Restless Natives Page #5
- PG
- Year:
- 1985
- 90 min
- 599 Views
THEY WAN IDENTITY CARDS, RONNIE,
SAYING THEY'RE MEMBERS.
LOOK...
KEEP YOUR HEAD, OK?
LOOK, LOOK, YOU'RE
YOU KNOW, LIKE,
MUTILATION.
MAYBE I COULD--
[DIAL TONE]
HELLO?
HELLO?
MR. ILLINGWORTH.
EXCUSE ME.
THERE'S A LADY HERE
AH, YES, HELLO.
EXCUSE ME, SIR.
[GONG]
[MAN ON TV
SPEAKING JAPANESE]
[POLICE SIREN]
[SHOUTING
IN JAPANESE]
IN JAPANESE]
DOMO ARIGATO...
FIND THIS BIKE?
Ronnie:
WHAT?SIT THERE MOPING?
[YELLING IN JAPANESE]
COME ON.
HE'S HARDLY
A MOTORWAY.
YOU'RE ABSOLUTELY
DREADFUL AT DRIVING.
COME ON!
Will:
SLOW DOWN!RONNIE, SLOW DOWN!
AFFIRMATIVE.
WE READ YOU.
THERE IS:
NO GLENN MILLER.
I KNOW THERE'S NO A GLENN MILLER.
AS GLENN MILLER.
GLENN MILLER WAS
THE COMPOSER,
YOU KNOW, CONDUCTOR GUY--
"IN THE MOOD."
[HUMMING MELODY]
Will:
[SPEAKING JAPANESE]
RONNIE, I JUST...
NOW THROW IT!
THROW IT!
EH?
OH, JEEZ!
ME! MY GOODNESS!
COME IN, CONTROL.
I'VE BEEN WAITING
AAH!
[SIRENS]
[CLUCKING]
[REVS MOTORCYCLE]
GET 'EM!
THE BEACH! THE BEACH!
[HORN HONKS]
[SIRENS]
THAT WAS NEARLY I THAT TIME, YOU KNOW.
THOSE MINI ROCKETS,
DIDN'T YOU?
THINGS WOULD HAVE BLOWN THEM UP!
[TELEPHONE RINGING]
I'M BUSY!
THAT'S A LIE.
OK, BEN, LISTEN.
OF A PROBLEM.
I SAID I DON'T HAVE
THAT PROBLEM!
[SIGHS]
YEAH, YEAH. CALL ME.
COMMENTS, MR. BENDER.
THAN THAT, MR. BAIRD.
FROM YOUR MR. SECRETARY.
YOU'VE GOT, MR. BENDER.
RONNIE?
[BOTTLES CLINKING]
[CHATTERING]
AH, WELL, I'M--
WHAT'S THAT SMELL?
Nigel:
COME ON, RONNIE.ON YOUR WOMAN.
HIYA, BIG BOY.
COME AND JOIN:
THE PARTY.
[CHANTING]
HIS NAME'S NIGEL.
MARGOT. HE'S DANGEROUS.
BITE BRUCE'S HEAD OFF.
[CLICKS TONGUE]
NO. HE'S REALLY
LIKE THAT. HE WOULD.
HE CAN DO:
THIS HOLD-UP
WITH US TOMORROW.
IT'S ALL DIFFERENT.
THE STRATHOUT RUN
WITH HIM!
PLUS, THE WOMEN'S
INSTITUTE OUTING.
LOOK, IT'S A ROTTEN
BUSINESS, WILL,
AND YOU'RE BETTER OFF
OUT OF IT.
I SAID I'D GO.
RUN AWAY, MARGOT.
THINK, WILL.
WHAT ABOUT ME?
THERE'S NO ROOM
ON THE BIKE.
A SIDE CAR.
[SIGHS]
IT WAS GREAT.
GREAT ABOUT IT.
YOU'RE SO STUPID.
YOU'RE SO STUPID,
YOU CAN'T SEE THINGS
HAVE CHANGED NOW.
WILL, DO YOU NO KNOW THAT I...?
MARGOT, DON'T GO.
YOU'LL GET COLD.
MARGOT.
OK. EASY.
YEAH, WE'VE HAD
WHERE'S YOUR FRIEND?
Doll:
MOMMY![CLEARS THROAT]
I'M NOT GOING.
OK.
DON'T WORRY.
I'LL MAKE SURE YOU GE YOUR SHARE OF THE MONEY.
IT'S A COMPLETELY DIFFEREN BALLGAME NOW, ANYWAY.
YOU'RE PROBABLY
TO DO TOMORROW?
SOME STATUS.
IT'S THE WOMEN'S
INSTITUTE, RONNIE.
LOOK, PENNYCOOK.
HIDING IN PENNYCOOK.
LOOK...
I'M NOT INTERESTED IN YOU
AND YOUR WOMAN!
YOU JUST HAVEN'T GO A CLUE, HAVE YOU?
BEATTY.
RIGHT.
SO, WHAT'S MY NAME?
RONNIE!
RONNIE WEATHERSPOON.
LOOK, I DON'T KNOW
WHO'S DOWN THERE.
SEE, THAT'S WHERE
ME AND YOU ARE DIFFERENT, PAL.
I DON'T HAVE PEOPLE
I'M GOIN' PLACES.
AND I DON'T WAN ANY BAGGAGE WITH ME, RIGHT?
RIGHT.
RIGHT.
JELLY SANDWICHES!
JELLY SANDWICHES!
THOUSANDS OF:
JELLY SANDWICHES!
FOR THAT BIKE.
A SANDWICH,
AND I SMUGGLED I OUT OF MY HOUSE FOR YOU.
AND YOU DON'T HAVE
AND THE WOLFMAN?
YOU ARE A CLOWN.
YOU'RE A CLOWN!
LEATHER COAT.
AND WHO'S GONNA
CARE FOR YOU:
MEET A COUPLE OF
BIGGER THAN YOU?
WHO'S GONNA CARE
FOR YOU THEN, EH?
LOOK AT THIS.
CIRCLED WAS A HOLD-UP
THAT'S SCHEDULED TOMORROW.
IN 24 HOURS.
CUP OF COFFEE?
STICK YOUR HEAD:
IN IT, CHANTY.
YOU WANT ME:
TO CALL BAIRD?
OK, ANGELFACE.
Doll:
SING TOTHE NEXT SONG.
BAA, BAA, BLACK SHEEP
Policeman joins:
YESSIR, YESSIR
3 BAGS FULL
WHERE'S MOM?
GONE TO AEROBICS.
RIGHT. YOU'LL HAVE TO
TO BECOME A PRIEST,
BUT I'LL SEND HER
A POSTCARD.
RIGHT.
WHO? WHO'S GOT HER?
THE PIGS.
SHE WON'T CRACK.
I'LL TELL 'EM ABOU HUNG BOBBY MARTIN.
RIGHT. I'VE GOT ONE
[TELEPHONE RINGING]
EXCUSE ME.
HELLO? NO.
SHE'S NOT HERE.
TOMORROW SHE'S
OK.
ON THAT BUS.
RONNIE?
SHALL I COME TOMORROW?
AYE.
ISN'T IT?
WE'RE STILL GOING.
ONE MORE TIME:
TO STRATHOUT.
FUNNY BUSINESS.
AYE.
MR. BAIRD.
WHAT?
TELEX FROM:
"OPERATION BANDIT."
GET BENDER.
HE'S GONE.
AYE?
EVERYTHING'S
CHANGED.
THEY'RE HERE. THEY'RE
Big Country:
ALONE AMONGTHROUGH SUMMER SUN
AND WINTER SNOW:
THE EAGLE:
[HORN HONKING]
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Restless Natives" Scripts.com. STANDS4 LLC, 2024. Web. 4 Nov. 2024. <https://www.scripts.com/script/restless_natives_16825>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In