Redacted Page #4

Synopsis: A montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war.
Genre: Crime, Thriller, War
Director(s): Brian De Palma
Production: Magnolia Pictures
  5 wins & 2 nominations.
 
IMDB:
6.1
Metacritic:
52
Rotten Tomatoes:
45%
R
Year:
2007
90 min
$100,000
Website
184 Views


Move, go back!

Many children have that

to go by the barriers

to go to classes.

Are we well?

He/she comes here.

It is well, here.

Lift the arms,

that is.

Lift the arms!

- Arms!

Arms!

Arms!

From the camp Carolina, this it is the one

first poker episode.

Why don't you turn off the damned camera?

- Not they do come this in the tv?

When it blindfolds my program

and all are stars,

it can be appreciated

then, how's it going that?

It is well, we will make that,

why don't you play once and for all?

I am playing.

- Not you can pay this.

Sally.

- Do we go, excrement head, are you or not?

It is well.

- He/she stops to joke.

I am... it was.

Away from new.

It is always out.

- I have two letters and they are very good.

How does he/she go to Reindeer?

It seems that very well.

She is my favorite one, I like her.

She leaves like a good girl.

What do you have this gentleman?

- It is pretty that of the king of swords.

Not ask if he/she doesn't want that you

say.

Is it well, what is it happening now?

Flake, what do you need?

Flake needs 3 although it is difficult

to leave the king of clovers.

If, of sure it is it.

- It is well.

Look at this.

- Strange boy.

One.

Are the letters thirsty or something?

I will go ahead.

- I am thirsty.

What?

- Did you say that you continue him/her?

Which is the great thing?

- No, only it is a good strategy.

Do you have an Ace, at least, friend?

I have an Ace and I made it with her.

We have more.

Of what do you speak?

How more?

The orders of last week.

- I didn't see them.

Old, we will go to Farris.

- To the house of Farris.

Of what do they speak?

We have just been there,

there is not anything in that house.

How you can say that that garbage

anything is not?

We go, old.

We will take some Iraqis, we will go to that

he/she marries and we will leave our gift of war.

That is correct.

Well, you if that are crazy.

- It turns off that damned thing.

- No, have it fastened.

It is outside of the registration,

so it turns off the camera.

It is well.

- Jdete.

- Relax you.

They are very drunk.

- I see the more things undoubtedly you.

- What you say is not certain.

Hold.

What carajo should I see clearly?

What do we make here?

- What do we make here?

- If, what carajo do we make?

You know that we make, a new democracy.

And what is it so important on that?

There is a lot of importance.

We only make our work, we don't should

to think of it, we should only follow orders.

Welcome to the army.

- Don't this people love us here?

- Yes, they love each other.

They love each other dead and when they find out

we will be dead so...

meanwhile Rush and me...

I have to say it, be quiet and go away of

my because you don't make anything that it is worth.

Not I am a maricn because I don't want

to break doors, the doors already

they are broken, the contained father.

Do we wait an invitation?

Perfect, I will wake up the sergeant

and I will ask him/her that he/she thinks of it.

Not you will say anything.

Not I will say anything?

No, you won't say anything.

They know why the sergeant

doesn't he/she find out this?

because anything happened, because not even

they could make their work.

Come unfastened, pendejo!

- It is garbage!

- Sit down.

You can find your seat.

Can we play?

For heaven's sake.

What do you find Sally?

I believe that I will leave of here.

It is this way, baby.

- Sally has balls.

- What are there of you?

Is it seriously?

- Take off the hand of above.

- That you joda.

All drunks are, probably,

taking all type of drugs.

- Jodidos are.

- But...

If I go it is to make sure that they don't kill them.

- It is this way, when you go.

- They killed us.

Hello affection, I don't have a lot of time

but taenia that to send you this.

First want you to know that I love you a lot.

I miss you more to daily and I am not able to

to wait to speak to you to the face.

He/she was seeing the picture that you sent me

of you and the boys, he/she would want to be

there instead of here.

The boys have been drinking the whole day

and it seems that they will leave to look for problems.

Not I can stop them but I will go to

to make sure that they don't leave wounded.

You cannot come out to

to amuse here, it is very dangerous

I love you, Lawyer.

He/she knew that he/she was making hauls,

but he/she had not made an at one time.

that me toward feeling something sure.

I live for their calls and their conversations.

They help me to not worrying so much.

But today is...

Different.

I am very afraid.

Curse.

I put the mini camera here to be able to

to film us without the boys know it.

Not I want them to get scared.

- What will you make?

- Not him you.

I will be about making them reflect.

the darkness and they returned.

What is there of Sally?

- You already know.

- What is he/she making?

It will go out to the base with their camera

and he/she will tell them where we are.

Although it is not a good history?

A band of siblings losing the morals,

to retaliate of a 15 year-old girl.

Somebody that we could not save.

Hello Rush, how does he/she go you?

What do they make?

Smoking.

I thought that you left it.

No.

I never leave it.

Sh*t that such a temperament.

Some magpies in the walk.

Where is your team?

We go, let us think on this.

To the carajo with that.

Be quiet, I don't care it.

My stick needs hole, right now.

To no longer run me her coarse.

This drinks it is wounded.

All red and hurt is.

And there is not anything as a back Haji

that it will put me in movement.

Not you speak seriously.

It is seriously so you put on

your team and vmonos.

We go, put on your things.

Go away, be quiet.

Listen I never eat up.

If I listen to you saying something on

tonight, I will cut your head.

And I will give it to the dogs.

Did you understand?

Yes.

Good boy.

Now veto of here, Shakesperare reads.

Does Flake, speak to me, is a joke truth?

- This is a great joke.

- It Tolerates, Snowflake.

A joke, we are looking for rebels

and now you tell me, What carajo McCoy!

I speak of the 15 year-old girl.

You have to stop to consume that

because it is something slippery.

Not I play that thing.

What do you make? You should be

in another part.

Is he/she giving me a rden, soldier?

It is this way, release you of here.

Jdete.

- McCoy, didn't you enter?

- We go McCoy.

- Which is your excuse?

- Does it excuse of what?

Why do you participate of this?

I have to register what happens.

It is this way, you are the fly in the wall.

I believe that you are a damned jackal.

- You pull up the meat to the deads.

- I will be able to make an appointment in that.

Clear, make it, I have something more

clever?

He/she looks at your friends of the means that

they sold their souls for a talkshow

- Because that is what you are.

- It is my entrance free to the cinema school.

Well made, remove everything, he/she cries to cry.

Care, Mc, I don't want

that you trip yourself

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Brian De Palma

Brian Russell De Palma (born September 11, 1940) is an American film director and screenwriter. In a career spanning over 50 years, he is best known for his work in genres such as suspense, psychological thriller, and crime drama. His prominent films include mainstream box office hits such as Carrie (1976), Dressed to Kill (1980), Scarface (1983), The Untouchables (1987), and Mission: Impossible (1996), as well as cult favorites such as Sisters (1973), Blow Out (1981), Body Double (1984), Carlito's Way (1993), Femme Fatale (2002) and Redacted (2007).De Palma is often cited as a leading member of the New Hollywood generation of film directors. His directing style often makes use of quotations from other films or cinematic styles, and bears the influence of filmmakers such as Alfred Hitchcock and Jean-Luc Godard. His films have frequently garnered controversy for their violence and sexual content, but have also been championed by prominent critics such as Roger Ebert and Pauline Kael. more…

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Submitted on August 05, 2018

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    "Redacted" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/redacted_16725>.

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