Razend Page #2

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I'd rather not.

Mum.

Mum, did you see my camera?

Dad took it to film Lennart.

Sorry?

For the preselect ion rounds.

- But it's my camera.

He's just borrowing it.

- This is ridiculous.

I need the camera myself.

- Then you'll have to go to Haarlem.

The selection rounds are in Haarlem?

Don't make such a fuss, Sven.

You can film every day.

The selection rounds are only once.

I hope they changed the tape?

I don't know. Don't ask me.

Why not? I'll go crazy if they

haven't changed that tape.

Am I late?

Oh, right.

- I can just...

No. No, come in.

- Really? I can just...

An audition is important.

Where's your camera?

- I want to work on the storyboard.

The what?

- The storyboard.

Okay. We can go upstairs.

I never write a script.

I just draw all the shots.

Is that how it's always done?

- No, not always.

It's film. They're moving images,

so I tell the story in images.

And our story? It's about...

A girl. And this girl...

runs away from home.

She doesn't get along

with her parents very well.

Why not?

- She's always fighting with her parents.

And now she has had enough.

- Just like that?

She met somebody.

- A boy?

Yes, a boy.

She wants to run away with him.

He has a motorcycle, this boy.

He told her:

I'm going to take you with me.

She quickly packs her things.

In a suitcase.

A backpack.

A backpack?

Okay.

A backpack.

It's the middle of the night.

- Yes.

Shouldn't she leave a note?

A goodbye note?

Yes, that's nice.

She puts it on her nightstand.

The boy is outside,

waiting on his moped.

Motorcycle.

- Moped.

No, motorcycle.

- Make it a moped.

Why? A moped is so dorky.

A motorcycle is much cooler.

Okay, a motorcycle.

And he honks the horn.

- Won't that wake up her parents?

Oh, yes.

- No, he's not going to do that.

He just waits

and she silently walks down the stairs.

And then she goes outside.

- And she closes the door behind her.

And then she blows her nose.

- Why does she do that?

Because she really wants to cry.

Is she having second thoughts?

- She's determined and she leaves.

She gets on the motorcycle

and drives off towards a new future.

Nice.

The end.

But you're going to need more actors

and somebody with a motorcycle.

Arnout's dad has got a motorcycle.

It has to be Hakim.

- Hakim?

Yes, the parents are racists and don't

want her to date a Moroccan boy.

No, not Hakim.

Why not?

- Hakim doesn't have a driver's license.

He's got a moped.

I think it should be more about you.

You have to run away during the day.

When will we start filming?

I'll let you know.

And?

- We had a nice chat.

A what?

Chat.

- Did I hear the word 'chat'?

You're looking at old people sex,

Sven. You're not making progress.

I practically put her in your arms.

I want to hear the sound

of clothes ripping.

Girls like a bit of romance.

Romance?

Are you saying I'm not romantic?

I understand.

That's how you do it.

Sven, can you start editing

the recording soon?

Roosmarijn's?

- No, the free running.

Yes, I'll let you know.

- Okay.

we are the champions

Your brother made it.

That's where balls will get you.

Can I have my camera back?

- Congratulate your brother.

And say hello to granny.

- Congratulations.

We're celebrating and you're

whining about your camera.

There was an important tape in it.

I hope you didn't erase it.

I just rewound it.

- Nice, Lennart.

I'm proud of you, son.

You erased everything.

Unfortunately not everything.

You're still here.

Here, your tape.

Could you tell Bob I forgot

to bring my biology assignment?

What are you talking about?

We have biology this afternoon.

Get it during the break.

- I forgot my keys.

My mum is still at home now.

And what's this?

Don't look at me like that.

You've skipped school before.

I get it. You're afraid to go to his class.

Come on.

Hi, girls. Come on in.

What's wrong?

Halima, stop distracting Roosmarijn,

will you?

Sorry.

Can you make it this afternoon?

- Filming?

Yes, or...

- Yes, yes. Yes, great.

At your place?

- I'd rather go to yours.

Your house is more suitable.

Hold on.

Here. We basically start

in the middle of the film.

The girl leaves the house.

Then she shuts the door.

She walks away and looks back

to the house one more time.

Then she says goodbye.

Okay, do I have to say anything?

- No, you don't have to say anything.

Your face will tell us everything.

Yes? Okay.

And action.

No, yes. It's fine.

I think you should turn the other way.

Yes, like that.

- Like that?

Yes, like that.

Yes, turn around like that. Okay?

Okay, yes.

And action.

Action.

Action.

Okay, Action.

Seriously now.

It doesn't matter. When you get here

you turn around here one more time.

But you...

- Here?

I got stuck there.

I thought all I had to do

was leave the house. It's so plain.

It's film. Nothing is plain.

- I'm very plain.

You're not.

- I stink.

No, you're very special.

What have you got there?

Pain is gain, blood is good.

What?

You know Bart. All this free running

will get you bruised everywhere.

Are you involved in that?

- Yes, I just started.

Cool. I'd like to watch you.

You don't have to do it.

Nobody is forcing you.

Come on, Sven.

Come on.

A bit longer, come on.

Come on, Sven.

- No way.

It's a four-hour drive. We have

to be there by 9 am on Saturday.

We have to leave Friday night

after dinner.

Dad, that's the school party.

- Then cancel it.

We're going to do it this way. I'm sorry.

I already signed you up for the training.

- What training?

A special training in Germany

with a famous coach.

I forgot his name, but...

- Schumacher. Can't you remember that?

When is the training?

- Next weekend.

That's my birthday.

- We'll celebrate another day.

I don't want to be in Germany

on my birthday.

You won't. I see no reason

why you should be there.

It's no fun but you'll be fine.

Do you know how much that training

is going to cost me?

Over 2000 euro.

- I don't believe this.

What?

- You're leaving me alone on my birthday.

How old are you?

- You don't even know that much.

One day a year.

Even that is too much to ask.

Don't be so melodramatic.

It's not about me anyway.

It's all about Lennart.

I'm still here too, you know.

- Let's make you the focal point.

Then we'll all be institutionalised.

- What are you talking about?

Well, it's...

You have everything to do with that.

You drive me absolutely crazy.

Take it easy.

- Bonkers.

Wim, calm down.

Come on, calm down.

Yes, very good. Don't forget

to put your hand underneath.

After this nobody can get you.

- You think so?

How is the editing going?

As well as the training.

- Say no more.

There is a problem

with the recordings I made.

Now you're telling me?

What?

- We have to shoot them again.

Let's do it this weekend. There's

a group of good free runners coming.

Hello, director.

- Hi.

Your actress wants to know

when we're filming again.

Whenever she wants.

- Sunday?

I'm already filming with Bart.

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