Rent Page #5
MIMI:
The heart may freeze or it can burn
The pain will ease if I can learn
There is no future
There is no past
I live this moment as my last
There's only us
There's only this
Forget regret
Or life is yours to miss
No other road
No other way
No day but today
ROGER:
Excuse me if I'm off track
But if you're so wise
Then tell me why do you need smack?
Take your needle
Take your fancy prayer
And don't forget
Get the moonlight out of your hair
Long ago you might've lit up my heart
But the fire's dead ain't never ever gonna start
Another time another place
We'd be in outer space
It'd be another song
We'd sing another way
Come back another day
Another day
MIMI:
There's only yes
Only tonight
We must let go
To know what's right
No other course
No other way
No day but today
(Lights slowly fade up on the Life Support group)
MIMI & OTHERS
I can't control
My destiny
I trust my soul
My only goal is just
To be
There's only now
There's only here
Give in to love
Or live in fear
No other path
No other way
No day but today
ROGER:
Control your temper
She doesn't see
Who says that there's a soul?
Just let me be
Who do you think you are?
Barging in on me and my guitar
Little girl, hey
The door is that way
The fire's out anyway
ALL:
No day but today
No day but today
No day but today
No day but today
No day but today
ROGER:
Take your powder, take your candle
Take your brown eyes, your pretty smile, your silhouette
Another time, another place
Another rhyme, a warm embrace
Another dance, another way
Another chance, another day
(MIMI and the Life Support group members exit. One person, STEVE,
remains at stage right, above)
WILL I?
(Various locations)
STEVE:
Will I lose my dignity
Will someone care
Will I wake tomorrow
From this nightmare?
GROUP #1
Will I lose my dignity
Will someone care
Will I wake tomorrow
From this nightmare?
GROUP #2
Will I lose my dignity
Will someone care
Will I wake tomorrow
From this nightmare?
GROUP #3
Will I lose my dignity
Will someone care
Will I wake tomorrow
From this nightmare?
GROUP #4
Will I lose my dignity
Will someone care
Will I wake tomorrow
From this nightmare?
(ROGER puts on his jacket and exits the loft)
ON THE STREET:
THREE HOMELESS PEOPLE
Christmas bells are ringing
Christmas bells are ringing
Christmas bells are ringing
Out of town
Santa Fe
SQUEEGEEMAN:
Honest living, man
(He recoils as though he's almost been run over by a car)
Feliz Navidad
(Three POLICE OFFICERS, in full riot gear, enter and approach
sleeping BLANKET PERSON - The FIRST OFFICER pokes her with a
nightstick)
HOMELESS PERSON:
Evening, officers
(Without answering, the FIRST OFFICER raises his nightstick again)
MARK (pointing his camera)
Smile for Ted Koppel, Officer Martin
(The FIRST OFFICER lowers his stick)
HOMELESS PERSON:
And a Merry Christmas to your family
POLICE OFFICERS:
Right
(The POLICE OFFICERS stride offstage. MARK continues to film
BLANKET PERSON)
BLANKET PERSON (To MARK)
Who the f*** do you think you are?
I don't need no goddamn help
From some bleeding heart cameraman
My life's not for you to
Make a name for yourself on
ANGEL:
Easy, sugar, easy
He was just trying to
BLANKET PERSON:
Just trying to use me to kill his guilt
It's not that kind of movie, honey
Let's go this lot is full of
Motherfucking artists
Hey artist
You gotta dollar?
I thought not
(BLANKET PERSON crosses to downstage left with another
HOMELESS PERSON)
SANTA FE:
(The Street)
ANGEL:
New York City
MARK:
Uh huh
ANGEL:
Center of the universe
COLLINS:
Sing it girl-
ANGEL:
Times are shitty
But I'm pretty sure they can't get worse
MARK:
I hear you
ANGEL:
It's a comfort to know
When you're singing the hit-the-road blues
That anywhere else you could possibly go
After New York would be a pleasure cruise
COLLINS:
Now you're talking
Well, I'm thwarted by a metaphysic puzzle
And I'm sick of grading papers that I know
And I'm shouting in my sleep, I need a muzzle
All this misery pays no salary, so
Let's open up a restaurant in Santa Fe
Oh sunny Santa Fe would be nice
Let's open up a restaurant in Santa Fe
And leave this to the roaches and mice
Oh-oh
ALL:
Oh
ANGEL:
You teach?
COLLINS:
I teach , Computer Age Philosophy
But my students would rather watch TV
ANGEL:
America
ALL:
America
COLLINS:
You're a sensitive aesthete
Brush the sauce onto the meat
You could make the menu sparkle with rhyme
I could seat guests as they come
Chatting not about Heidegger, but wine
(with HOMELESS PEOPLE in the shadows)
Let's open up a restaurant in Santa Fe
Our labors would reap financial gains
ALL:
Gains, gains, gains
COLLINS:
We'll open up a restaurant in Santa Fe
And save from devastation our brains
HOMELESS:
Save our brains
ALL:
We'll pack up all our junk and fly so far away
Devote ourselves to projects that sell
We'll open up a restaurant in Santa Fe
Forget this cold Bohemian hell
Oh
Oh
COLLINS:
Do you know the way to Santa Fe?
You know, tumbleweeds...prairie dogs...
Yeah
I'LL COVER YOU
MARK:
I'll meet you at the show
I'll try and convince Roger to go
(MARK exits)
ANGEL:
Alone at last
COLLINS:
He'll be back, I guarantee
ANGEL:
I've been hearing violins all night
COLLINS:
Anything to do with me? Are we a thing?
ANGEL:
Darling... we're everything!
Live in my house
I'll be your shelter
Just pay me back
With one thousand kisses
COLLINS:
Open your door
I'll be your tenant
Don't got much baggage
To lay at your feet
But sweet kisses I've got to spare
I'll be there- I'll cover you
BOTH:
When they said you can't buy love
Now I know you can rent it
A new lease you are, my love,
On life be my life
(They do a short dance)
Just slip me on
I'll be your tenant
Wherever whatever I'll be your coat
ANGEL:
You'll be my king
And I'll be your castle
COLLINS:
No you'll be my queen
And I'll be your moat
BOTH:
When they said you can't buy love
Now I know you can rent it
A new lease you are, my love,
On life all my life
I've longed to discover
Something as true as this is
COLLINS:
So with a thousand sweet kisses
I'll cover you
I'll cover you
ANGEL:
If you're cold
And you're lonely
You've got one nickel only
I'll cover you
I'll cover you
COLLINS:
When you're worn out
And tired
When your heart has expired
BOTH:
WE'RE OKAY
JOANNE:
(on cellular phone)
Steve Joanne
The Murget case?
A dismissal
Good work counselor
(The pay phone rings. JOANNE answers it and begins a conversation
with MAUREEN simultaneously juggling two other calls on her cellular
phone)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Rent" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/rent_738>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In