Redacted Page #3

Synopsis: A montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war.
Genre: Crime, Thriller, War
Director(s): Brian De Palma
Production: Magnolia Pictures
  5 wins & 2 nominations.
 
IMDB:
6.1
Metacritic:
52
Rotten Tomatoes:
45%
R
Year:
2007
90 min
$100,000
Website
184 Views


No, no... I have not listened anything on that.

But.

It seems that we will have to maintain

the work here a little more.

How so much time?

The time that he/she takes

soldier, for that reason is here!

Now be quiet the mouth!

If, Mister!

I have just received orders,

there is a battalion of 77 people

they are caught in Baghdad.

They cannot replace us

until somebody

replace them to them.

The company Alpha will have

temporarily the control

tomorrow until the one

I traffic it is normalized.

You know Flake, I swear him,

it is as that clich,

when a type has that

to work in their free day

and things madwomen happen and he/she only thinks,

demons, it should not be here.

None of us should be here.

Sh*t, old.

- Because our bottom will be baleado.

The only thing that you/they continue saying is:

"It is well, you will leave to your house tomorrow."

And the following day is the same sh*t,

angers to house tomorrow.

And continuous, week after

week, they will go home tomorrow,

we are still here, as ducks in cage.

Be quiet, take out that camera of my face!

Which is your damned problem?

About what do you complain?!

Because they extended the meeting.

Damned surprise!

Welcome to the damned army.

We all want to go home!

Not we can, so stop and take it

as a man!

You manage with an erection!

Every day here is closer one day

for the meeting.

What did you say, Gabe?

Every day here is one day

but it fences for the meeting.

What?

That book, the one that seemed you very boring.

You should read it.

The death speaks.

there was a teacher in Baghdad

that he/she left to the market

to buy provisions

and after a while they returned pale

and trembling.

Teacher, fair when it was in the one

market, I saw a woman in the multitude

and when I gave the turn I saw that the death

it was following me.

She looked at me and he/she made a threat expression.

Now lend me their horse

and I will run of this city

to avoid my destination.

I Will Go to Samarra.

There the death won't find me.

The teacher lent him/her his horse and he left

for the mountains

it galloped as quick as he/she could and so

quick as the horse he/she went.

Then the teacher went to the market and me

he/she saw stopped among people

and he/she told me: Why you looked

threatening to my servant when

did you dress him this morning?

That was not a threat, I said; it was only

my surprise face.

It was astonished of seeing it in Baghdad

since he/she had a meeting with him,

tonight in Samarra.

Awake.

They come here.

- This well.

Help me.

Chocolate with milk?

- Undoubtedly not.

And dark chocolate.

- Those are the three things that

you found in among the rocks.

Do you like Americans?

Demons.

Not it is good.

Jdete, return me my chocolate.

Not it is good.

- Old demons, it is the last.

Don't move!

Demons, what sh*t you have

behind of the bottom?

My brain sergeant.

Do you know that I think?

Flake comes here, stop here.

He/she looks at this soldier.

Are you filming this?

Everything.

Wonder what I think.

- What sergeant does he/she think?

Not I can stop to think

that Rusher didn't achieve it.

Is soldier listening to me?

If, sergeant.

- But, is he/she listening to me?

I am listening to it sergeant.

- You are so silly that a bullet in

your head perhaps pleases you well.

Listen to me.

- Jdete, I Left.

As it educates your boots in the floor,

this floor, this land where it is

is soldier listening to me?

- Yes, sergeant.

But, is he/she listening to me?

- I am listening to it!

Then listen to me!

Look at the land!

Look around to your!

Now respond me this.

Did you dress or not this piece of furniture yesterday?

Non sergeant.

- Why not?

Because it was not here yesterday.

- That is my point, so take away from him!

He/she looks, we came here whole

and bet their bottom

that they will return whole, is it well?

Copied Sergeant.

- See you with welded life.

We go, let us leave of here.

Demons Rush.

- Be quiet.

Sh*t!

American camp, camera of security

This well of garbage is not nothing else that

a trap of death.

We need to leave of here.

A new camp, they know...

To fly everything.

- To vaporize each one of those bastards.

You are right.

Sweet was the only type that you concerned

for us and they made it pieces.

They kill the one who you/they should kill.

Sweet would be with life,

having a good time with us

right now.

They are killing us one by one.

They make their work well!

- If, they killed us.

No, Sally, they have our attention.

Attention, for what reason?!

Jesus Christ Sally, don't you understand it?

They don't want to kill us in the base.

Yes, they want, but they are not able to,

it is very difficult now

They want to kill us here.

In their territory, in their damned country!

Where each movement, it is the one

incorrect!

It seems that none of them knew

where that bomb was.

You are right!

Not you see them step them,

they are seated

in their patios, drinking that damned one you.

To wait to that one of us puts them

the hands above.

This didn't happen again!

Undoubtedly not!

- There will be a damned vengeance!

If!

We will torture each one of those damned ones!

And it was not neither one of them

in the whole earth!

REPORTER EMBEDDED

REPORT EXCLUSIVE.

Move.

Advance.

Take positions.

Wait here.

Scissors.

Walking.

Out!

- take away from the door!

Walking, now!

- Move!

Don't move!

Below all!

Now!

Below!

Bend over!

Stop!

Stop, this it is the type!

Walking!

We are free.

We go.

Look behind!

Free!

Move!

What is he/she making?

Hello, we are looking for it evidences now.

- Does it evidence of what?

It evidences of all that can us

to help to fight this war.

Can that read?

No, undoubtedly not.

- I will make it.

Not I can, this is Iraq.

Does Arabic mean?

- Arabic, that is, this

it is important evidence.

How does he/she know that it is important?

- Good, we will discover if it is important

I have people that can translate this for my.

They are not here now, this way

that you have to leave.

How does he/she know that it is evidence?

Will we discover if it is evidence, it is well?

Jounsey, let us take out this people of here

thank you to come.

- Well people walking.

Move!

- It is well.

Move now!

Is this the type?

- To the floor.

Bring it!

Below!

Hands against the wall!

I have it.

It is free.

- Of knees.

That is, below.

Give me the bag.

- I will put him/her the bag.

It is inoffensive,

why does it use the cover face?

Why does it use it?

Because once he/she has he/she cannot run him

neither to see.

Not he/she can breathe with that.

Is it for sure he/she can breathe?

If, he/she can breathe,

does he/she listen to it breathing now?

Is it sure?

If, I am for sure he/she can breathe.

Come unfastened!

She said that the back

of the gentleman it is broken,

can that understand?

Not I will load to that garbage.

- We go, all out.

Vmonos.

One, two.

Vmonos, move.

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Brian De Palma

Brian Russell De Palma (born September 11, 1940) is an American film director and screenwriter. In a career spanning over 50 years, he is best known for his work in genres such as suspense, psychological thriller, and crime drama. His prominent films include mainstream box office hits such as Carrie (1976), Dressed to Kill (1980), Scarface (1983), The Untouchables (1987), and Mission: Impossible (1996), as well as cult favorites such as Sisters (1973), Blow Out (1981), Body Double (1984), Carlito's Way (1993), Femme Fatale (2002) and Redacted (2007).De Palma is often cited as a leading member of the New Hollywood generation of film directors. His directing style often makes use of quotations from other films or cinematic styles, and bears the influence of filmmakers such as Alfred Hitchcock and Jean-Luc Godard. His films have frequently garnered controversy for their violence and sexual content, but have also been championed by prominent critics such as Roger Ebert and Pauline Kael. more…

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Submitted on August 05, 2018

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