. I'll be back.

- Go ahead, sir.

What are you doing?

You don't Leave in the middle of a hand.

We are red hot! The Babbitt brothers,

kickin' ass in Vegas!

- Wheel of Fortune.

- Cleopatra and Caesar are over there.

-Come on, Ray.

-Look at all this glamorous merchandise.

- A little one for bad, two for good.

- Yeah. Twenty.

- Twenty?

- Yeah.

- It's gonna hit on twenty?

Rate this script:5.0 / 1 vote

Ronald Bass

Ronald Bass (born March 26, 1942), sometimes credited as Ron Bass, is an American screenwriter. Also a film producer, Bass's work is characterized as being highly in demand, and he is thought to be among the most highly paid writers in Hollywood. He is often called the "King of the Pitches".[citation needed] In 1988, he received the Academy Award for Best Original Screenplay for Rain Man, and films that Bass is associated with are regularly nominated for multiple motion picture awards. more…

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Submitted on August 05, 2018

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