Redacted Page #5

Synopsis: A montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war.
Genre: Crime, Thriller, War
Director(s): Brian De Palma
Production: Magnolia Pictures
  5 wins & 2 nominations.
 
IMDB:
6.1
Metacritic:
52
Rotten Tomatoes:
45%
R
Year:
2007
90 min
$100,000
Website
187 Views


Jdete.

Flake, is already enough.

You already had a good time, vmonos of here.

We don't still have a good time, we have just arrived.

Which is your problem?

Not we should be here.

Are we only here, do you know?

and we will find those weapons

- We are looking for evidence,

- What?

We look for weapons of massive destruction.

It is this way, I don't care what you/they say,

we will find them.

Not there is he/she swims here and you know it.

Not you can make this.

They are as weasels, the undergrowths

and after one week they are of turn.

- He/she is a 15 year-old girl.

- It is this way.

We will complete this mission,

we will conquer this territory.

It is a dog like everything

the rest of this country.

- I won't make it, friend.

- Damned traitor.

- I won't make it!

- Be quiet, carajo.

- Jdete!

- Not you are supporting the troops?

- What?

- Are you supporting to the troops?

Did I maybe fly your head?

Where your balls McCoy are?

I thought that you had a couple here.

Jdete!

How's it going your? where are your balls?

- Almost in the bottom.

- How's it going your, Sally?

Not I can hear you.

Not I can hear you!

- They are here same!

- That well!

It is well, prostitute's children,

remove this mollycoddle of here.

- Take out to the maricn!

- You are an imbecile.

Jdete!

Do you like that?

Did you miss me?

Did it arrive your hour, are you clever?

Wait!

Here, surrender.

Grab him/her the hand.

Grab it.

He/she Waits Flake.

This is their idea, they will kill her.

Do you have a problem with this?

Sh*t.

- He/she wanted to give me with this.

- Prostitute's son.

- Prostitute's children.

- Do you know that I made?

The mat to all.

To all.

- To each one of them.

- They were been.

Sally, they come here, I arrive the hour.

Take him/her the hand.

Does it list for the walk of your life?

Be quiet carajo!

Not say anything!

What did it happen there inside?

Tell it to me!

Carajo, that you speak?

McCoy!

- What did Rush happen?

- What are you making?

- What do you tell to Flakes?

- Only speaking of the climate.

- Of the climate?

- Loose it, Rush.

Go away! Go away Flakes!

I will behead you like to a pig.

If you move I break it.

- It would be very quick.

- Sh*t garbage.

- I want you to listen to me well.

- What carajo do you want?

At some time you did go to Vegas?

- What?

- Are you deaf?

- Do I speak to you very soft?

- I listen to you.

- Do you understand truth?

- If.

I will ask you another time,

at some time you did go to Vegas?

- If, if I have gone.

- What is it said?

What is it said on what happens there?

- That he/she stays there.

- I didn't listen to you.

What passes in Vegas stays there.

It is this way, I want you to think of our

travel as a walk to Las Vegas.

- It is well.

- Does he/she understand, soldier?

- If, Sr.

- Do you understand me?!

If, I listened to you.

There is sometimes that...

I swear for heaven's sake, for a boy of

university, you are really stupid.

Where is Flake, Rush?

What carajo do you care?

So that you know it, Flakes is inside.

Sleeping as a bebito.

Do you know like that is true?

The last time that you/they sucked it to you and did you throw?

- Where were you, Mc?

- How that where it was?

What did it pass with you?

I left, it was of guard and Flake me

did it put a he/she arms in the face, do you remember?

It is this way. You were of guard.

Did you dress something?

- No, I didn't see anything.

- That is good.

Were you of guard, not?

- It was dark also.

- If, enough.

How's it going the fire?

did you dress him?

Was there a fire?

If, you didn't dress him?

Not he/she could, it was turned to the house.

I suppose that I didn't see it.

It is good.

- How's it going of the rebel?

- How insurgent?

Many, we had to leave of there

because they left all parts.

That me jodi.

It was something as left of GI Joe.

Not we want to be between

of crossed civil fire.

So the rebels

they made the fire.

It should be this way.

Do you want to know because?

Because when not us

they try to kill us

they are that they are killed among if.

How was it informed?

They called me in the dawn, in prison.

What did they say?

They told me that it had been a slaughter in

vengeance for those

insurgent Sunni, Lies.

Why?

I am sunni. My father is. it was a Sunni.

Why would they harm to my family?

Then they told me that they were those

Muslim shitas. More lies.

Did you go to the house?

If, enter to the house.

My wife was with my father...

sat down there.

dead open eyes... fixed.

My daughter...

The baby was in the corner...

Farah was face up in the room.

Their open legs...

A bullet hole in their face.

their burnt body...

Such an act to my family only can

to be cleaned with blood.

A neighbor reports that he saw a group

of soldiers from USA entering to their house.

The army has begun

an investigation...

Lies, lies. Us not

we recognize their court.

This is a crime.

it won't be forgotten.

When did you begin to have these dreams?

A couple of nights ago.

Not he/she could sleep, he/she didn't want.

Can you remember something?

Something that has unchained it?

If, after Sweet died

it was shooting when it happened.

They flew him in pieces and

their arm key my front.

- Did you dress the video?

- A couple of times.

Then I stopped but it followed it

seeing in my head.

There it is when I began to hate all.

To all the Haji.

Not he/she could see them and it was always angered,

then he/she could not sleep and every time

that he/she made it he/she had the same dream

of her body burning.

- Of her?

- No, of the one.

The body of Sweet.

He/she mixes in my head.

Are you publishing a newspaper?

If, it leaves here of my experiences.

I want to use them to enter

to the cinema school.

Is this part of your experience?

- To Speak with You.?

- If.

To speak with me.

I can no longer make it.

There are things that you should not see and only

because you make it you are part of it.

That is what all make,

they look and they don't make anything.

They make a video so that him

see people and they don't make anything.

I have to be said it to somebody.

He/she is becoming crazy.

Dad, if it passed something,

something very horrible...

and you knew who is responsible.

Is your duty not to say it?

What did you make?

Not I made anything, he/she swims at all.

- A couple of my friends.

- Members of your squadron?

If.

I hope you realize the serious thing

that it is the situation.

If, I realize.

- Not we need scandals.

- That understands it.

If your brother failed,

that is reflected in all.

It was a crime, Sr.

I believe that it should have positions.

Listen to me son, him

first that they questioned

if this arrives to court it will be your good sense.

- My good sense?

- It is this way.

To bring this way positions.

I don't care it.

I don't care it.

Here I am he/she suckles in the center of

Samarra to buy you a gift.

I have filmed incredible things,

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Brian De Palma

Brian Russell De Palma (born September 11, 1940) is an American film director and screenwriter. In a career spanning over 50 years, he is best known for his work in genres such as suspense, psychological thriller, and crime drama. His prominent films include mainstream box office hits such as Carrie (1976), Dressed to Kill (1980), Scarface (1983), The Untouchables (1987), and Mission: Impossible (1996), as well as cult favorites such as Sisters (1973), Blow Out (1981), Body Double (1984), Carlito's Way (1993), Femme Fatale (2002) and Redacted (2007).De Palma is often cited as a leading member of the New Hollywood generation of film directors. His directing style often makes use of quotations from other films or cinematic styles, and bears the influence of filmmakers such as Alfred Hitchcock and Jean-Luc Godard. His films have frequently garnered controversy for their violence and sexual content, but have also been championed by prominent critics such as Roger Ebert and Pauline Kael. more…

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Submitted on August 05, 2018

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    "Redacted" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/redacted_16725>.

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