Reservoir Dogs
- R
- Year:
- 1992
- 99 min
- 4,201 Views
1 INT. UNCLE BOB'S PANCAKE HOUSE - MORNING
Eight men dressed in BLACK SUITS, sit around a table at a
breakfast cafe. They are MR. WHITE, MR. PINK, MR. BLUE,
MR. BLONDE, MR. ORANGE, MR. BROWN, NICE GUY EDDIE CABOT,
and the big boss, JOE CABOT. Most are finished eating and
are enjoying coffee and conversation. Joe flips through a
small address book. Mr. Pink is telling a long and
involved story about Madonna.
MR. PINK
"Like a Virgin" is all about a
girl who digs a guy with a big
dick. The whole song is a
metaphor for big d*cks.
MR. BLUE
No it's not. It's about a girl
who is very vulnerable and she's
been f***ed over a few times.
Then she meets some guy who's
really sensitive--
MR. PINK
--Whoa...whoa...time out Greenbay.
Tell that bullshit to the
tourists.
JOE:
(looking through his
address book)
Toby...who the f*** is Toby?
Toby...Toby...think...think...
think...
MR. PINK
It's not about a nice girl who
meets a sensitive boy. Now
granted that's what "True Blue" is
about, no argument about that.
MR. ORANGE
Which one is "True Blue?"
NICE GUY EDDIE:
You don't remember "True Blue?"
That was a big ass hit for
Madonna. Sh*t, I don't even
follow this Tops In Pops sh*t, and
I've at least heard of "True
Blue."
MR. ORANGE
Look, a**hole, I didn't say I
ain't heard of it. All I asked
was how does it go? Excuse me
for not being the world's biggest
Madonna fan.
MR. BROWN
I hate Madonna.
MR. BLUE
I like her early stuff. You know,
"Lucky Star," "Borderline" - but
once she got into her "Papa Don't
Preach" phase, I don't know, I
tuned out.
MR. PINK
Hey, f*** all that, I'm
making a point here. You're gonna
make me lose my train
of thought.
JOE:
Oh f***, Toby's that little china
girl.
MR. WHITE
What's that?
JOE:
I found this old address book in a
jacket I ain't worn in a coon's
age. Toby what? What the f***
was her last name?
MR. PINK
Where was I?
MR. ORANGE
You said "True Blue" was about a
nice girl who finds a sensitive
fella. But "Like a Virgin" was a
metaphor for big d*cks.
MR. PINK
Let me tell ya what "Like a
Virgin"'s about. It's about some
cooze who's a regular f***
machine.
I mean all the time, morning, day,
night, afternoon, dick, dick,
dick, dick, dick,
dick, dick, dick, dick, dick,
dick.
MR. BLUE
How many d*cks was that?
MR. WHITE
A lot.
MR. PINK
Then one day she meets a John
Holmes motherf***er, and it's
like, whoa baby. This mother
f***er's like Charles Bronson in
"The Great Escape." He's diggin
tunnels. Now she's gettin this
serious dick action, she's feelin
something she ain't felt since
forever. Pain.
JOE:
Chew? Toby Chew? No.
MR. PINK
It hurts. It hurts her. It
shouldn't hurt. Her p*ssy should
be Bubble-Yum by now. But when
this cat fucks her, it hurts. It
hurts like the first time. The
pain is reminding a f*** machine
what is was like to be a virgin.
Hence, "Like a Virgin."
The fellas crack up.
JOE:
Wong?
MR. PINK
F*** you, wrong. I'm right! What
the f*** do you know about it
anyway? You're still listening to
Jerry-f***ing-Vale.
JOE:
Not wrong, dumb ass, Wong! You
know, like the Chinese name?
Mr. White snatches the address book from Joe's hand. They
fight, but they're not really mad at each other.
MR. WHITE
Give me this f***ing thing.
JOE:
What the f*** do you think you're
doin? Give me my book back!
MR. WHITE
I'm sick of f***in hearin it Joe,
I'll give it back when we leave.
JOE:
Whaddaya mean, give it to me when
we leave, give it back now.
MR. WHITE
For the past fifteen minutes now,
you've just been droning on with
names. "Toby...Toby...Toby...
Toby Wong...Toby Wong...Toby
Chung...f***in Charlie Chan." I
got Madonna's big dick outta my
right ear, and Toby Jap I-don't-
know-what, outta my left.
JOE:
What do you care?
MR. WHITE
When you're annoying as hell, I
care a lot.
JOE:
Give me my book.
MR. WHITE
You gonna put it away?
JOE:
I'm gonna do whatever I wanna do
with it.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Reservoir Dogs" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/reservoir_dogs_132>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In