Rhythm on the River
- Year:
- 1940
- 92 min
- 48 Views
d d [ Conga ]
Do people in New York always
act like this, Uncle john?
No, not always.
These are
theatrical people.
They're happy because
it's Christmas Eve and
they've all got jobs.
Doing what?
They're going to be in
Oliver Courtney's new show.
He writes the
words and music.
Which one
is Mr. Courtney?
Standing right here.
Where?
Here. See?
With the beautiful girl.
Every time you write a
new song, I could kiss you.
That spurs me to
greater effort, Millie.
Someday I must try
a symphony.
Oliver!
I don't suppose there's a
more successful songwriter
in the country today.
And who is the man
at the piano?
Huh?
That's Mr. Courtney's
assistant, Billy Starbuck.
He's sort of a
Jack-of-all-trades.
Everybody, let's have
a square dance.
Choose your partners.
But, Oliver, we came
to hear your music.
Yes.
Oliver, how 'bout playing
some of the music
for the new show?
Please, Oliver.
I've got nothing
presentable yet.
You said you'd play one
of the songs tonight.
We came expressly
for that purpose.
He's just teasing.
Play my big number in which
I come out of the oyster.
Oyster?
Charlie, what's this
about an oyster?
Oh, I... forgot to tell you.
Grafskaya has done us
comes out of an oyster.
That's just marvelous!
My song is called, ''What Would
Shakespeare Have Said?''
Play it. If it's good,
we'll have her come out of
a big volume of Shakespeare.
[ Woman ]
Oh, that's impossible.
But then I can't wear
my bathing suit.
Never mind that.
Oliver,
we're all waiting.
[ Whistles ]
Charlie, would you
excuse me for a moment?
Excuse me, everybody.
Oh, he's not
going to play!
Keep that other door closed.
Don't let anyone in.
This is a fne time
to be getting here!
Where have you been?
Who me? I've been visiting
my uncle at Tarrytown.
Yes, you.
Don't you realize I've got
a room full of people
waiting to hear the new song?
Well...
here she is!
It's wet.
That's sweat.
How'd it work out?
Don't you want
to hear it?
It's a good idea to know
what you've composed.
All right.
Play it over softly.
Sing the lyrics.
This may be a
little tough for you.
Is this your
handwriting?
Yes, sir.
Want me to play it
the way it's written?
I will, honeysuckle.
Hey, hey, hey!
Wait, wait.
Is that in there?
[ Chuckles ]
d What would Shakespeare
have said d
d If he had ever
seen you d
d Well, that's exactly what
I've been trying to say d
d Take charming
and adorable d
d They're practically
obsolete d
d And I think
it's deplorable d
d To depend on a word
like sweet d
d What would Shakespeare
have said d
d If you had lived
in his day d
d I only know how immensely
thrilled he would be d
d I love you
d He'd coin a phrase
instead d
d 'Cause you're oh, so
Darn it d
d What would Shakespeare
have said d d
That's easily
the best thing
you ever wrote.
Thanks.
Thank you.
Have you got
the orchestrations?
Here's the piano part.
Here's the brass.
Here's the reeds.
The strings--
Oh, here's the strings.
Here's the bass part.
There you are.
Thanks.
There's a man writes
a great lyric!
d What would Shakespeare
have said d
d If he had
ever seen you d
d Well, that's exactly what
I've been trying to say d
Lovely!
d Take charming
and adorable d
d They're practically
obsolete d
d And I think
it's deplorable d
d To depend on a word
like sweet d
She doesn't get any life
into it, no bounce.
Don't you think so?
It's lavender
and old lace...
but it's gruesome.
d I only know how immensely
thrilled he would be d
d I love you
d He'd coin a phrase
instead d
d 'Cause you're oh, so
Darn it d
d What would Shakespeare
have said d d
What would you like now?
Some more of my stuff?
Go on,john.
Give 'em some more.
Um, forgive me for
Just a minute, will you?
Say, it went over pretty good,
didn't it?
Oh, pardon me.
I was just going.
No, no.
Wait a minute, Bob.
and everything,
I have a little surprise
for you.
You have?
You've been writing tunes
for me for about a year.
Mm-hmm.
If it weren't for my lyrics
and my name on them,
never gotten to frst base.
But you've been loyal,
very, very loyal.
I haven't told a soul.
Um, yes, um--
I don't want you to think
I don't appreciate it.
Therefore, Mr. Starbuck and I
have decided to
offer you a contract.
Contract?
for three years, no options.
All you have to do is continue
to keep your mouth shut.
And write good tunes.
[ Chuckles ]
Naturally.
Come on, lazybones.
Come on over here.
Sign right here
on the nervous line.
Thanks.
because that's part of my job.
But I don't want any contract.
[ Together]
You don't want any contract?
No.
Why not?
In the frst place,
I don't like music.
You don't like music?
I like it when you're
feeling like singing.
But I wouldn't want
to make it my life's work.
The poor man's parasite.
What's the matter, haven't
you got any ambition?
Not much.
Good.
Wait, Starbuck.
Surely there must be
something you want?
Yeah, now that you
mention it, there is.
What is it?
A catboat.
A catboat.
Yeah. My uncle runs
this place in Tarrytown.
Yes, yes, yes.
But if you sign this
contract right away,
you can have a catboat now
on the installment plan.
Then you can sail around
and make up songs.
That's very nice.
But I'd rather not be
tied down to anything
unless it's a catboat.
If you mention that uncle again,
I'll fre you!
My uncle's
a very nice man.
Here's your fountain pen.
So long.
Say, is that a hep catboat
you want or just a catboat?
Just a plain, ordinary
old catboat.
Don't go too far.
That's why we got you
that cell downstairs.
I did want to visit my uncle--
No. There's a lot of work
in this new show...
and we want you around.
so much he can't do
He can't, huh?
Well, I'll see you later.
Wait a minute.
What?
What kind of a place is
this your uncle runs?
A nudist farm?
Oh, no, no,
nothing like that.
Just a little hideaway
on the river.
It's called Nobody's Inn.
Feather beds.
Hot and cold folding doors.
Have a card.
Built-in tea wagon.
Take some up to the union
next time you go there.
Ah, Nobody's Inn.
''Peace...It's wonderful.''
Why does he call it
Nobody's Inn?
He's a funny fellow,
my unk.
He won't let anybody in
But you can come up.
I might be able
to do somethin' for you.
And a Merry Christmas
to you too... Scrooge!
Merry Christmas, Bates.
Thank you.
Wait a minute, Bates,
what have you got there?
Telegram for Mr. Courtney,
sir.
Here, I'll take it.
You stay right here.
[ Whistles ]
Bates, are you
a registered nurse?
Why, no, sir.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Rhythm on the River" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/rhythm_on_the_river_16900>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In